I think the Vancouver opening/closing ceremony spanned the 2am cut off - and doesn't the Superbowl/Oscars usually, so nothing too unusual.
Originally Posted by sn_22:
“Sometimes I think that ITV acts in remarkably uncommercial fashion, considering the business they're in. I'll never get over the number of 2 or 3 parters they seem to bother with. From a money-making point of view, what's the point?! If I were in charge and looking to make money, there's no way you'd see me investing several million pounds into a limited 5-part serial, when I could spend the same money on a series that might (and OK, it's a long shot) give me 5 series' worth of joy.”
Exactly, especially when many of the 2-parters especially are simply one-offs with no series returning potential. C4 annoy me too with their 4-part stuff like Any Human Heart/The Promise commissioned at a time when they desperately need to find new returning series. It's disapointing too This is England '88 will be just three parts when it could easily have been eight or more based on the performance of This is England '86.
Originally Posted by Steve Williams:
“But in the eighties and nineties you would get a lot of returning series like Howard's Way or London's Burning that would happily run for at least thirteen weeks of the year and it's perhaps surprising we don't have more shows like that these days. I'm sure it's not for the want of trying, though.”
Exactly - and really it's only 2-3 13-parters that a channel needs to begin to give the schedule some familarity which they can build upon.
I do wonder how Monroe and Scott & Bailey will do in their season seasons - I didn't watch either so I'm commenting as an outsider but I don't see either broadening their appeal.
Originally Posted by derek500:
“All of Sky's new commissions, so far, have been at least eight episodes.
The two recommissioned so far, have been extended to 13+13+1x 30m and 9+1 x 60m.
Ruth Jones' comedy drama Stella, is 10x60m and Sinbad is 13x60m.”
It's one advantage of more co-productions. I think 6-8 for a first series is fine, but for subsequent series a channel should be looking at 10-13 episodes in most cases, although having a series which can run for 22 episodes would surely boost any primetime schedule.
Originally Posted by GeorgeS:
“One thing as regards longer series runs. In these US series of 22 episodes, there are always about 2 or 3 at least that are complete duffers and if there was proper quality control wouldnt have made it to screen. But presumably because of the need to fill airtime they get made.”
True, but it's the price worth paying I guess.
Originally Posted by
sn_22:
“Yeah, I was just registering my surprise that we don't see far more team writing, really (I realise my post sounded irritated about it. I wasn't - it was just 3am
) and just speculating as to why that's so.
I'm not saying that "authored" drama or comedy is a bad thing in any way - you wouldn't want dumb TV execs wading in and telling Iannucci to get a team together and turn out 13 episodes of The Thick Of It. I'm just intrigued that it's so dominant in our TV market, and more shows aren't commissioned with a show runner type model in mind. I'm not sure whether it comes from the writers themselves or the commissioners, but there seems a bit of an attitude about "farming stuff out" that assumes it must mark the creative death of a series or will ruin it's popularity. When recent examples (in drama, less so in British comedy) don't seem to bear that out at all.
We keep being told how important international sales are - and longer runs (in one way or another) is surely something the likes of ITV are going to have to embrace if they're to exploit that market properly. Paul Abbott seems to want to go all-out for it - and while Shameless isn't the greatest example, having been pushed too far at too great an age, I think the industry might need to start listening to him a little more in the future.”
Interesting comments from Paul Abbott. On this topic too it's interesting how virtually all British dramas are completely in the can before transmission rather than filmed close to broadcast as most US shows are (and of course continuing dramas are here). Indeed I think even our soaps have a longer period from filming to airing than many US shows.
Originally Posted by Charnham:
“C4 has been promoting this Wedding alot, now sure why its all in black however, that confused me.”
Confused enough to watch though. It all fits the theme!
Originally Posted by
D.M.N.:
“World Cup 2014 game schedule announced today - kick off's mainly at 5pm, 9pm and 11pm but in some group games 2am. The final is at 8pm UK time.
One has to imagine ITV will be trying to get the 5pm and 9pm games, I imagine 11pm would only be viable if it is a big team or England.
EDIT: http://www.fifa.com/worldcup/news/ne...755/index.html
Opening Match: 21.00
Group Stage matches: 17.00, 20.00, 23.00, 02.00
Round of 16/Quarter-finals: 13.00, 21.00
Semi-finals: 21.00
Match for Third Place: 21.00
Final: 20.00”
Easy enough to schedule around, but difficult to schedule against really with kick-off times switching from 8pm to 9pm mid-tournament, as with games at 8pm and 11pm I'd have thought 10pm would be a good slot to get content on air while people are waiting around for the next match.
Obviously though it's a schedule for Europe rather than the host nation - and although I'm not surprised the semi-finals and final are at 9pm/8pm, I thought some of the Round of 16/QFs would be midnight kick-offs so they're primetime for local audiences.
Originally Posted by Dancc:
“Episodes were up about 20% year-on-year when it aired in Oz last month, so it performed really well. 5* complicates things over here, in a way I'd have preferred it if they rested the first look episodes for a week.”
It doesn't really complicate things - both should see ratings rise as Hollyoaks has this week, and I'm sure in both soaps cases it makes better financial sense to have say 50% of the main channel audience watching a "first look" airing than to have 50% more viewers watching the main channel airing.