Originally Posted by Josh Pinder:
“Very much agree with that. Circus was a commercial appeal Pop record with some interesting underlay (in comparison to a lot out it is still a good all rounder album) and levelled out between eras of her life.
Blackout yeah included such underground sounds. It took on Electropop, Dance, Dub Step, Trance beats and rhythms and some Urban sounds and was very risky and daring all rounder really.
Femme Fatale took several risks, Again incorporating industrial sounds, some underground influences, a few old skool beats and rhythms, some electric guitar riffs on some hits, a mix of a few commercially appealing songs (Hold It Against Me, Big Fat Bass and Drop Dead Beautiful basically) but also some could-be hits and confessional Pop songs within the pacing and beats.”
“Very much agree with that. Circus was a commercial appeal Pop record with some interesting underlay (in comparison to a lot out it is still a good all rounder album) and levelled out between eras of her life.
Blackout yeah included such underground sounds. It took on Electropop, Dance, Dub Step, Trance beats and rhythms and some Urban sounds and was very risky and daring all rounder really.
Femme Fatale took several risks, Again incorporating industrial sounds, some underground influences, a few old skool beats and rhythms, some electric guitar riffs on some hits, a mix of a few commercially appealing songs (Hold It Against Me, Big Fat Bass and Drop Dead Beautiful basically) but also some could-be hits and confessional Pop songs within the pacing and beats.”
Not wanting to repeat myself but also Circus broke the cohesiveness and consistency of her back catalogue she was progressing then circus broke all that hopeful her next album will keep up with the feel of FF commercial yet innovative and interesting pop but still with huge commercial appeal.






