Originally Posted by
jacksinclairx:
“So if i was the producer of the show for series 7 i would make the following changes (Jason & Emma are both gone now but this is how i would of changed the show before this became apparent)
- Axe Emma and Jason from the panel, keep Robin bring back Karen and 3 other judges to make up 5 again, 2 of them being ice dance specialists and a previous winner such as Suzanne Shaw
- Put the scores back to out of 6.0
- Cut the cast members down to 12 - 6 males, 6 females
- Keep the same pro's so the audience familarise themselves with them and get to know them like they are known as celebs in their own right ala Strictly
- Have a daily fanzine show returned named Dancing On Ice Daily or something along those lines
- Phil & Holly as presenters
- Axe the skateoff and eliminate the pair with the least amount of 50% judges scores and 50% viewer votes
- Limit the amount of lifts to 3 per routine
- Let the Pro skaters choreograph their own routines for their celebs or on alternate weeks one week Chris & Jayne next week the pro and vice versa
- Pro skates every week of the competition
”
They have so many contestants because ITV want them to fill so many weeks. Its all about money.They also allow for supposedly entertaining gimicks with more people at risk and more importantly allow spare good skaters to be put in in case the public vote throws too many good people out. More judges would cost more - with fewer weeks to cover the cost. The choice of returning winners as judges would be tiny, as most of the good ones are working, several on on theatre tours, next year. Kyran or Hayley might be available, but I doubt it. People would complain about anyone who criticised their favourite still .
Karen as a judge doesn't work- even if she was objective, she may not be thought to be, and she can't be negative about her students . It doesn't work - anymore than having the vocal coaches on fame academy judging too worked. The trend is to make all these shows more about entertainment, and the audience votes on a wide definition of entertainment, or sex appeal, so having more people to comment on their skating technique isn't helpful. Nicky went because he contradicted Robin, diluting the technique message ,his marking was erratic, and his comments didn't shape the vote. At best, technical comments are irrelevant for most of the audience, and, at worst, low marks for technique just build an anti-judge vote. You also would need skaters who understood entertainment and what impact something would have on TV - rather than someone who danced other people's choregraphy and knows nothing about TV. The judges primary purpose is not only to comment, but to be able to manipulate the the vote to follow them - and thats why Emma and Alesha are vastly more successful at keeping better people in and removing weak ones than Arlene or Karen ever could be.
A support show would be a great addition and worked, but I imagine there's no room for it on ITV1 and no audience for the cost on ITV 2. Hayley would be a good equivalent to Zoe on ITT , but some people won't like whoever you pick.
The DOI audience vote often has very little to do with skating or dancing entertainment merit until very near the end. SCD now seems to be doing better, and its vote actually follows the dancing much more than it used to a couple of seasons ago. The DOI vote demonstrably goes to hunks, whoever is top with the judges and joke acts, and people with TV or regional fanbases. DOI, without a skate off, could, on past votes, eliminate all of its best females - apart from the odd exception who dominates her voting, like Hayley - well before the final. Its entirely possible that only Hayley and Suzanne of the top females would have actually made a final if the public vote had decided with no skate off - Bonnie, Clare, Jessica, Laura could all have gone - Laura in week one.
There's nothing wrong with lifts. The problem is that most people can''t do the more difficult ones and they have been casting females who are too tall to do them anyway. Thats produced lots of lifts that are essentially exercises in the pro male carrying his female celeb in his arms - which are pretty pointless. They have a problem because unless the female is a good dancer or can spin (Hayley could do both) you are left with lots of pointless moving around on the ice, or being carried if you can't do lifts. There's far fewer lifts in recent top contestants routines than there were in the best female routines over all the series - Suzanne's best I think had 5 in it - as well as more dancing moves than most routines since.
The lift problem is also partly linked to your issue of who should choregraph. T and D seem to produce the same easier lifts in multiple routines - over and over again, week on week . There's less and less progression in most people's routines. They also seem to be producing fewer memorable new routines - and most people are lucky to get one. Its notable that Hayley's best routine was choregraphed by bringing in outside expertise, Sam's was lifted from an establish Irish dancing style and both Suzanne and Hayley were trained as dancers and could add themselves. Its not clear, though, what the answer to that could be. T and D have too little time with so many contestants, and may have an imagination block too. The pro skaters, though, can't all choregraph, or do it at the same level. If you change between the two, it might improve things, or make progression even less likely with two hands at work developing the skater - and the people with weak choregraphers will be disadvantaged week after week.