What with the Arlene/Alesha debate going on at the moment, I was just wondering what people see as Strictly's strength as a programme. If you had to choose whether it should become more dance-focused or more entertainment-focused, which would you pick?
1) Strictly as a light entertainment show only.
Dance is what the competition happens to be- but what is important about the routines is whether they entertain. Drop the pretence that the audience cares about bent knees or heel leads, and just judge on what the audience enjoys. The judges can be anyone who can offer a sensible opinion on what they like, and there isn't any value in having world class professionals instead of attractive snowboarders who have danced a bit in the past. The music should be modern and classic pop rather than authentic dance music which the audience won't relate to.
2) Strictly as a dance show
With the understanding that there is a limit to what a beginner can achieve in a week (and a corresponding understanding of what a ten should be awarded to- no illusion that perfect scores should be reserved for professional standard routines, but no giving them out like candy), Strictly should try to keep to rules to make it a dance competition. The judges should be qualified to judge ballroom and latin, rather than chosen on personality. They should mark on technical aspects as well as performance, choreography and entertainment. The professional dancers should be given more respect (and better pay), and the BBC should appreciate the value of having some of the best dancers in the world on the show. The music and the camera work should complement the dances, rather than trying to jazz them up and modernise them.
3) A mix of the two
There should be some compromise between entertainment and dance. Professionals and judges should be chosen for ability, but with an eye to how their personalities will interact and entertain the audience. Scoring should be generally based on all aspects of the dance including technique, but not get too caught up in very technical details that the audience won't understand. Where modern pop works for certain dances it should be used to give the audience more chance of relating to the dances.
1) Strictly as a light entertainment show only.
Dance is what the competition happens to be- but what is important about the routines is whether they entertain. Drop the pretence that the audience cares about bent knees or heel leads, and just judge on what the audience enjoys. The judges can be anyone who can offer a sensible opinion on what they like, and there isn't any value in having world class professionals instead of attractive snowboarders who have danced a bit in the past. The music should be modern and classic pop rather than authentic dance music which the audience won't relate to.
2) Strictly as a dance show
With the understanding that there is a limit to what a beginner can achieve in a week (and a corresponding understanding of what a ten should be awarded to- no illusion that perfect scores should be reserved for professional standard routines, but no giving them out like candy), Strictly should try to keep to rules to make it a dance competition. The judges should be qualified to judge ballroom and latin, rather than chosen on personality. They should mark on technical aspects as well as performance, choreography and entertainment. The professional dancers should be given more respect (and better pay), and the BBC should appreciate the value of having some of the best dancers in the world on the show. The music and the camera work should complement the dances, rather than trying to jazz them up and modernise them.
3) A mix of the two
There should be some compromise between entertainment and dance. Professionals and judges should be chosen for ability, but with an eye to how their personalities will interact and entertain the audience. Scoring should be generally based on all aspects of the dance including technique, but not get too caught up in very technical details that the audience won't understand. Where modern pop works for certain dances it should be used to give the audience more chance of relating to the dances.




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