Originally Posted by mlt11:
“Was forced to watch XF at a friend's house last night - something I would never normally do.
What an embarrassment.
15 minutes? (6 * 2.5?) singing in 75 minutes.
At least 3 of the acts you could barely hear the "act's" voices due to the background music being so loud.
Judges saying everyone was brilliant.
Masses of screaming and shouting.
Well if that is the best way a large chunk of the country can be entertained it's a desperately sad state of affairs.
But as posted earlier - this type of show is by far the easiest to market / hype so it's inevitable. Just rather sad and pathetic.”
I imagine if you're not used to it - it comes as quite a shock to the system!
There's an almost terrifyingly slickness applied to the whole thing - perfectly honed for maximum hype. I heard somewhere that XF producers actually play in additional crowd noise through speakers to artificially "up the atmosphere" in the studio. Don't know whether that's true, but it's the sort of canny move I wouldn't put past them. And just about sums the whole show up, in a way.
Actually, regarding the sound… I wonder how on earth XF are going to cope at Wembley for the final. Strictly struggled with an echo and getting everyone heard yesterday - even though their audience does usually shut up when Bruce or the judges are talking. You can barely hear the XF judges at the best of times. What hope when they've 10,000 people?
--
Brilliant result for Strictly last night - a fantastic result to match the hefty bump it took at the same stage last year. And a good result for Merlin too - which will timeshift happily into the mid-7m's. Incredibly impressive stuff.
Steady for TXF, but any growth it's managed this series seems to be extremely hard won (as evidenced last week). The natural surge it usually takes through November to December just isn't materialising making it hard to stick those year-to-year comparisons. Also, pretty underwhelming for IAC, though it has another chance to kick-start some momentum tonight. The scheduling with two XF lead-ins to boost you into the week must be a producers dream, really, because it can help them overcome what might otherwise turn into a downward spiral.
Also should mention a fantastic result for The Killing to find the best part of a million people willing to read subtitles. Just proves that the TV watching public isn't completely docile just yet! And abysmal for Pan Am - just as the scheduling has been. No matter - it's getting canned anyway.