Possibly one of her finest ever tracks, she's come a long way from the early days... The introduction to Haunted compliments her voice perfectly, and the track is stunning and more or less flawless, minus some very strange occasional accent quirks on overstressed 'I' sounds that's usually reserved for Eurovision ballads.
It's a shame that bad versions of Mine and Innocent were all we really got to promote the album, and I hope Haunted eventually gets the full single release that it deserves - it's a strong track, and it's criminal that it's tucked away mid-album, though I guess that's where it takes place in the album's 'journey'.