Originally Posted by johnnysaucepn:
“neel, I don't think any of those attributes are essential to describing a character as a superhero, only common themes that are used in superhero stories. The traits you mention are common to themes of 'tragic' heroes (not in the Shakespearean sense, obviously) - those with a troubled upbringing that nevertheless fight through it, and understand the downtrodden, to become better than the rest of us. Is the fact that it comes easily to the Doctor a plausible reason for him not to be elevated to superhero status?
Should we stop calling them 'assistants' and 'companions', and start calling them 'sidekicks'?”
I would agree, the loss of the father figure can be attributed to far more literary heroes than simply the "superhero" however,I would say that it is a fair observation that the 3 most famous and influential superheroes of the 20th C, Batman, Spiderman and Superman can be seen to be motivated by the death of parental figures.
While there is according to propp's structural observations always going to be a "lack" it is notable that in these three cases it is that of a parental figure, rather than, for example a child, wife etc.
There are obvious reasons for this, the comic book was at the time these characters were created specifically aimed at children, a child cannot relate in the same way to the loss of a child or wife as to the loss of a parent.
Similarly, the sidekick (which I would not identify as a such a significant trope in the superhero narrative, 2 of the aformentioned 3 have never had a sidekick of note, and 1 was concieved without one).
The sidekick exists to externalise the thoughts of the hero, the sidekick becomes a less significant part of comic books once the thought bubble begins to be used more commonly the sidekick is needed less, similarly following "the seduction of the innocent" the idea of grown men hanging about with young boys became less palatable as the superhero narrative was looked at by the public and press in less inoccent terms.
In doctor who, the assistant (You are right the terms assistant and sidekick are interchangeable in this context) is needed for basic narrative reasons so that the doctor has someone to talk to, to create a human link to the story of an "alien" central character. It is notable that since 2005 all of the long term companions or side kicks have been human, and from back grounds that the viewer can identify with.
In contrast the pre 2005 Doctor who has for example Romana, and Adric as companions. A time lord and an alien maths genius.
I think there is an argument to be made, that the post 2005 Doctor Who conforms more closely to the conventions of the American superhero genre than the pre 2005.
As with all literature there is a counter argument to make, there will be ways that the Doctor differers from these conventions, and spotting these is going to be as illuminating as spotting the similarities.
One of the biggest problems with the question the OP asks though is "what is a superhero". I chose to take the most popular and influential heroes and look for the similarities between them, but as has allready been pointed out, we could define the term differently. To keep things simple i've drawn an imaginery line at the early 1960's when defining the traits of the superhero.
The 1970's and 80's, and then 90's superhero is different. the last decade had a more "post-modern" almost revisionist concept of the hero and in all of these decades there are exeptions that disprove the rule.
I still think in general though it is reasonable to point to the lack of a paternal figure as being common to the most significant examples of the genre and not, for example, to the direct decendants of the super hero, pulp chracters like Doc Brass, Tarzan ect.
When we go back to what i see as the popular heroes from the generation before, the Sherlock Holmes type characters, the lack of the paternal figure is not as important.
Why this changes in intereresting, i would say that looking at the superhero narrative through Freudian eyes is an interesting way to understand the genre, but that is an other discussion entiely....