Originally Posted by Brekkie:
“P.S. I see Springwatch is returning to it's stripped format next week after pretty much tanking as a weekly show. Does it usually go up against BGT though?”
Springwatch is always stripped, it's Autumnwatch that was the weekly show, presumably as nature in autumn moves a bit slower than nature in the spring. And it's always started on the Spring Bank Holiday, so yes, since BGT has been there, it's gone up against it.
Originally Posted by RobbieSykes123:
“When the Beeb commissions ITV Studios (aka Granada TV) to make the likes of Road To.. and Royle Family, how much creative freedom does Granada actually get? Or do they just supply the studios, production team, sets etc?
I'd have thought if the Beeb was stumping up big money for these commissions, it would have pretty much total control over what comes out at the other end? Meaning that, in all reality, it is a bit much to say Road To... was "an ITV programme that aired on the BBC"?”
It was not an ITV programme, is the main point. ITV cannot show it.
But it depends on the show as to how much creative freedom they get. I know that Celador piloted The People Versus with their own money before they started hawking it around the channels so it was made very much on their own terms and it was all done and dusted before ITV came in for it (though as it turns out, that was rotten). Whereas in other cases, the broadcaster might come to a production company with an idea, I think one example would be the Alternative Election Night which became Ten O'Clock Live, when C4 wanted to do something for election night and commissioned Zeppotron to do it because they had experience with that kind of topical comedy.
As for this, it was clearly a pet project for Daran Little, the Corrie writer and expert, who presumably approached ITV Studios with the idea and they presumably approached the Beeb because they thought it would work there. It's the same as how Jimmy McGovern does his shows out of ITV Studios even though they're all on the Beeb, he knows and respects the people there so he wants to work with them.
ITV Studios works like every other production company, it just happens to be owned by ITV. I do not understand the confusion here.
Even if the Beeb wanted to do a Corrie drama and ITV Studios didn't make it, they could still have done it, they could have just approached permission to use the various aspects of Corrie. Same as that episode of The Royle Family where they all watch Millionaire, they just asked Celador for permission to use Millionaire properties.
Originally Posted by
Dancc:
“Jim Rosenthal digs for Europa League victory (another sneery piece this time by Martin Kelner)”
Oh, ignore Martin Kelner, his column may have had some appeal a decade ago but I've completely forgotten what that might have been. It now appears to be the world's longest running and most untelligble blog which somehow find itself published as a national newspaper's sport on TV column. You'd be lucky to find a sentence actually reviewing sport on TV.
Originally Posted by square_eyes:
“Hosted by Britain’s Got More Talent’s Stephen Mulhern”
I forgot to mention the other day, I liked that comment from Stephen Mulhern that he wasn't surprised Konnie Huq didn't do very well on The Xtra Factor because people don't reliase "how difficult" it is to do an ITV2 spin-off. Ha! Hardest job in the world! These war correspondents have it easy, they want to try approaching Amanda Holden at the tea bar. What is the appeal of this awful man?
Originally Posted by Pizzatheaction:
“How does the DVD revenue split? I've noticed my Royle Family DVDs are ITV DVDs.”
Different thing, it depends on what label the production company want to use. The great example is That Mitchell And Webb Look, as the four series have been released on DVD on, respectively, Contender, FremantleMedia, BBC DVD and FremantleMedia again, despite every series being an in-house DVD production.
Sometimes you'll get an independent production for the Beeb released on BBC DVD - all the Alan Partridge DVDs, for example - and sometimes they'll be released on an indpendent label. Depends who the company want to use.
Originally Posted by Georged123:
“Its got the Eastenders lead-in, cant get a much better slot on BBC3.”
That's exactly right, everything big on BBC3 gets the 10.30 slot because it gets the 'stEnders lead-in and doesn't have to compete with the big juggernauts on other channels - let alone the fact BBC3's younger audience tends to stay up later than other channels. Hence why loads of Family Guy repeats after eleven o'clock get in the BBC3 chart and regularly beat the big five channels.
Originally Posted by Dancc:
“I would hope that's an error. 10am seems incredibly late for a breakfast show to finish on a weekday when the normal working day begins at 9am!”
Well, they've not done it that recently, but five years ago or so they used to sometimes have special weeks, for the Chelsea Flower Show or Wimbledon or something, where they'd have reports during Breakfast and then the last half hour would be anchored from the event, which would sometimes go on until 9.30 or 10am. Might be the case here.