they're not friends anymore? 
Amanda & Sue Son's (ex) best friend
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I agree - she was so out of order. Simon wasn't much better calling her rubbish, but then he was just tactlessly commenting on her ability which he does with everyone. Amanda was more personal imo, not to mention she was the one who brought it up in the first place.
I used to just find her annoying but recently she's come across as truly horrible - I cannot stand her. Was so good to see her put in her place by Simon yesterday
I used to just find her annoying but recently she's come across as truly horrible - I cannot stand her. Was so good to see her put in her place by Simon yesterday
Originally Posted by KaliMist:
“I agree with Amanda's comment, if the friend was a real friend then she would be happy for Sue, hopefully that gave her food for thought and will make her realise how silly it is to let that break up a friendship, Sue took a chance and anyone should be happy for their friend to do so. I thought Simon went too far though.”
“I agree with Amanda's comment, if the friend was a real friend then she would be happy for Sue, hopefully that gave her food for thought and will make her realise how silly it is to let that break up a friendship, Sue took a chance and anyone should be happy for their friend to do so. I thought Simon went too far though.”
But why only that way round? If Sue was a real friend should she have refused to go it alone?
I just wish that this had been done to other acts. For example the floral Highnotes woman, the girl who sings with her grandfather and the MD group could have done with a culling.
Originally Posted by MrsSpoon:
“I just wish that this had been done to other acts. For example the floral Highnotes woman,”
“I just wish that this had been done to other acts. For example the floral Highnotes woman,”
Although the woman from Floral Highnotes was a pretty good singer, they were only ever kept on the show so that they could be laughed at by the "inverted snob" brigade. BGT is not interested in "high culture", which is why every other opera/classical act ends up having to sing popular songs or "revamped" classical pieces.
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