Not a patch on Gladiator. The score alone propels Gladiator above 300, yet alone the narrative, acting, cinematography and above all else, the characterisation.
The battle sequences were also more historically accurate with a very decent attempt at depicting a flanking manoeuvre during the opening act.
But even Gladiator pales in comparison to the likes of Lawrence of Arabia, Ben-Hur and Akira Kurosawa's Ran.
Not a patch on Gladiator. The score alone propels Gladiator above 300, yet alone the narrative, acting, cinematography and above all else, the characterisation.
The battle sequences were also more historically accurate with a very decent attempt at depicting a flanking manoeuvre during the opening act.
But even Gladiator pales in comparison to the likes of Lawrence of Arabia, Ben-Hur and Akira Kurosawa's Ran.
Was the gas canister on the back of a chariot historically acurate too?
Not a patch on Gladiator. The score alone propels Gladiator above 300, yet alone the narrative, acting, cinematography and above all else, the characterisation.
The battle sequences were also more historically accurate with a very decent attempt at depicting a flanking manoeuvre during the opening act.
But even Gladiator pales in comparison to the likes of Lawrence of Arabia, Ben-Hur and Akira Kurosawa's Ran.
They're both regarded as 'swords and sandals' epics. In fact it was Gladiator that revitalised that dead genre, paving the way for the likes of Troy, Kingdom of Heaven, Alexander, Centurion, The Eagle, 300, King Arthur and so forth.
But that genre has been seemingly exhausted again and 'Biblical' epics are set for a return with Spielberg's Gods and Monsters, Aronofsky's Noah and Goliath all in the pipeline.
They're both regarded as 'swords and sandals' epics. In fact it was Gladiator that revitalised that dead genre, paving the way for the likes of Troy, Kingdom of Heaven, Alexander, Centurion, The Eagle, 300, King Arthur and so forth.
But that genre has been seemingly exhausted again and 'Biblical' epics are set for a return with Spielberg's Gods and Monsters, Aronofsky's Noah and Goliath all in the pipeline.
300 is based on a graphic novel and on fantasy and myths and monsters and was filmed entirely in front of a blue screen..techincally and and stylistically and story wise they are a world apart
300 is better compared to somthing like clash of the titans.
(which it was much better than)
Comments
Regards
Mark
I loved it, btw. Sparta! Sparta! Dine in hell! etc. An absolute hoot.
It was meant to look like that as it was based on the Graphic Novel, (or comic)
The battle sequences were also more historically accurate with a very decent attempt at depicting a flanking manoeuvre during the opening act.
But even Gladiator pales in comparison to the likes of Lawrence of Arabia, Ben-Hur and Akira Kurosawa's Ran.
Was the gas canister on the back of a chariot historically acurate too?
How can you compare gladiator with 300??
Its also not a patch on the never ending story
They're both regarded as 'swords and sandals' epics. In fact it was Gladiator that revitalised that dead genre, paving the way for the likes of Troy, Kingdom of Heaven, Alexander, Centurion, The Eagle, 300, King Arthur and so forth.
But that genre has been seemingly exhausted again and 'Biblical' epics are set for a return with Spielberg's Gods and Monsters, Aronofsky's Noah and Goliath all in the pipeline.
300 is based on a graphic novel and on fantasy and myths and monsters and was filmed entirely in front of a blue screen..techincally and and stylistically and story wise they are a world apart
300 is better compared to somthing like clash of the titans.
(which it was much better than)