Emilie. Just saying her name is unappreciation enough.
The adoration of Jessica for "turning a contemporary song into a musical theatre number", when said "contemporary" number is basically a big band pastiche was ridiculous. Just because it was written only a few years ago doesn't mean it's contemporary in nature, or particularly difficult to turn into an inappropriate jazz-hands fest.
Jenny deserves credit for managing to channel both Daphne and Celeste at the same time.
I think they should cut the rest of the weeks of the competition, corrall all the terrifying stage mothers together (because every single girl had one) and make them fight for their daughters love. With knives. Winner gets to grant their daughter the role.
The adoration of Jessica for "turning a contemporary song into a musical theatre number", when said "contemporary" number is basically a big band pastiche was ridiculous. Just because it was written only a few years ago doesn't mean it's contemporary in nature, or particularly difficult to turn into an inappropriate jazz-hands fest.
Jenny deserves credit for managing to channel both Daphne and Celeste at the same time.
I think they should cut the rest of the weeks of the competition, corrall all the terrifying stage mothers together (because every single girl had one) and make them fight for their daughters love. With knives. Winner gets to grant their daughter the role.




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Don't tell me - he sold his soul for a BBC Contract.