Originally Posted by jill1812:
“Like a few others I adored Alesha as a contestant but don't see what she will bring especially with what they lose getting rid of Arlene.
The thing that really bugs me is who are the idiots behind Strictly and can they stop pissing about with it? From have no idea to do when a contestant drops out, telling contestants what dances they do in the final, keeping a jugde (Bruno) who appears to have tried to rig the semi final, getting rid of world champions to be replaced by inferior dancers and dumping one of the best judges with someone who has no technical experience.
What I really don't get why they are trying to attract younger viewers? I remember hearing Russell T. Davies say it was really hard to attract that age group to Doctor Who as they don't watch TV. Taking an educated guess I would think Strictly's main audience is predominately women probably 30+ so what kind of idiot does something that will have them turning off (as my mother has already said she will), you lose that audience and you'll lose Strictly.
Also how can Alesha be impartial, and if she is, will she been seen to be impartial?”
I am with claire2281 in the 'wait and see' gang - but I wholeheartedly agree with the paragraph of yours I highlighted. The producers/exec producers badly lost the plot last year and, while I am personally not sorry to see Arlene go, I can't understand why she appears to be the only one to carry the can for all the mistakes made in SCD6. It's all about the voting system now: if that continues to allow the judges to off the public's favourites, I, for one, will have had enough.
As for the whole younger viewers thing: the reason the BBC is so concerned about bringing them in is because it needs to justify the Licence Fee to future generations. If it can't attract enough 16-24 year olds, it risks being seen as irrelevant to a generation - which plays into the hands of the Tories, who have made it very clear they want to diminish the BBC's income (and, consequently, its programme budgets). Right or wrong? I dunno, but that is the rationale. It's why programmes like Bonekickers and Spooks: Code 9 were commissioned, and why new series of New Tricks - which attracts an older audience - are consigned to the summer schedules, despite being hugely popular.
Whether this hugely cynical move will make any difference remains to be seen. Unfortunately for the half-wit who thought this would remedy many of Strictly's ills, it just looks like a feeble attempt to mimic Simon Cowell dumping Sharon Osbourne and hiring Cheryl Cole.