Da Vinci's gift
That dream of Blake's, the Wordsworth lakes,
The desert hope of Lawrence,
What makes someone pour out the sun
Of genius in torrents?
Italian-glazed a child was raised,
From Vinci close to Florence.
He grew to be a student free
Of shackles from the start,
A mind that sought exclusive thought,
Not only steeped in art;
What nature proved, how bodies moved,
He analysed each part.
Now is the night, by candlelight
Come peer with me into it,
The cultured stage, a scholars' age,
Renaissance minds soared through it
And ere the world of logic swirled
Faith was the true conduit.
Da Vinci's skill increased until
It brought him useful contacts,
A chance to grow, to really show
Art unrestrained and on tracks
Changed by his hand, soon chance would land
The greatest of his contracts:
Upon a wall divine and tall,
Dominican and holy
He would record friends with the Lord
Who saved the meek and lowly,
That final meal he would reveal;
The Last Supper grew slowly.
Today the paint is very faint,
Bright tempera and oil
Are prone to fade, each fresco shade
Soon dulled after the toil
But years of time and waves of grime
Can't permanently spoil.
For pilgrim eyes it's vast in size,
Fifteen by twenty-nine,
As Jesus told his guests of cold
Plain treason down the line
Enjoyment ceased, it stopped the feast
Of sacred bread and wine.
The moment when His loyal men
Found out, in this portrayal
These twelve are locked in pain and shocked
Yet Christ was bound to say all;
Their rage and grief are disbelief
At news of His betrayal.
No halo glows but here arose
A mystery, in vain
I've looked between and scanned the scene,
Did Leonardo fain
To drop a veil and is one male
Sweet Mary Magdalene?
Among the chairs and Christian heirs
Apostle John I see
Sits on the right of Jesus, slight
And feminine looks he,
If not a man was this a plan
To set the Goddess free?
In gloomy deeps near castle keeps
The Knights Templar exploded
The myths we make and tend to take
For granted though corroded,
A need to mine and break the sign
Da Vinci had encoded.
And yet in truth, without real proof
I can't be sure and while
We like to seize conspiracies
This picture has a style
With more to know, more even so
Than Mona Lisa's smile.
Brush strokes anoint a turning-point,
The Son of Man's restriction,
Here paint enacts the awful facts
Of Jesus's prediction
And loved ones who would suffer through
The Day of Crucifixion.
What art remains the wall retains
On lower space and upper,
No flaw can crease a masterpiece,
No plague or war can scupper
Da Vinci's gift, all spirits lift
On seeing his Last Supper.
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