Eastenders- Why is it struggling?
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I have watched the show since I can remember and it is a shame to see it struggling when it once attracted a staggering 30 million in 1986.
There seems to be a lot of problems with the show at the moment.
Firstly, there is a lack of what I call water cooler stories. They existed under Diederick Santer's tenure with the Danielle storyline and Stacey's bipolar. The acting and writing for these stories in particular was very good and earned the show awards as a result in particular for Lacey Turner's portrayal of Stacey.
Many argued that Santer was sensationalist and devised stories that were designed to shock. For me though, the bipolar story helped my friends understand my condition and what I went through and for me it was Eastenders at its best. Dealing with difficult issues head on.
Another issue is the lack of family units on the show. Zainab and Masood have recently broke up over Syed and his decision to squander the £12,000 on a failed business investment. Tanya and Max and Kat and Alfie are the only two couples on the Square at the moment. The rest of the characters are either related through birth or are friends with each other. In the first few years of the programme, we had Ali and his wife, Pauline and Arthur and Kathy and Pete to name but a few. Now, few exist and there is rumours Kat and Alfie are to split which will reduce that number to one.
Finally, there seems to be a lack of effort in the show as there is not the wow factor there once was. I sometimes rewatch old episodes from the 1999-2002 era of John Yorke and regardless of what day it is, something significant seems to be going on. Whether this be Ian's bankrupcy or the Kat and Zoe story. Every week seemed to lead on to another huge reveal or big story.
Now watching Friday nights show the only two stories seem to be Lola fighting for custody of Lexi and Christian and Syed's relationship break up. These stories are poor in comparison to Who Shot Phil which really got people who were perhaps not interested in the show watching with curiosity as to who pulled the trigger.
I feel Lorraine Newman is crucial to securing the shows future. If she does not stamp her mark on the show and introduces characters and stories that interest and enthrall the viewing public, I can see viewing figures decreasing dramatically.
We then could be seeing Kat call last orders at the Vic for the final time.
There seems to be a lot of problems with the show at the moment.
Firstly, there is a lack of what I call water cooler stories. They existed under Diederick Santer's tenure with the Danielle storyline and Stacey's bipolar. The acting and writing for these stories in particular was very good and earned the show awards as a result in particular for Lacey Turner's portrayal of Stacey.
Many argued that Santer was sensationalist and devised stories that were designed to shock. For me though, the bipolar story helped my friends understand my condition and what I went through and for me it was Eastenders at its best. Dealing with difficult issues head on.
Another issue is the lack of family units on the show. Zainab and Masood have recently broke up over Syed and his decision to squander the £12,000 on a failed business investment. Tanya and Max and Kat and Alfie are the only two couples on the Square at the moment. The rest of the characters are either related through birth or are friends with each other. In the first few years of the programme, we had Ali and his wife, Pauline and Arthur and Kathy and Pete to name but a few. Now, few exist and there is rumours Kat and Alfie are to split which will reduce that number to one.
Finally, there seems to be a lack of effort in the show as there is not the wow factor there once was. I sometimes rewatch old episodes from the 1999-2002 era of John Yorke and regardless of what day it is, something significant seems to be going on. Whether this be Ian's bankrupcy or the Kat and Zoe story. Every week seemed to lead on to another huge reveal or big story.
Now watching Friday nights show the only two stories seem to be Lola fighting for custody of Lexi and Christian and Syed's relationship break up. These stories are poor in comparison to Who Shot Phil which really got people who were perhaps not interested in the show watching with curiosity as to who pulled the trigger.
I feel Lorraine Newman is crucial to securing the shows future. If she does not stamp her mark on the show and introduces characters and stories that interest and enthrall the viewing public, I can see viewing figures decreasing dramatically.
We then could be seeing Kat call last orders at the Vic for the final time.
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"1986" being the key bit of information there.
1986 being a time where TV had four channels and no SKY+ or iPlayer or pretty much any form of television on demand without having to resort to blank tapes.
A useless comparison when the way we watch television has completely revolutionised since.
The show has had way worse lulls in viewing figures before this and probably will again in the future.
Having said that, I do agree with the rest of your post.
I find EastEnders in a really bad place right now. The quality of the stories are poor. There is no family centric drama anymore. Everything is plot driven. I miss the days when we had four/five big storylines runnings and they were all individually interesting. Characters were also more rounded and 3D. Now they appear rather one-dimmentional. There is also a lack of community interactions and strong friendships.
I've been watching EastEnders since the early 90's and this is, IMO, the worst it's ever been.
I do think if they dont act to fix these problems soon its going to end up beyond repair. Its like they have buried their heads in the sand over the problems. EE has been down for so long now. Thats why viewers are slowly slipping away. Another
You're right.
A few of ex-Hollyoaks writers joined the show. I haven't seen their names pop up for months now.
The old EastEnders storyliner who left at the same time as Kirkwood works at Hollyoaks now as well.
The storylines aren't exactly the most interesting at the moment. And the families are all far too interconnected, it's beginning to get weird. Axe some families and bring in some new ones..
But the ratings reflect little. All they do reflect is that people are probably tuning in at a later date.
Sorry but ratings do reflect. I'm sick of EE fans on here shouting from the roof tops when EE gets a massive rating yet when it gets a small rating its brushed off as ''ratings don't matter''. You have to laugh at it.
The Friday repeat is barely hitting 0.5m . Thats terrible. The BBC Three episodes have also started to shed viewers since it was pushed back 30 minutes. Its down across ALL networks. Not just BBC One.
You've summed it up well: no heart. Used to be such a great show. I still watch it but it's missing humor, too.
Regarding the omnibus -
Is it really ''terrible''? It's on at midnight-2pm.
The strange thing is since Bryan Kirkwood returned to Hollyoaks along with a few old writers and Kathleen Beedles it has improved immensely in a small space of time, thanks to rewrites/reshoots over the summer which changed the direction of the show and made things much stronger. Meanwhile nothing seems to have changed at EE and Kirkwood is still getting the blame for everything that's on screen.
The problem isn't the actors. Ok, so Joey and Tyler aren't the best, but there's been loads of actors that aren't the best. Look at Kirk in Corrie. But he works because the writing in Corrie used to be much better than the standard in EE (although now they're starting to go down the same route EE has gone down, ditto Emmerdale). Throwing returning names and creating 'iconic' members of old families isn't going to work for EE any more: the root problem lies behind the scenes, with the producers and the writers who are churning out this muck. And sadly, there's nothing we can do to stop it.
Also all the characters seem to be related and to many brannings. Characters also coming in and out when they feel like it - there is no consistency.
Also characters seem to change personality - ian tanya and a few others.
I used to never miss an episode of eastenders. Now i can take or leave it. Have started watching emerdale now ( i never thought i would be a fan - i used to hate it!)
They definitely need a new family like the millers or the slaters.
100% agree. The humor and heart of the show is missing. No caring characters.
Yes, there is a decided lack of warmth in the majority of characters. Any bond formed, whether a relationship or within a family, is doomed to be shattered at the whim of the writers.
Also, Eastenders is fighting with other soaps to win viewers and it seems that the other soaps are winning because they have better storylines/characters/actors?
I miss the old days of Eastenders with Trevor & Little Mo, Kat & Zoe's reveal, Stacey's bipolar. It has gone downhill recently. We need better writers and better storylines.
BIB After Christmas I suspect we won't have one relationship or family left undamaged or broken.
They try to be to current.
Lorraine Newman chose to honour Bryan Kirkwood's work on EastEnders which was probably the right decision.
From what I know of Hollyoaks they can easily tear things up at the last minute, or at least that's the way it seems as the same thing was happening in the Paul Marquess era, maybe their younger cast are less discerning about this type of thing. For EE it must be harder and soaps plan ahead on different time scales. I think it's far more important that Lorraine Newman focuses on EE's future rather than sending everyone into a panic with mass rewrites.
New blood is definitely the way forward - it worked for Santer and others. We've lost a number of characters over the past couple of years that were not replaced. It's depressing that whenever a newbie is introduced it's somebody young, Poppy's sister being the latest example although at least she is only in a guest role.
Unlike some I am not going to tell LN how to do her job and nor do I think I could make a better go of it but I wouldn't mind seeing a brand new family in the show.
Its just boring and as others have said its lost its heart.
EE's figures are only slightly below Corrie's at the moment. It's not as if it's being trounced by programmes with significantly higher figures.
Exactly this.
One thing worth pointing out about EastEnders' figures is that, while they might be considered a bit low for the time of year, they are at least remaining fairly consistent across the week. Corrie on the other hand started the week off with 9m but managed to shed over a million to get 7.79, on Friday - where are the excuses for that? I'd prefer to have a level of consistency rather than having one high rating and then slipping for the rest of the week.