Punk Britannia |
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#301 | |
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and yes, waterman WAS indie! by definition! |
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#302 | |
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i dont agree with your assesment of him though, i find him to be fascinating and a pleasure to listen to. imho hes one person with integrity. |
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#303 | ||
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but id still suggest that punk influence on...lets say guitar based music, certain styles anyway, is still there, the fashions are still there and can been observed much more clearly then disco. |
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#304 | |
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i didnt infer that he doesnt like them, if he says he did, he did. but the jam are a prime example of what punk did. they struggled to get noticed before punk, but punk changed the environment, the attitude of the generation as (as erasurehead suggested) hit the 're-load' button. |
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#305 | |
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as for the jam, the first single went top 40 when weller was 19 years old. the second single nearly made the top 10. the jam were very clearly mod influenced. they were very different from other punks, from sound to style. they could play properly and they dressed smartly. not a very good example of punks influence |
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#306 | |
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#307 |
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#308 | ||
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#309 | |
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But look at the second album "In the City". The first song, "Art School" kicks off with the very rock shout of "1-2-3-4" and is very clearly punk influenced. The rest of the album continues as a fusion of edgy rock and mod. By the next album things had settled down a bit again (including a cover of the Kinks' "David Watts") but while The Jam, particularly sartorially, were never a punk band I would strongly disagree that they're a bad example of punk's influence. EDIT: I might have got the order of the first two albums wrong...blame a hangover...both were released in '77...my point stands, though...punk influenced, haha |
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#310 | |
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In The City was The Jam's first album. Of course it's punk-influenced - Weller said as much on that show. This Is The Modern World was the second album and one I'm pretty sure Weller was never fully happy with. And I'm sure The Jam may have been accused of being mod revivalists - but they were a full two years before the actual mod revival of 1979 and toured with other punk bands ... however different they may have been musically from them. EDIT: Just seen your edit!
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#311 | |
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I'll tell you where the confusion comes from - I was a bit too young for punk when it happened but I caught the tail end of post-punk. I got into the Jam around the time of Eton Rifles so a mate of mine put the first two albums on tape for me...and stuck Modern World on side 1 and In the City on side 2. |
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#312 | |
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the thing about the mod revival of 79, it was largely on the back of the film 'quadrophenia' and the emergance of two tone. i think the time was ripe for a 60's revival, after all, the early 70's had a (glammed up) rock n roll revival starting with the moves last hit in 72 'california man'. |
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#313 | |
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Not sure about integrity though - he has admitted himself that a large number of his actions are motivated purely by gain. Having said that, he has also contradicted himself in the past, so no-one knows what he actually thinks. Another classic Lydon-ism is how, after Glen Matlock got booted out of the Pistols, Lydon would trash-talk him all over the place and play down his role within the band. When the Pistols first got back together, he obviously needed a bassist, and then started claiming that Matlock was one of the real Pistols. He referred to Sid Vicious as "a coathanger". |
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#314 | |
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weller is another to chop and change his mind. how come there are no punk tracks on his covers album of influences, but there are disco and folk rock tracks? you might not have wanted the types of music you listed, but other people did, that's why people bought it and went to see the bands or went to discos. much more people did that than did the same with punk acts |
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#315 | |||
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youtube is full of lydon interviews, i find them interesting, the blokes fascinating and speaks his mind. Quote:
but so what? is this a feeble attempt to suggest that because weller had a disco influence then punk had no impact? that would be ridiculous. Quote:
if people were happy with the music scene back in 76, then punk wouldnt, couldnt have happened. the fact that it did and change the musical landscape is EVIDENCE that people wanted a change. record sales slumped into the mid 70's, but rose to an all time high (then) by the early 80's... interest in music was fuelled directly because of punk. you can try to downplay punks legacy as much as you want to, im tired of going around in circles, i know my perspective is in line with a great many others who lived through the era and my view on disco isnt far off either. |
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#316 |
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this is an interesting quote from lydon regarding the bee gees
But you also want to be able to waffle like the Bee Gees. I love the Bee Gees, but not "Staying Alive." I love their '60s stuff. [Rapturously] I swoon in it. |
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#317 | |
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you are getting there with the jam now. there were many things that happened at the time. just because 2 or 3 things happen at a time doesn't mean they are linked wellers influences have nothing to do with punks impact. where did you get that idea? it doesn't matter what he liked or disliked record sales might have increased, but not because of punk, as only a small minority of people were into punk. most were into other styles like disco. surely the more popular style of music should take the credit for increased sales? i don't downplay punks legacy, i'm simply trying to put things into perspective as a result of you trying to downplay disco, the most popular genre at the time and one of the most popular genres of all time as for people buying other types of music, the record charts for both singles and albums from around the world are a few clicks away on the internet. what more evidence do you need? have a look at the top 20 and look at how little impact punk had sales wise compared to other styles |
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#318 | ||
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The more popular end of Punk's legacy is definately in the pop punk & at the other end extreme metal areas these days.Something you did not comment on since your 'true' tastes in music seem to be more to the mainstream side.A thing I quite often find with old Punker's - you all seem to pop music lover's at heart (even Disco fans quite often) - although are quite contradictory about it when pushed on the subject.Punk was basically a pop movement afterall / not an alternative / underground movement (first phase anyway). This 'guitar music' nonsense is getting tiresome as well - guitar music means anything from pop-rock, rock, hard / heavy rock, metal to extreme metal to me.A very, very vast area of music indeed.Seems to be used as some stupid secret code for defining a certain area of rock - which basically is based on personal interpretation of it's meaning.Could mean anything from Abba to Aborted basically.
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#319 | ||||||
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why shouldnt he have done it? or the butter ads? iggy does car insurance... Quote:
it was punk that created the climate for post punk and the variety, free thinking, experimentation, for it all to happen. Quote:
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yeah, cos disco influenced people to buy new wave, new romantics, two tone, rock, psychobilly, indie, goth... it wasnt punk at all... ![]() Quote:
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you have re-opened and old argument that i thought we had agreed about, namely that the true sales/impact attributed to both styles of music cannot be measured because its impossible to distinguish what was responsible for what. you make a silly comparison, what tf has todays sales got to do with what happened in 77?... |
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#320 | ||||
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![]() m8, i was there, i saw punks evolve from punks, to mods, to new romantics, thats what happened and as been mentioned, many new romantic artists were punks. and FUNK was what popular, not disco. yes any form can be done diy.... but back then it couldnt! thats the very reason 'indie' was created. the programme highlighted punks diy attitude and its that that created the rich, diverse post punk scene. Quote:
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ive always regarded mainstream as the shop window for what the greater scene is producing, im a fan of music, british chart music, i have a profound respect for the evolution of pop music, its been the backdrop to my life and i believe that no other country has produced such a variety of pop. yes we pinched (largely) american original music, but we anglacised it, made it ours, from blues, r n b , rock, punk, and even dance. |
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#321 | |||
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Plus, he still kept his integrity by walking out of the show in the last week when he was 1/3 odds on favourite to win (in the series which contained Kerry Katona, Katie Price & Peter Andre) because the producers renegaded on a promise to tell him his partner had arrived safely in the country. (They are understandably nervous of flying after they had tickets for the plane that was blown up over Lockerbie, but missed the flight due to traffic delays getting to their airport). As for doing the butter advert, not for the first time in UK pop culture, David Bowie opened the floodgates ... http://www.youtube.com/watch?v=eBvR08RD_-I Quote:
John Lydon famously lambasted the NME readership when they voted Kate Bush the worst act in the World in their readers poll in 1978. Quote:
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#322 | |
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it's ironic you try and say you understand punks legacy and i don't. punk didn't create the climate, it was a reaction to the climate. the same with most other things at the time, but people react differently. so whilst some wanted to moan about it in song, others wanted to dance their cares away and try and make the best of things and have a good time, and that's why disco was so popular both punk and disco, and every other style of music has influenced later music, but disco's influence was vastly greater across both the UK and the world by being the key influence in dance music. as with most other genres, punk included, other music influenced and inspired it, but the clear influence of disco to modern dance music, such as the original house music being created by disco dj's, is far clearer than any influence punk had on other genres, and the legacy can be measured by sales to show it's impact, both in the UK and around the world simply put, in the UK disco was more popular and sold more thank punk, and still does today as people still buy and listen to the music 30+ years on, so to try and argue that punk's influence was greater is one that can't be won |
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#323 | ||||
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the programme, i and others here on this thread who lived through that era has told you our first hand experience of what punk did, the social climate is created out of bleakness, the styles of music and fashion that punk inspired that have carried on to this day. all you can say about disco is that it was one link (crucial? maybe) in the development of dance music as we know it. but it wasnt responsible for it and thats the difference between the legacy of both genres. oh...and exactly what disco still sells today? ah yes, the beegees, boney m, and all the other cheesy chart material you dismissed for not being the real thing. |
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#324 | |
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disco music was enjoyed by people to wanted to forget about problems. but what exactly did people listening to punk do that was different? you must surely know yourself the type of people who followed the punk scene, getting off their heads just the same as people going to discos, perhaps doing far worse. there weren't any offshoots of disco that caused any problems to society unlike the racists and neo fascists who followed punk. i asked before, but you didn't give an answer as to what punk achieved positively via it's political protest just because your evidence doesn't support my view, doesn't mean it's not correct. you've made it quite clear you have a bias against disco and a number of other genres of music and it's clear you don't speak impartially and without bias again, it's only your opinion that disco didn't inspire todays dance music, even though house music was created by disco dj's and there is probably far more evidence to support that view than there is evidence of your points, as house and disco was far bigger not just in the UK but across the entire world and yet again, you raise another point that's been clarified. you just keep going over and over on the same points that have already been answered several times before, and ironically you say i don't accept or get it, but it's YOU that doesn't get it and won't accept it, regardless of the plain evidence and proof put to you. sales is a measure of impact and influence, and yes, that means westlife have a big impact and they are influential. so much so that we have boy band after boy band filling the charts with inane drivel, repeating the success of the successful boy bands that came before. if punk was more influential, and more successful, the charts would be full of that instead as for disco selling today, as i mentioned before, i don't think of the bee gees and abba when i think of disco, but you are quite correct in that they sell huge volumes. if you have a look at disco on amazon for example you will see some excellent disco compilations of real disco, such as salsoul, west end records, etc. not to mention all the tom moulton mixes, and all the great philly compilations. there are labels such as harmless records who do fantastic compilations of soul, funk and disco, and i don't think you will find a bee gees or abba track on them. strictly cheese free http://www.demonmusicgroup.co.uk/harmless but then if you bothered to do some research before posting, you would know all this already. trying to put across a point without fact checking or research is only going to show up the holes in your points |
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#325 | |
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There is still a massive industry involved with soul nights/all dayers/weekenders and these nights have spawned directly from what was called 'disco' in it's day. Caister Weekenders are still selling out and have waiting lists more than 30 years after they first started and Caister reunions take place every week all over the country and sell out every time. I know, I go gto many of them and I know many of the DJs who play Caister and run the various nights. The only difference is, no one really uses the word 'disco' anymore but the music played at Caister and the scene surrounding it is pure 1970's going up to mid 80's and solidly, 100% based on the disco scene. Philly is still massive. Just look at the 40th Anniversary box set released a few weeks back plus the re edits sets that have come out. The Back Beats label is releasing compilations that are all soul/disco based. How anyone can deny the influence and lasting legacy of disco is just
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pop punk band's & emo - of course Pro-punk's would refute that of course, because there's alot of bad music in those area's.Early '80's Hardcore Punk's legacy is with Extreme metal these days.

