Originally Posted by suffolktoon:
“I'm not sure what your figures are supposed to prove as for one you quote the profit they work to and the other you quote their total income.
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I'm just pointing out that SKY do not have the ability to buy anything, they work to a budget just like anyother broadcast it's just slightly bigger and certainly generates more profit than anyother TV broadcaster.
The other figure is the BBC revenue from the license fee and commercial interests and since they don't need to make an operating profit that is their budget to spend on their PSB commitments. Unlike every other broadcaster they are not affected significantly by the real world market conditions so what they may lose it compared to their commercial rivals that make up for by being funded by a state approved tax on televisions.
Quote:
“Nor am I any the wiser why you mention Heroes. Have Sky ever taken a risk on a program that has went on to be a huge success? All I see them do is wade in with a high bid after the BBC/Channel 4/Five have established the popularity of a series.
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I was just pointing out no matter how much money SKY has they can not buy Heroes because the BBC have bought a season in advance with the risk of paying for a turkey.
That investment is fairly unusual in terms of imports simply because if a show performs poorly they still have to pay the agreed price.
In terms of specifics that define success

Lie To Me and Bones are solid performers on FOX.
SG1, Atlantis, BSG and Eureka are high end performers on the multichannel TV arena and I expect SG:U to follow suit. Cold Case has been a staple of CBS for many years and L&O of course has been around for well decades and shown by many channels
House was dropped by FIve because after 5 seasons and securing syndication the actors and everyone else getting a bumper pay rise thus leading to a higher sale price. Five simply did not have the cash to meet the price and dropped the show and bought The Mentalist, SKY picked up House.
Twenty Four was at the time right in the middle of the FTV/FTA switch and it is perhaps the most honest example of SKY manoeuvring to get a show. I am sure FOX were happy with the BBC but there were FTA considerations and without SKY1 I am sure they would have been resolved but at the end of the day SKY offered more money for the seasons as yet sold so a deal was done.
LOST is even more simple, CH4 had first refusal and wouldn't pay $750,000 an ep but would for Desperate Housewives, SKY were willing so deal done. Ch4 probably made the right decision as DH was a bigger puller than LOST which was going through a rough patch.
The benefit of SKY was widescreen and recently HD plus closer to the US broadcast, hopefully these advantages will be negated over the next few years as Freeview HD appears and UK broadcasters realise downloading is a threat to them.
The whole PAY television saga can be shrunk down to PAY offering something Free didn't or couldn't either though cash or apathy.
Quote:
“Finally you'd have to think that whoever agreed the racing and cricket with Channel 4 were idiots if both thought they could be shown at the same time on a single channel.”
No argument there.
Lets face it once again CH4 had first refusal at the next cricket contract at the same price they were paying and turned it down as they were losing money. Then England go and win the ashes and the TV audience rockets but they are not alone, ITV dumped F1 (needed the money for footy) and then Button gets off to a flyer