Originally Posted by snotrageater:
“Thats the problem with many shows of the sci-fi variety. The effects were done on the cheap”
To be fair, TV shows have always had to make the most of a budget that's limited compared to cinema films.
The problem I have with ST:TNG is that they recorded their effects in a form that was blatantly poor quality even then. Perhaps with the limitations of NTSC back then it wasn't noticeable on US televisions of the time, and that's all they cared about?
I noticed that a lot of older US shows made on film looked okay on British TV at the time. Did they transfer directly from film to PAL video?
Originally Posted by snotrageater:
“Of course the CGI upgrade of Star Trek TOS has shown this can be done well and to acceptable standards.”
True; I didn't mean to suggest it wasn't possible, just that (aside from the time and money required) it wouldn't be a 100% authentic version of the original show, which matters to some people.
Originally Posted by snotrageater:
“Virtually all US shows of this era suffer the same fate , but standard drama like Dallas for example has no additional work over and above what was filmed in camera , so a simple rescan of the filmed elements into an HD master would be relatively simple compared to shows like Trek and X-Files. I believe this has already been done with Seinfeld.”
Yes, I thought the same thing. It'd probably be worth it for Friends, since that *still* seems to be very popular with the mass market and it has no(?) effects to be redone.
Originally Posted by snotrageater:
“Actually the BBC tried the opposite effect which was to take shows made on tape and then the use trickery to "filmise" the image to make it look as if it was produced on film.”
I might be wrong, but didn't the 90s BBC stuff (e.g. Red Dwarf 7) simply filmise by dropping one of the two successive 50Hz fields and duplicating the missing lines? IIRC it did give quite a good "filmic" look due to this reducing the temporal resolution to 25 Hz (like film), but I also noticed that it made the scan lines quite visibly coarse.
As far as I'm aware, shows like Red Dwarf 7, which were made with the intention of filmising, are also lit and shot differently to traditional video productions.
(Apparently
this is what caused a problem with "Neverwhere"; it was shot with filmising in mind, but they later changed their minds).
Originally Posted by snotrageater:
“But older shows made on tape then filmised many years later don't appear to standup as well. [..] Not sure if they still do old stuff after complaints”
Perhaps part of the problem is that older video footage in particular looks quite different to film (e.g. brightly lit, other artifacts), is shot differently, wasn't made with filmising in mind and all the processing in the world won't entirely get around that?
Or perhaps they just didn't like the fact that it wasn't how they first watched it.