Originally Posted by ESPIONdansant:
“Most of us who've been watching from Series 1 think jive is Jill Halfpenny/Louisa Lytton or similar. Now there may be plenty other acceptable, authentic content as well as kicks and flicks but I do think the viewers have expectations and Artem's jive failed to meet them. They not be entirely representative of jive as a whole but Artem's jive was too disco for my liking.
That blasted 'scissor' movement with the hands over the eyes should be outlawed. Btw I LOATHE Mike Myers and that's what that move evokes. Yuk.”
I understand what you're saying about viewer expectations, but Strictly has a habit of playing to the lowest common denominator when it comes to that subject. So we get salsambas (because viewers, including me incidentally) can't tell the difference between a salsa and a samba; we get Charlestons that are all about gurning and nobody notices the lack of double swivels (see, I'm learning); we get Argentine Tangos that are more Bognor Regis than Buenos Aires; and we get jives that have forgotten their roots.
What I like most about the new pros on the show, especially Artem and Pasha, is that they are introducing moves that push the boundaries of dance, but are still noticeably dance moves. And what infuriates me is that 'faffing abaht' is sometimes interpreted as 'daring choreography' when it isn't anything of the sort (Aliona, please note).
Oh, and that 'blasted scissor movement' is more reminiscent of Pulp Fiction for me, but of course comes from an earlier tradition.
Ah well, if we all liked the same kind of thing, it would be a dull old world (cliché number 67).