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Alexandra Burke to release new version of 'The Silence' |
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#26 |
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I've just listened to You Broke My Heart, but those high notes are not belted so they don't sound strained like the ones in The Silence. What I will note on is that they sound very thin, hoarse and weak.
I don't think high notes are Alex's thing. It's not a bad thing, she doesn't need to have a big range when she's got such an ample and warm lower chest voice. |
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#27 |
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I hope she records it using the same vocals as when she performed on POG.
I downloaded that performance and deleted the original because her voice sounds alot better live than the studio version. But I love the song, and I'm glad she's finally releasing it. A few months ago, fans were worried that radio won't latch onto it, but who cares now. |
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#28 |
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Quote:
I hope she records it using the same vocals as when she performed on POG.
I downloaded that performance and deleted the original because her voice sounds alot better live than the studio version. But I love the song, and I'm glad she's finally releasing it. A few months ago, fans were worried that radio won't latch onto it, but who cares now. |
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#29 |
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Quote:
I've just listened to You Broke My Heart, but those high notes are not belted so they don't sound strained like the ones in The Silence. What I will note on is that they sound very thin, hoarse and weak.
I don't think high notes are Alex's thing. It's not a bad thing, she doesn't need to have a big range when she's got such an ample and warm lower chest voice. http://www.youtube.com/watch?v=FJeZSODcOLQ |
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#30 |
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Yeah, no straining because she lowered the key. This is just proof that she's not capable of belting high notes if she changes the key of the song when she performs it live.
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#31 |
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Quote:
Here is Alex performing the Silence live. Granted she lowered it a bit but she sounds strong in her belting. No straining at all.
http://www.youtube.com/watch?v=FJeZSODcOLQ And to be honest, Alex seems like she improves all the time, so she may even go beyond the POG performance. I'll be interested to see the video, and how the X-Factor performance is staged. |
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#32 |
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Quote:
Yeah, no straining because she lowered the key. This is just proof that she's not capable of belting high notes if she changes the key of the song when she performs it live.
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#33 |
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It's really easy to see why Charlotte Church bigged up Alex as one of the best singers she'd ever heard, on the basis of performances like this. Stunning. If she replicates something similar on the X-Factor, on the strength of the guest performances we've seen so far on X-Factor, she may give the best vocal by a distance. About time for the ballad to make a comeback this year, and Alex is the right woman for the job, imho.
And to be honest, Alex seems like she improves all the time, so she may even go beyond the POG performance. I'll be interested to see the video, and how the X-Factor performance is staged. |
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#34 |
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Join Date: Aug 2008
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Quote:
It's really easy to see why Charlotte Church bigged up Alex as one of the best singers she'd ever heard, on the basis of performances like this. Stunning. If she replicates something similar on the X-Factor, on the strength of the guest performances we've seen so far on X-Factor, she may give the best vocal by a distance. About time for the ballad to make a comeback this year, and Alex is the right woman for the job, imho.
And to be honest, Alex seems like she improves all the time, so she may even go beyond the POG performance. I'll be interested to see the video, and how the X-Factor performance is staged. |
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#35 |
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The highest belt on the album is in Nothing But the Girl and is an F#5.
![]() She does sound raspy on it, and I hope she's re-recorded the vocals. Her recent performance of it at G-A-Y was fantastic and didn't sound raspy at all. I never liked the Paul O'Grady performance, personally, and find her G-A-Y performance to be the best yet. |
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#36 |
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I think it will be the instrumental rather than the vocals that will be reworked.
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#37 |
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Personally I like the rasp that Alex has when she goes for the top end of her belting, but I also like her tone and really enjoy when she does songs like They don't know and when she did you are so beautiful which had no big notes in them just Alex singing. I'd probably say for me that her tone is the best feature of her voice but I also like the fact that she can belt it out too.
Here is one of the only live performances of We Belong Together, I've linked it to just the final chorus: http://www.youtube.com/watch?v=--BYN8qGSBA#t=3m01s Lyrics in bold are what she sounds scratchy/raspy in: We Belong Together, baby When you left I lost a part of me It's still so hard to believe Come back, baby, please 'cause We Belong Together Who am I gonna lean on when times get rough? Who's gon' talk to me till the sun comes up? Who's gon' take your place? There ain't nobody better Oh, baby, baby We Belong Together~ (her voice cracks at the end of the note if you listen). So, repeating myself, I don't mind raspiness but I think Alex's sounds a bit more unhealthy than, say, Mariah's. Christina is another case though. I'm one of the people who find her shouting rather annoying, but one of the people who find Mariah's "screeching" mesmorising. |
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#38 |
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From recent performances her voice is much stronger now and she has better control, so whatever they do with the recorded version the live performances should be good.
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#39 |
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Quote:
I don't mind rasp, Mariah Carey's belting is scratchy above E flat, but I think it sounds quite good.
Here is one of the only live performances of We Belong Together, I've linked it to just the final chorus: http://www.youtube.com/watch?v=--BYN8qGSBA#t=3m01s Lyrics in bold are what she sounds scratchy/raspy in: We Belong Together, baby When you left I lost a part of me It's still so hard to believe Come back, baby, please 'cause We Belong Together Who am I gonna lean on when times get rough? Who's gon' talk to me till the sun comes up? Who's gon' take your place? There ain't nobody better Oh, baby, baby We Belong Together~ (her voice cracks at the end of the note if you listen). So, repeating myself, I don't mind raspiness but I think Alex's sounds a bit more unhealthy than, say, Mariah's. Christina is another case though. I'm one of the people who find her shouting rather annoying, but one of the people who find Mariah's "screeching" mesmorising. |
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#40 |
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Join Date: Jul 2010
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Completely agree. That was the highest she's ever belted We Belong Together, it's even higher than the studio version. Most people critisized her for loosing it at the end of the note but it almost makes it sound like she's crying; this is a performance that I would say has emotion.
She sounded so sharp in 1997 - 2000, but nothing beats her 1996 stuff. Ever see the performance of Hero at the Tokyo Dome? Wow. |
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#41 |
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i LOVE this song, why she didn't release it before i don't know. Much better than the dire broken heels.
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#42 |
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Join Date: Aug 2008
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She NEEDS to change it though.
The fact is, the song is really old now. Everybody already knows it, and I can't see it going top 10 unless there's a new version which she promotes, which will get the people who already own the original version (through the album of through download), to consider buying the new version. David Guetta did the same thing, and got his 5th single from his album to #1, because he made a new version of the song. |
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