Originally Posted by gig-ge-dy:
“Best is very much subjective, since the show isn't designed to define who achieved the highest technical standard to the highest level of performance as best.
You've got the words of the creator above. The show is about "celebrities learning a brand new skill out of their comfort zone; learning the skill of Ballroom and Latin Dancing". Arguably someone who starts off the show as a good dancer is neither out of their comfort zone, or greatly learning a new skill ... so probably could have some people argue as being eligible for disqualification on grounds of not fitting the starting criteria for contestants; but let's not go there.
The problem those from the 'best dancer must win' school have is that making that their criteria for winning the show means that the prize sometimes needs to be awarded to someone on Day 1. There can often be someone there who nobody is gonna match, no matter how hard they train in the X number of weeks of the show, on level of technique and performance combined. Ricky Whittle arguably fits that example. Set up a show on that basis, and you don't have a TV show. Why bother to watch people train for weeks if they're never gonna match the natural abilities and experience of someone already talented at what you're being asked to learn? The fact it's not meant to be a 'best' dancer show but a 'learning to dance' show means the audience part of the vote gets to factor many things in to the equation of who did 'best'.
The general audience asks itself 'Who improved the most from where they started?' The Best Dancer Must Win school doesn't care; the best dancer must win.
The general audience asks itself 'Is the age of the contestant a disadvantage that should be factored?' The BDMW school doesn't care; the best dancer must win.
The general audience asks itself 'If someone has had past dance experience at stage school or in a music career is that an advantage to weigh?' The BDMW school doesn't care; the best dancer must win.
The general audience asks itself 'Do the physical attributes of the contestant need to be a factor in determining how well they do?' The BDMW school doesn't care; the best dancer must win.
The general audience asks itself 'How much joy does the contestant bring to the learning process and how well they transfer that to me?' The BDMW school doesn't care; the best dancer must win.
And there can be a whole bunch of other factors, good and bad, from the sublime to the ridiculous people consider. After all that someone the general audience and BDMW school agree on quite often will still end up winning the show. But they don't have to.”
“Best is very much subjective, since the show isn't designed to define who achieved the highest technical standard to the highest level of performance as best.
You've got the words of the creator above. The show is about "celebrities learning a brand new skill out of their comfort zone; learning the skill of Ballroom and Latin Dancing". Arguably someone who starts off the show as a good dancer is neither out of their comfort zone, or greatly learning a new skill ... so probably could have some people argue as being eligible for disqualification on grounds of not fitting the starting criteria for contestants; but let's not go there.
The problem those from the 'best dancer must win' school have is that making that their criteria for winning the show means that the prize sometimes needs to be awarded to someone on Day 1. There can often be someone there who nobody is gonna match, no matter how hard they train in the X number of weeks of the show, on level of technique and performance combined. Ricky Whittle arguably fits that example. Set up a show on that basis, and you don't have a TV show. Why bother to watch people train for weeks if they're never gonna match the natural abilities and experience of someone already talented at what you're being asked to learn? The fact it's not meant to be a 'best' dancer show but a 'learning to dance' show means the audience part of the vote gets to factor many things in to the equation of who did 'best'.
The general audience asks itself 'Who improved the most from where they started?' The Best Dancer Must Win school doesn't care; the best dancer must win.
The general audience asks itself 'Is the age of the contestant a disadvantage that should be factored?' The BDMW school doesn't care; the best dancer must win.
The general audience asks itself 'If someone has had past dance experience at stage school or in a music career is that an advantage to weigh?' The BDMW school doesn't care; the best dancer must win.
The general audience asks itself 'Do the physical attributes of the contestant need to be a factor in determining how well they do?' The BDMW school doesn't care; the best dancer must win.
The general audience asks itself 'How much joy does the contestant bring to the learning process and how well they transfer that to me?' The BDMW school doesn't care; the best dancer must win.
And there can be a whole bunch of other factors, good and bad, from the sublime to the ridiculous people consider. After all that someone the general audience and BDMW school agree on quite often will still end up winning the show. But they don't have to.”
Brilliant post - 100% in agreement!





I think that is a relatively new phenomenon and that it started in John Sergeant's year.

