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Channels Showing Full Widescreen Films |
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#876 |
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Forum Member
Join Date: Apr 2005
Location: Norwich
Posts: 242
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Quote:
I don't know what all the fuss is about. I just adjust my TV to whatever suits the film/TV show, whatever.
I find that you 'adjust' to black lines above & below the picture anyway after a few minutes. It's all psychological methinks ![]() ![]() |
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#877 |
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Join Date: May 2003
Posts: 15,853
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Quote:
Chances are that films not in the correct ratio are simply old copies of films still running on a contract made before the decision to screen 2.35:1 films.
To be fair the decision seems quite recent in that it was only late last year when it started and there is likely to be huge number of films left with contracts from earlier than that which may well have several years left to run so we're likely to see cropped movies for a very long time yet as the BBC won't be paying for new copies of films they already have unless they are interested in getting HD copies to replace an sd version which I would say they would not bother with on many , if any existing films Quote:
I was expecting both of these to be OAR (TELL NO ONE has been screened before), so they came as no surprise. For some reason, I'm expecting PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL to be OAR, too, but I may well end up being disappointed on that score...
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#878 |
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Forum Member
Join Date: Apr 2007
Location: Turnford, ENGLAND
Posts: 2,730
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McLintock!
Currently on BBC2 in OAR
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#879 |
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Join Date: Apr 2007
Location: Turnford, ENGLAND
Posts: 2,730
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Pirates of the Caribbean The Curse of the Black Pearl
On BBC1 now in 2.35:1
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#880 |
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Inactive Member
Join Date: Apr 2011
Posts: 515
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Quote:
But if C4 can make the effort to replace films within contract - since they must've done to make such a change in one go (although some would've been around since they were bought in for Film4), then surely they all can?
. Since the subscription days of Film4 and beyond C4 have usually shown films in their correct ratio anyway. When Film4 became free I did see a number of films appear in the wrong ratio but I think it was the exception rather than the rule so they are likely to have far less movies that need upgrading unlike the BBC which would require an upgrade for virtually their entire catalogue pre late 2010. There's no way they could justify getting in all new copies of every single film . It would be very costly and there's likely nowhere near enough viewers who actually care enough for them to spend that. The sensible thing to do is what they seem to be doing. Replacing notable movies , those getting an HD premier and brand new purchases. I must say I'd prefer them to get as many ready for HD regardless of ratio rather than get in films just to change the ratio. For example , I'd be more interested in an HD version of Whistle Down the Wind than buying in some 90's thriller in 2.35:1 |
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#881 |
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Forum Member
Join Date: May 2003
Posts: 15,853
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Quote:
unlike the BBC which would require an upgrade for virtually their entire catalogue pre late 2010.
There's no way they could justify getting in all new copies of every single film . It would be very costly and there's likely nowhere near enough viewers who actually care enough for them to spend that. To show some premieres as cropped prints, however, is unforgiveable. |
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#882 |
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Inactive Member
Join Date: Apr 2011
Posts: 515
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Quote:
There used to be a number of occasions when BBC HD would show a film in 2.35:1 but BBC1, for example, would show the same film in 16:9 or, in the case of the Indy films, 4:3, so they must have a fair catalogue.
To show some premieres as cropped prints, however, is unforgiveable. Perhaps these films were purchased before they decided to show 2.35;1. |
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#883 |
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Join Date: May 2003
Posts: 15,853
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Quote:
Cropped as in 16:9 ?
Perhaps these films were purchased before they decided to show 2.35;1. |
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#884 |
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Inactive Member
Join Date: Apr 2011
Posts: 515
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Quote:
No, because these were shown after other premieres in 2.35:1.
The BBC usually buys films in packages and those packages will often include movies that they cannot screen for a considerable time so I don't think we can say that just because they started showing 2.35:1 late last year that every single film premier from now on will follow suit. The range of movies in 2.35:1 seems to show that they are not just sticking to big films or important films and that they have made a conscious decision to show films correctly so if one is cropped that does not necessarily mean they've deliberately chosen to show it in an incorrect ratio - it's what they chose at the time of buying that film which was probably before the 2.35 decision was made |
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#885 |
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Forum Member
Join Date: Apr 2009
Posts: 1,278
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Quote:
The range of movies in 2.35:1 seems to show that they are not just sticking to big films or important films and that they have made a conscious decision to show films correctly so if one is cropped that does not necessarily mean they've deliberately chosen to show it in an incorrect ratio - it's what they chose at the time of buying that film which was probably before the 2.35 decision was made
The excuse the BBC once gave me when I enquired about the decision to crop scope movies down to 16:9/1.78 was that they were contractually obligated to screen cropped versions, because the broadcast AR is one of the things that's negotiated when a TV company buys the rights to any given film. They were also worried about the way that 2.35 presentations would impact on the 'significant' number of people still watching films (at the time of my enquiry) on 4:3 sets. That was a couple of years ago, so I'm assuming the Beeb feels 4:3 TV's are now a minority, and they're able to accommodate the majority. I doubt whether most people with 16:9 sets even notice that a CinemaScope film is shown with black bars top and bottom, since the vast majority of the wider screen is covered by the image itself, unlike 4:3 TV's, where the image was too small and the bars too big... |
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#886 |
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Forum Member
Join Date: May 2003
Posts: 15,853
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I doubt whether most people with 16:9 sets even notice that a CinemaScope film is shown with black bars top and bottom, since the vast majority of the wider screen is covered by the image itself, unlike 4:3 TV's, where the image was too small and the bars too big...
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#887 |
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Forum Member
Join Date: Feb 2010
Posts: 182
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The short film Spider was shown in 2.35:1 on Film Four last night.
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#888 |
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Forum Member
Join Date: Apr 2009
Posts: 1,278
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Quote:
The short film Spider was shown in 2.35:1 on Film Four last night.
![]() Interesting to see the 2.35:1 version of MONTE CARLO OR BUST! went out under the alternative title THOSE DARING YOUNG MEN IN THEIR JAUNTY JALOPIES... |
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#889 |
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Join Date: Jun 2002
Posts: 13,766
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It's only really noteworthy when it happens on BBC ONE, BBC TWO, ITV 1 or Channel 5.
A good few films have made it on to ITV 2/3/4 in 2.35:1 but strangely only a very select few on ITV 1. BBC are getting there and Channel 5 have barely started with only a handful getting the 2.35:1 treatment. |
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#890 |
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Inactive Member
Join Date: Apr 2011
Posts: 515
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Quote:
You can rely on C4 and it's subsidiary channels to get it right most - if not all - times, which is why so few of us mention the way films are broadcast on those channels. It's when anyone else does it that it's surprising enough for us to mention it here!!
![]() Interesting to see the 2.35:1 version of MONTE CARLO OR BUST! went out under the alternative title THOSE DARING YOUNG MEN IN THEIR JAUNTY JALOPIES... |
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#891 |
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Forum Member
Join Date: Apr 2009
Posts: 1,278
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It may not have played in every region, but ITV 1 screened HELLO, DOLLY! in the middle of the night at a fair approximation of the original 2.21:1 ratio. They clearly used 70mm elements, because the print credits the Todd-AO photographic process (for most films shot in this format, only the 70mm release prints featured any such credit). So we weren't given a 35mm element, cut down from the 70mm original, further cropped to 'imitate' the Todd-AO original. Nope, we got the real deal...
The presentation was signed, which may have been a deal-breaker for some people, but I'm sure an unsigned version will get an airing in due course. If you're in the mood for old-fashioned Hollywood moonshine, you can't do better than this one. I saw it theatrically in 35mm a few years ago, and the Big Screen really DOES make a world of difference. |
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#892 |
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Forum Member
Join Date: May 2008
Location: Reading, UK
Posts: 23,352
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Film4 seem to be airing Phantom in the OAR...
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#893 |
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Inactive Member
Join Date: Apr 2011
Posts: 515
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Quote:
It may not have played in every region, but ITV 1 screened HELLO, DOLLY! in the middle of the night at a fair approximation of the original 2.21:1 ratio. They clearly used 70mm elements, because the print credits the Todd-AO photographic process (for most films shot in this format, only the 70mm release prints featured any such credit). So we weren't given a 35mm element, cut down from the 70mm original, further cropped to 'imitate' the Todd-AO original. Nope, we got the real deal...
The presentation was signed, which may have been a deal-breaker for some people, but I'm sure an unsigned version will get an airing in due course. If you're in the mood for old-fashioned Hollywood moonshine, you can't do better than this one. I saw it theatrically in 35mm a few years ago, and the Big Screen really DOES make a world of difference. Movies signed on ITV1 are not signed on the HD channel if the film is in HD |
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#894 |
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Forum Member
Join Date: Jun 2002
Posts: 13,766
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Would be very strange if ITV had obtained an OAR copy of a film that wasn't in HD, all their deals before have insisted on a pan and scan version of any 2.35:1 films.
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#895 |
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Forum Member
Join Date: Apr 2009
Posts: 1,278
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Quote:
Was it not in HD on ITV1HD.
Movies signed on ITV1 are not signed on the HD channel if the film is in HD |
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#896 |
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Forum Member
Join Date: Apr 2009
Posts: 1,278
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2.35:1 movies across the Freeview platform next week (21 - 27 May):
As with the 1979 version of THE LADY VANISHES, Channel 4 insists on running a cropped 1.78:1 version of KIDNAPPED, and I'm not expecting anything different next week - though I'm open to being surprised!! As for SOLO on Wednesday - forget it! Open-frame version of a Super 35 movie, as always. Crap, in other words, and not worth your time or attention. On the other hand, the Radio Times provides a '(W)' indication for THE RAINMAKER on BBC 1, which indicates we might get something better than the cropped 4:3 version they've been flogging for the last few years!... Saturday (21 May) • AIRPORT (5 USA) [2.21:1] • ALFIE (Film 4) • ASSAULT ON PRECINCT 13 (E4) • CINDERELLA MAN (BBC 1) • DEJA VU (BBC 1) • EVER AFTER (Film 4) • GHOSTBUSTERS II (5 Star) • THE HEROES OF TELEMARK (BBC 2) • THE ITALIAN JOB (Film 4) • JUDGMENT NIGHT (BBC 1) • LARA CROFT: TOMB RAIDER (BBC 3) • THE LEAGUE OF EXTRAORDINARY GENTLEMEN (Channel 5) • THE LOVED ONES (Film 4) • MOONRAKER (ITV 1) • SCARY MOVIE (Film 4) • SWIMFAN (C4) Sunday (22 May) • FUN WITH DICK AND JANE (Channel 5) • INSIDE I'M DANCING (ITV 3) • THE ITALIAN JOB (Film 4) • LAST OF THE DOGMEN (Channel 5) • NINE MONTHS (E4) • PROOF OF LIFE (Channel 5) • TIN CUP (ITV 3) • VINYAN (C4) • ZODIAC (BBC 2) Monday (23 May) • BRIDGET JONES: THE EDGE OF REASON (ITV 2) • BROKEN LANCE (Film 4) [2.55:1] • ENOUGH (Channel 5) • THE LEAGUE OF EXTRAORDINARY GENTLEMEN (5 Star) • LITTLE SPARROWS (Film 4) • MARS ATTACKS! (ITV 4) • MIRRORS (C4) • THE PHANTOM OF THE OPERA (Film 4) • TANGO & CASH (ITV 1) • WHAT HAPPENS IN VEGAS... (Film 4) Tuesday (24 May) • THE BLACK WINDMILL (ITV 4) • CARLITO'S WAY (ITV 4) • CAROUSEL (Film 4) [2.55:1] • CELLULAR (Film 4) • ERASER (5 USA) • THE LAST KING OF SCOTLAND (Film 4) • WARLOCK (More 4) Wednesday (25 May) • CARLITO'S WAY (ITV 4) • CHANGING LANES (More 4) • ELECTION (E4) • FANTASTIC FOUR (Film 4) • THE HIDE (Film 4) • KIDNAPPED (C4) • KISS THEM FOR ME (Film 4) • LARA CROFT: TOMB RAIDER - THE CRADLE OF LIFE (BBC 3) • SOLO (5 USA) • THE SUNCHASER (C4) • TIN CUP (ITV 3) Thursday (26 May) • THE ENEMY BELOW (Film 4) • ENTER THE DRAGON (ITV 4) • THE INNOCENTS (Film 4) • THE ITALIAN JOB (Film 4) • JAWS: THE REVENGE (ITV 4) • QUENTIN DURWARD (More 4) [2.55:1] • WHITE FEATHER (C4) [2.55:1] Friday (27 May) • ALFIE (Film 4) • THE BLACK WINDMILL (ITV 4) • BROKEN LANCE (Film 4) [2.55:1] • THE HITCHER (ITV 1) • JOY RIDE (Film 4) • LUCKY NUMBER SLEVIN (Film 4) • PAYBACK (5 USA) • THE RAINMAKER (BBC 1) • THE SECRET LIFE OF BEES (Film 4) • UNFORGIVEN (ITV 4) |
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#897 |
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Forum Member
Join Date: Apr 2009
Posts: 1,278
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Quote:
Saturday (21 May)
• AIRPORT (5 USA) [2.21:1] • ALFIE (Film 4) • ASSAULT ON PRECINCT 13 (E4) • CINDERELLA MAN (BBC 1) • DEJA VU (BBC 1) • EVER AFTER (Film 4) • GHOSTBUSTERS II (5 Star) • THE HEROES OF TELEMARK (BBC 2) • THE ITALIAN JOB (Film 4) • JUDGMENT NIGHT (BBC 1) • LARA CROFT: TOMB RAIDER (BBC 3) • THE LEAGUE OF EXTRAORDINARY GENTLEMEN (Channel 5) • THE LOVED ONES (Film 4) • MOONRAKER (ITV 1) • SCARY MOVIE (Film 4) • SWIMFAN (C4) A pox on the lack of an edit button!...
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#898 |
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Forum Member
Join Date: Apr 2007
Location: Turnford, ENGLAND
Posts: 2,730
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A Choice of Widescreen Films on the BBC
Deja Vu currently on BBC1 in 2.35:1 whilst Cinderella Man is on BBC2 in 2.35:1 at the same time
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#899 |
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Forum Member
Join Date: Jan 2010
Posts: 614
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Deja Vu on BBC1 and Cinderella Man on BBC2 are both being screened at there original ratios at the moment
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#900 |
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Forum Member
Join Date: Jan 2006
Posts: 1,025
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Deja vu is being shown cropped to 16:9 on bbc one Scotland. Started an hour later than in the rest of the uk so must be different print. Think there was an occurrence of this a few weeks ago as well mentioned a few pages back.
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