Originally Posted by Terry Purvis:
“Whilst it's fair to say the last two play a greater music variety than the other three, I wouldn't say it's the only reason they at the bottom. As we both know it's a far more complex scenario than simply the breadth of the music rotations.”
Sure, that's a fair point.
Originally Posted by Terry Purvis:
“If it were BBC Radio's One and Two would be doing very badly.”
Well, I chose to exclude the BBC networks because they invest huge amounts in content and talent, and therefore offer much more than just music. I'd argue that rotations are irrelevant in their case, so comparing only commercial brands gives a more realistic idea of the merits of tight rotations. (In fact, Radio 1 has phenomenal reach but mediocre hours with its 15-24 core, which I believe is probably caused by people dipping in only for certain specialist shows. So, oddly, you could claim that Radio 1's massive music variety actually drives reach not hours, the exact opposite of what occurs with commercial radio!).
Originally Posted by Terry Purvis:
“Looking at the other three, it could be said Capital, playing the narrowest range of music, is under performing compared to the others.”
Not really. It's delivering a higher reach but lower average hours than Heart, which is exactly what you'd expect. Capital is even more reach-driven than Heart, but has higher music repetition which could explain the lower hours.
Originally Posted by Terry Purvis:
“It'll be interesting to see what happens when the rest of the new Capital Network settles down and beds in during the months to come, at the moment it's at 6.6 hours per week listened, I believe.”
I can't imagine it'll ever have average hours in double figures but, like I say, the strategy with CHR is normally to maximise market share through strong reach.
I wonder how many people use Capital as a P2 or P3 station as I do? If there's not a personality presenter I want to hear on the BBC networks or if it's wall-to-wall specialist shows, I'll go straight to Capital every time. I know I'll get some big mainstream tunes pretty much as soon as I turn on, and won't have to endure two-minute long links from desperately unfunny local radio presenters who like the sound of their own voice. (And, yes, I appreciate the irony that I used to be a desperately unfunny local radio presenter who likes the sound of my own voice!)