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Blackpool Festival of Dance
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soulmate61
29-05-2009
Tonight was the quietest, all over by 10:30pm.

At 8pm the evening started with a contest between 7 Showdance couples (accent on gymnastics). This was won comprehensively by the World Showdance Champions Nic and Cherese from South Africa, both wearing leopardskin print. With overhead lights dimmed and the deep bass beat of African drums pulsating through the ballroom like a collective heartbeat, Nic and Cherese proved that gravity hardly existed for them, tumbling, twisting and lifting as if they were in zero-gravity space. When the last drumbeat fell silent and the lights went up the audience with hearts still pumping let out a mighty cheer of relief that the champions had survived another performance.

Not so for the Dutch couple. During rehearsals earlier the Dutchman was injured. He walked on stage with his arm in a sling -- an object lesson of "Please not to do this at home." He at least walked away from injury.

Not so in the Amateur Ballroom. There was another collision in the quickstep, with one girl in a red ballgown flat on the floor. She did get up, but I noticed without conviction. Shortly after, compere Marcus Hilton announced from the platform for First Aid to attend in the changing room. I realised immediately this was no longer a case of walking wounded. Later Marcus announced the withdrawal of Russian girl #214 Alina Basyuk. The doctor attending had advised her to withdraw due to serious ankle injury, and she did. Ankle injuries can be very painful, taking weeks to heal. A danger sport this quickstep if you are going backwards wearing 4-inch heels -- please cherish partner.

I previously described the Professional Rising Stars Ballroom as a duel involving heavy artillery. Tonight the guns fell silent. The ballgowns were ordinary. There was no superstar like Joanna or Melia who could have lit up the sky singlehanded. Matthew did not come tonight.

The Final result was: Italy, beating Denmark, Italy, Germany, Russia, Italy. The audience was about a third of the size on Joanna-Melia-Yulia night.

Will the Festival curtain come down with Ballroom on a high note or not? Do the young prefer latin? Which do you prefer? Below are this year's contestant entry totals comparing latin against ballroom, like for like:

--------------------------------------- Latin Ballroom
Over-35 ------------------------------- 94 235
16-21 -------------------------------- 284 175
Amateur Rising Stars ------------- 482 258
Professional Rising Stars --------- 260 256
Amateur ----------------------------- 360 240
Professional Championship ------ 306 285

TOTAL ----------------------------- 1,786 1,449
elizabethjo
29-05-2009
SM thanks for the report again.

Latin is a young persons sport mainly. We over 35s find the Ballroom much more forgiving. As the years go by Latin becomes increasingly more difficult. Ballroom will always be there though in the comps.

I keep threatening to give up Latin but so far I have managed to keep going largely due to my teacher saying I WILL do it. Ballroom needs stamina too especially quickstep and Viennese but latin is something else, the speed and complexity gets harder each year.

Lovely to watch and admire but I find I am out of breath and shattered after 3 sequences while my teacher is hardly breathing harder than he was before we started.
Fairygirl
29-05-2009
Thanks again sm,early night for you last night then

Enjoy the Pro Ballroom tonight..........maybe the atmosphere will rival Weds night ??
soulmate61
29-05-2009
An excerpt from an American writer last year.

http://www.danceplaza.com/index.tpl?...&couple_id=842

Quote:
“Saturday's most interesting talk was given by Russian dancer Sergey Surkov and his Polish partner Melia, on Paso Doble. This couple caught my eye the second I saw them dance, two years ago now. He's very masculine and serious, but she exudes a kind of feminine strength that effectively counters him. He has a strong presence on the floor, but he never overpowers her; he is there primarily, as he is supposed to be, to frame her. This was the first year that they were invited to lecture and I discovered just why it is I like them so much.

Their Paso Doble, they told us, was inspired by themes from the opera Carmen and from the writings of Spanish playwright Federico Garcia Lorca, and, when they demonstrated excerpts from it, it nearly melted me it was so full of passion and tragedy. They're a literary, highly cultured, artistic couple who aim to tell stories with their dances, rather than focus simply on technicalities, on footwork. Plus, Surkov's form, at least in Paso, is sheer perfection; his shaping makes for the consummate powerful matador-type.

There were several noteworthy lectures on Sunday. The first was by new U.S. Latin couple Riccardo Cocchi and Yulia Zagoruychenko who lectured on Samba, their forte. Cocchi, an Italian man, a very fast, flashy mover, seemed highly personable, and Zagoruychenko, whose artistry astounds me, from the original shapes she makes using her entire body to her immense musicality, talked about her different ways of interpreting music.

She listens carefully, she said, to find its hidden rhythms, its strong and soft, high and low, sharp and subtle points. She demonstrated by playing for us a piece of music, telling us how she heard each beat, then showed through movement how she interpreted each rhythm. It was mesmerizing. I realized, from hearing her speak, that what I like so much about her dancing is that there is a variety of patterns, a development of movement; it's not all one-note or all full-out. She doesn't just swing her head, shake her hips as quickly as she can, roll her pelvis about wildly non-stop, which may impress athletic-wise. Rather, she heightens the power and thrill of some of those supercharged, lightening-fast movements by juxtaposing them with slower, softer, more subtle movement. So wonderful of Ms. Zagoruychenko to let us in on one of her major artistic secrets.

The third highlight of Sunday was the lecture given by the incomparable Bryan Watson and Carmen, Latin champions for nearly a decade, who just retired last year, and whose presence on this year's competition floor, judging by the crowd's enormous applause for them, would sorely be missed. Watson is one of the performing arts world's great personalities. He's truly one of a kind; he can wow the crowd both with his dancing and speaking like no other.

Almost as if he'd synchronized his lecture with Vermeij, he and Carmen spoke of their completely different dance styles, and how they, so oddly, came together to make one champion couple. Carmen's dancing is 90 percent drama; she is really a dramatic actress, and could enjoy a great stage career. Bryan, on the other hand, called himself a kinetic dancer, before illustrating just what that meant by doing jive kicks and Samba bachacatas at the speed of light, the likes of which I've never seen before and can't imagine ever seeing again. He was a whirl, a complete blur he was going so fast. The crowd nearly rushed the dance floor they were so ecstatic.

Then Carmen performed. After demonstrating her theatrics through a snazzy Cabaret-style number, she recounted a time when Bryan accepted an outside challenge, unbeknownst to her (though she was always trying to get him to be more stylistic and less of a speed demon), to play up the dramatics for once. Though she'd always wanted this from him, instead of his hyperactive kinetics, they failed horribly. She completely forgot the routine, leading to his confusion; it was a mess.
.....................
The final competition, on Friday, the 30th, was the Brits' most popular. It's fun just to listen to the spectators, who come from all over the U.K., marvel at the bedazzling costumes, talk about past champions and who of the newbies resembles who of the oldies. We all knew the winners would likely be the couple who has won the past two championships, Italians Mirko Gozzoli and Alessia Betti. No surprises, of course.

It was, however very close between the two-times champs, the new American couple, Arunas Bizokas and Katusha Demidova, and the new English partnership of Jonathan Wilkins and Hazel Newberry. America has long admired Demidova, who used to dance with Wilkins, but it was Bizokas, who won in the Amateur category with his old partner last year, who I found breathtaking. While Demidova has flawless technique and immaculate form, Bizokas has that extra something more that's indefinable but that makes one a star. He glides, almost skates, across the dance floor with such suavity, it's as if his feet aren't really touching the ground. It's as if he's floating above it. He's so polished he shines.

Wilkins and Newberry have the most charm of the top couples in this competition. Their dancing just makes you smile and you want to root for them because they're so personable. With his cutely dimpled smile and swift-footedness, he reminds one of a Fred Astaire, while physically resembling actor Ralph Fiennes.

But neither Bizokas's gloss nor Wilkins and Newberry's sweetness could overtake the Italians, the gorgeously, richly luscious Mirko Gozzoli and Alessia Betti, who won. They're like a full-bodied Cabernet, and watching them almost makes you tipsy.

Unlike Latin, this is a competition better viewed from the balcony. From there you can better see the fullness of the couple's shaping, their fluidity, the ease with which they travel, and their floor craft. From there it was obvious just how sublime Gozzoli and Betti are. Their bodies make the perfect martini glass shape; their torsos almost look like a pair of lips slightly opened in surprise, they're at such a perfect distance from each other. And they maintain that distance, that shape, no matter how difficult their footwork, no matter how fast they're moving. When they do their breathtaking continuous pivot turns across the floor, you see this perfect circular martini-glass just spinning and spinning and spinning, never once for a second losing that visual effect. You can get lost in it.

Interestingly, Gozzoli claimed in the Congress lectures that he focuses only on technique, working to perfect that. That's it; that's their secret. At first I didn't believe him; with dancing so spellbinding there had to be more. But on second thought, I think there's less room for creativity in Standard than Latin because of the closed-handhold. In Latin, because the couples can open out, even completely part from each other, they can be more original, do steps that aren't on any syllabus, add balletic, jazzy forms to their routine, whatever. And so, I begin to look more for that than I do perfect footwork or body movement. But with Standard, perfection of technique is probably about 99 percent of what you have to work on. Gozzoli and Betti showed just how absolutely thrilling that can be.”

* Becca *
29-05-2009
Originally Posted by Fairygirl:
“Enjoy the Pro Ballroom tonight..........maybe the atmosphere will rival Weds night ?? ”

Most people have gone home after the Latin, so it's usually a quiet one on Friday.
elizabethjo
29-05-2009
Originally Posted by * Becca *:
“Most people have gone home after the Latin, so it's usually a quiet one on Friday.”


When does the competition finish? Does it go on into the weekend?
soulmate61
29-05-2009
Elizabeth,

Professional Ballroom Round 3 at 7:50pm,
Latin Formation Final at 8:40
Round 4 at 9:10
Round 5 at 10:00
Semi-final at 10:50
Final at 11:20, with a story told my way.

The dance tribes of the world will then disperse. Tomorrow I fly back to the black-and-white world but my dreams will be in colour: redheads, blondes, brunettes, not to mention minimalist white gowns and vibrating chairs in the front row. I shall take back to Ireland that unclaimed bangle to remind me of happy faces in the dance world I had not known before.

XX
olivej
29-05-2009
thankyou SM61 for the most wonderful reports from Blackpool
soulmate61
30-05-2009
To begin at the beginning......

Today was my last full day in Blackpool, and I could not let slip a chance to try the highest and scariest ride in England near the seafront. Eventually I got to the head of the queue, and at a cost of £7 put my life in the hands of the amusement park engineers.

I took care to sit in the frontmost seat to find out what a test pilot sees from his cockpit when things go wrong. A metal guard rail was lowered over my thighs but there was no safety harness round my waist or shoulder. My hands were supposed to grip the handrail in front. My carriage climbed steeply to the top, a very steep climb to a very high top. Then it paused motionless. I realised that four bars of deceptively quiet intro was now over and all hell was due to break loose. My protective shell up front consisted of thin air. Once in motion my carriage plunged head first down a near vertical drop, a long drop. I now remembered what Joanna told us last Sunday, that in extremis mental commitment was essential. I thought about Joanna's superfast spins so became less scared of my present predicament by comparison.

The vertical plunge ended -- eventually. My carriage now started twisting to the left, with my bodyweight trying hard to tip me out of the side. This was even worse than the vertical plunge, worse than the reverse turn in Viennese Waltz.

God knows how, but I returned to terra firma in one piece. Immediately the owners stopped further rides and turned off the power, refunding all waiting customers. They explained that a piece of dislodged wood was now spotted on the track endangering safety. I am now of the view that for a visitor to Blackpool this high ride is optional, not obligatory.

What seems obligatory in every dance festival is a Formation Dance competition. Tonight at 8:40 we had 3 latin formation teams competing. All the ladies and all the gentlemen in all the teams had their hair dyed black. After watching this Homogenised competition I was persuaded that Formation Dance viewing should be optional, not obligatory.

Today was the hottest day of the year, and hotter still inside the Empress Ballroom. For the gentlemen in the front row an impressive DJ was obligatory, not optional, while ladies wearing off-the-shoulder numbers were laughing. With seating mostly occupied by baking DJs I went upstairs where I managed to find a chair in the front row affording an uninterrupted view of the entire dance floor, although too remote for any sense of audience participation.

By Semi-final time all seats were occupied, with hundreds standing behing the seating area. Total attendance was probably 10% down on Wednesday's latin Final.

The audience looked on average a little older than Wednesday. Is ballroom visually less appealing than latin? With set steps and two partners of one mind there is no room for Joanna Leunis spectaculars. I suspect though that with ballroom those doing it find more satisfaction than those watching it.

When Round 3 started I noticed an old friend from the Rising Stars Ballroom last Monday -- Gold Gown. Placed second then she was tonight competing again in a higher league. I liked her on Monday and continued to like her tonight. That gold gown really stood out. My 3 couples against the field were the same as everybody else's, namely:

Mirko Gozzoli and Alessia Betti from Italy, reigning champions with an unbreakable hold,

Arunas Bizokas and Katusha Demidova from USA. a young freely flowing couple,

Jonathan Wilkins and Hazel Newberry, England's last hope for a gold medal.

Hazel started Round 3 in a subdued lilac ballgown with silver highlights on the back. Katusha wore carmine which seemed to suit her youth. Alessi the champion wore pure white, almost a bridal gown.

Even at this championship level there were plenty of collisions and traffic blockages halting beautiful moves in mid-flight. In the Final one lady slid and ended up on the floor. From my vantage point I could see all the collisions coming but it would have been harder to see on the floor, except for Champion Mirko who seemed to have radar and could see round corners. Jonathan and Hazel always moved easily, always seeking the most efficient option. They glided without bumps almost like a hovercraft, however they were interrupted by traffic much more often than Mirko and Alessi. Arunas is a goodlooking young man who seemed to take a few risks, mostly coming off.

By Round 5, elimination was by dance. For each dance between 9 and 20 of the highest-marked couples were recalled. Consistency across dance type was therefore essential. Any couple recalled to dance say waltz, foxtrot and tango but denied a place in quickstep would be as good as eliminated, as they would receive marks for 3 dances not 4. Gold Gown suffered such a lapse and was seen no more.

Hazel then changed from lilac into a delightful apple green gown so refreshing to the eye in the stifling heat. In the Final Hazel changed again to an all-white gown. With each change she seemed to step up a gear, as if an experienced marathon runner (Hazel won Blackpool Under-21 seventeen years ago) has been conserving her energy for a final sprint to the winning line. For me in the Final Jonathan and Hazel sparkled with energy and joie de vivre. Their quickstep reminded me of a teenager's effort.

For the Final Alessia Betti also changed into a turquoise gown. She and Mirko made many energetic sharp angular movements instead of Hazel's rounded smoothness which I actually preferred. However the judges did not, and they placed

Mirko and Alessia first,
Arunas and Katusha second,
Jonathan and Hazel third.

It was the same order of placing in waltz, foxtrot, tango, and quickstep. When the final quickstep score was announced, Mirko bounded onto the floor with Alessia, the two exchanging a high five. This couple are known to work incredibly hard to achieve their unbreakable hold, like a Rolls Royce carbon fibre frame.

Tonight being the conclusion of Festival 2009, all hardworking day and evening judges came out for a roll call, all 22 of them. Matthew Cutler in a black suit with dark tie appeared to be the tallest and possibly the beau of the ball. Karen in an off-the-shoulder long black dress looked fresh as a daisy. I have been looking all week for Gaynor Fairweather without success, but there she stood with long hair. She had short hair when I last saw her 17 years ago, and I had forgotten that a woman can change her hairdo, how could I? Judi of First Aid got an honourable mention having treated 300 cases over 9 days. She did not answer the roll call, no doubt still massaging a foot to the accompaniment of "Ouch, don't touch me there" from her customer.

I should like to thank all readers and contributors to this thread for their interest and their incredibly kind comments. May all your dancing and viewing hours be happy ones. Anyone wanting info on my first Blackpool Festival, feel free to IM.

Au revoir until next May.
jamboreej
30-05-2009
Soulmate, I have been so totally impressed by your insight, immense knowledge of dance and descriptive skills.

Not only that you braved the rides

And loved your little mentions of Matthew

Thank you so so much
xxx
Vivacious Lady
30-05-2009
Thankyou Soulmate. I've enjoyed the reports.

In answer to your question as to whether people prefer to watch ballroom or latin, for me it depends on what mood I'm in. To dance, I prefer ballroom (although I do like the rumba). I guess age does come into this, although I think that even if I had started dancing when I was younger I would still have had a bias towards ballroom since it suits my personality more. Having said that, ballroom tango is a good dance for bridging the gap towards the two genres, having the grace and defined structure of ballroom but also some of the passion that you find in the latin dances.
laurab88
30-05-2009
I am back from a fantastic week, and yes I was very very happy with Michael and Joanna's performance and obtaining a front row seat for their first cha in which they recognised me and played up to me. Good times!
Force Ten
31-05-2009
Thank you Soulmate for your insight into Blackpool. I doubt I shall ever be able to afford to go and since it isn't on tv, I was really grateful to read your fantastic reports. It really gave me an idea of the whole atmosphere of the event.
olivej
31-05-2009
thank you SM61 for all your reports - brilliantly written
tangos_with_tim
01-06-2009
Originally Posted by soulmate61:
“Hazel then changed from lilac into a delightful apple green gown so refreshing to the eye in the stifling heat. In the Final Hazel changed again to an all-white gown. With each change she seemed to step up a gear, as if an experienced marathon runner (Hazel won Blackpool Under-21 seventeen years ago) has been conserving her energy for a final sprint to the winning line. For me in the Final Jonathan and Hazel sparkled with energy and joie de vivre. Their quickstep reminded me of a teenager's effort.

For the Final Alessia Betti also changed into a turquoise gown. She and Mirko made many energetic sharp angular movements instead of Hazel's rounded smoothness which I actually preferred. However the judges did not, and they placed

Mirko and Alessia first,
Arunas and Katusha second,
Jonathan and Hazel third.
[/b]”

Unlucky Jonathon and Hazel! At that stage the results must be influenced by the judge's stylistic preference, it's a shame...

Thanks to soulmate for the fantastic reports, I do hope I get to go one day!
Fairygirl
01-06-2009
sm ...hope you haven't landed back on earth with too much of a bump

Thanks again for bringing the Blackpool Festival alive through your written reports... all i can say is...i am considering using some of my precious holiday allowance to go for a day or two next year and without this thread i wouldn't have even considered attending
soulmate61
04-06-2009
Blackpool 2010 seat applications with payment must reach the organisers latest by 4pm on 31st July 2009 to stand any chance. Contact www.blackpooldancefestival.com.

Day ticket £29 (also available at the door, but best to book for Wednesday latin Final at least by Monday in case numbers exceed fire safety limit).

7-day ticket £150 (also available at the door), excluding Opening Thursday £9 separate, Sunday £14.50 separate.

Seat reservation surcharge per day (refunded if no luck):

Ground floor Front Row: £29
Ground floor other rows: £18
1st floor balcony: £9 to £18

7-day (Admission + Front Row): £353 (this is given priority seat allocation)

There will be no refunds for non-attendance. Whereas 2009 Festival fell on 21-29 May, 2010 will come 6 days later on 27 May thru 04 June. In case of heat wave, Front Row need to think about a lightweight DJ. There should be tons of hotel vacancies within walking distance from £20 B&B upwards per night, with eateries all over. For the Imperial best to book 2 weeks ahead.

The programme day by day is the same as described in the opening post. I shall be attending at least the Professional latin on Wednesday, the Congress on Saturday and Sunday, plus my favourite 16-21 latin on Saturday evening, probably more. Will try to book a frontrow seat and skip the cat-and-mouse chase.

I loved it. Cya.
* Becca *
04-06-2009
Good luck with that - you'll need it!

My friend has now been queuing for front row for six years, and the best she's got so far is third row with a bunch of heads in her face.

Think I'm gonna stick to standing! I need the eye contact too much.
Angela
04-06-2009
SM thank you for all your reports, just read the last one.. and again loved it! Hope the memories will bring colour in the black and white live..

Good luck with booking your seat for next year! After your reports I got really interested in visiting so might see you next year..
soulmate61
04-06-2009
Becca very best of luck with getting on the floor, which to me is one up on the front row.

Thanks Angela. There was a huge block of Italian supporters at one end behind the goalmouth. The French were behind the other goalmouth. And very strong support for the Dutch. The German couples saturated many semi-finals to cheers time and again, but somehow they never won gold.

It is the competitors who made the Festival such a warmhearted and colourful party. I brought back from the other world a white bracelet which fell on the floor unclaimed. The facets of Swarovski crystals reflect a rainbow of colours. My life is black and white no more.

When you turn up, do say hello. I look as I write -- wild.
* Becca *
04-06-2009
I don't think at the moment I'm going to get back on the floor at all, but thank you all the same!
Angela
06-06-2009
Originally Posted by soulmate61:
“Becca very best of luck with getting on the floor, which to me is one up on the front row.

Thanks Angela. There was a huge block of Italian supporters at one end behind the goalmouth. The French were behind the other goalmouth. And very strong support for the Dutch. The German couples saturated many semi-finals to cheers time and again, but somehow they never won gold.

It is the competitors who made the Festival such a warmhearted and colourful party. I brought back from the other world a white bracelet which fell on the floor unclaimed. The facets of Swarovski crystals reflect a rainbow of colours. My life is black and white no more.

When you turn up, do say hello. I look as I write -- wild. ”

I definately will!! Happy to read your life is filled with colour! I love Swarovski!
soulmate61
29-06-2009
Originally Posted by * Becca *:
“It will be a while before they become available, but when they do they will be sold through many English sites also - Dancesport International, WRD Music, Dancesport UK to name a few . . . but I would imagine not until July maybe. Himawari were pretty slow releasing the UK Championship DVD and it was quite painful!”

Meanwhile to thank our dear readers,

Joanna and Michael, champion of champions

http://dancesportinfo.net/Couple/Mic...=0&SortOrder=0

divine Yulia and Riccardo

http://pt.dancesportinfo.net/Couple/...41/Photos.aspx

Melia and Sergey, grand passion

http://ru.dancesportinfo.net/Couple/...=0&SortOrder=0

Mirko and Alessia - A velvet Rolls Royce jet engine.
http://dancesportinfo.net/Couple/Mir...=0&SortOrder=0

Arunas and Katusha, gorgeous. I struggled describing the red, eventually settling for carmine. Tangoqueen approved, hurrah!

http://bg.dancesportinfo.net/Couple/...=0&SortOrder=0

Jonathan and Hazel, on a magic carpet

http://fi.dancesportinfo.net/Couple/...41/Photos.aspx
kaycee
03-07-2009
Originally Posted by tangos_with_tim:
“Blimey, all those crashes make it sound like our dance class, and we normally get a max of 5 couples!

I personally am a fan of red hair, my husband is a redhead.
The problem for dancers is that dresses are normally very brightly coloured to stand out, so whatever colour they are they will clash with bright hair. Redheads can normally get away with most colours, but they have to be softer shades, IMHO.

Green is normally the fail-safe choice to go with red hair (or black as you mentionned, to allow the hair supremacy!) However as a dancer you can't stick to only green or black for every dress!

Btw, she didn't have the orange tan as well did she?? ”


Black is a bad colour for Blackpool - because the competition is so big, and bearing in mind judges only have a matter of seconds to watch each couple in the earlier rounds on a very large floor, black dresses tend to get overlooked as they don't stand out. White is the best colour, but bright yellows and pinks are also good. As for hair colour - to be honest, most dancers will colour their hair anyway - black, white blonde or vibrant red are the 3 favourites!
kaycee
03-07-2009
To those who, earlier in this thread, expressed surprised at the seeming small number of British competitors at Blackpool, this is quite normal. In fact, I would say the number of Brit entries - if anything - was up, this year. Shame of it is, England is no longer the "Mecca" of dance that it used to be.
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