Originally Posted by SCD-Observer:
“No. She's lost her range. The Rose had very limited range, and she still cleverly lowers the notes at some point. Mind you, this song she was singing is only ONE OCTAVE in range. Normally a non-pro singer like most of us have at least one and a half octave range. Mariah Carey (I don't like her) apparently had four (!) and most professional diva-type singers have at least two and a half. She used to have much wider range (wind beneath my wings for instance, which she did appallingly last year), but now, it was bad.
She looked stunning in that figure-hugging dress though.”
Ah! A like-minded thinker about octave ranges of popular singers. One frequent poster would have us believe, most singers have a range of four octaves.
The range of popular music for all the classic songs of the last century used for ballroom and I mean those written by Cole Porter, Gershwin, Carmichael, Rogers & Hart/Hammerstein, Berlin, etc., followed the same formular. A range of little more than an octave and a half at the most. (Sinatras comfortable range, in some keys though he could still struggle a bit at the top end). Sarah Vaughan and Ella Fitzgerald and other female "household names" could easily manage two and a half octaves, but really didn't need it, though it would enable them to sing songs in many more keys, if they chose.
This was because songwriters earned their living by selling lots of sheet music for people to buy, play at home on the piano and sing along with their friends. It would have been pointless trying to sell songs with a range greater than the average man/woman in the street.
Most American families had a piano or access to one, even before radio came along. The "Top Twenty" was actually based on the sales of sheet music until well into the fifties.
As an example of not being able to hit it "live," of a tune many will recall (from distant memory), the Bangles lead singer couldn't sing the top note live, on the last chorus in "Eternal Flame." This was before singing along or miming to, became the most common practice.
The SCD band singers get the most criticism on here when thay have to attempt to replicate contemporary songs, (with little rehearsal and probably not in their most "comfortable key") where the original singer is a bit of a "vocal athlete" or their recorded voice has been enhanced.