This is quite a small band and the BBC only want them for a few hours on a Saturday night. It ain't "a ticket to fame" as unlike "showbands" they are hidden at the back.
The type of music they are expected to play is quite diverse.
I think the music choices this year are in many cases quite apalling and unsuitable for ballroom dancing, whoever makes the choices, but I suspect it is often the producer (regardless what the pros say, they want to be here next year) in a pathetic attempt to "engage" (their word) a younger audience who are either watching X-factor or are already on the way to the pub. "Ratings chasing" is ruining this series in my opinion.
The pinch-penny BBC only give them an hour or two to rehearse before the show.
The singers get criticised on occasions as they can't replicate a recorded performance by the original artist which was made in a studio and often digitally enhanced.
I often think they struggle to reach high notes as the music is arranged in a key not of their choice.
Although she has had some duff performances herself, they missed Hayley this evening, who presumably had "something better to do on a Saturday night."
But to be fair to the band, when they play the regular recognised "standards" beloved by ballroom dancers, tunes with which they will be familiar, they sound great.
As an observation, I think the band was better in the first three series under the direction of Laurie Holloway, the previous MD.
But really I miss Ray Mcvay, the MD of the "Come Dancing" band for ten years.
But he's now "Glen Miller."