(I don't profess to be any more knowledgeable than the average 'armchair expert'. I would welcome the correction of my misperceptions by anybody who IS knowledgeable, and can back up an opinion by pointing to the specifics of particular performances.)
I'm now convinced that the apparent over-scoring of Harry's performances after Week 10 by the two judges who in normal circumstances can be relied upon to be relatively objective was symptomatic of an elaborate charade to disguise Harry's deficiencies as a dancer - in order to create the impression that Harry was more deserving of the crown than were any of the other celebrities.
From the specific observations of the judges it seems to me that Chelsee was in their eyes the most complete dancer by the end of the series, capable by then of delivering a high-quality performance of every one of the 14(?) dances involved. The judges at one time or another singled out for special praise every one of the following aspects of her dancing -
Lines
Posture
Footwork
Armography
Fluidity
Musical phrasing
Characterisation
Artistry
Craig - "You are the most incredible dancer - honestly! It's gobsmackingly good".
Alesha - "You are performing like a true dancer".
I've seen no evidence that Chelsee under-performed in the final due to nerves. I fail to see how anybody suffering from nerves could have nailed a dance as slow as her Rumba. And it's worth bearing in mind that people like Jason and Chelsee couldn't possibly have succeeded as actors if they were prone to succumbing to nerves. One quality which sets gifted performers apart is that the nerves are forgotten as soon as the performance starts. The only evidence of tension I saw from Chelsee throughout the series was a loss of fluidity in the transitions in her American Smooth, presumably due to the thought of being eliminated having come so far and being within touching distance of the final. But she absolutely nailed the Paso which followed.
How does Harry measure up to Chelsee?
The combined Len/Craig scores for the first ten weeks would seem to indicate that he's almost as good as Chelsee - Harry 159 / Chelsee 162. But those stats are quite misleading for three reasons -
1. Chelsee's limitations on training time in the early weeks.
2. The wardrobe malfunction which ruined Chelsee's Tango in Week 5.
3. The fact that the judges tend to show leniency in the early weeks with regard to failure to convey the emotion of the dance.
In the early weeks the celebrities are hard-pressed just to master the steps. But the whole point of Dance is the physical expression of an emotion. Mastering the steps is meaningless if the individual lacks the flair to use them to express himself/herself.
It's worth noting that Chelsee earned an 18 from Len/Craig in Week 4 - something Harry was unable to match until Week 9. And if the scoring after Week 10 did indeed reflect something other than the quality of the performances .....
By the end of the series Harry was able to deliver a fast ballroom dance worthy of a Perfect Score. But he lagged behind Chelsee in practically everything else. Here are three obvious examples -
1. Slow ballroom dances: Harry was complimented in Week 4 on the musical phrasing he displayed in his Waltz - but pulled up by Len over how he used his hands. In the final, Harry delivered his unique Hands of the Ripper American Smooth. The flaw in his technique had still not been rectified, and was so evident that Craig felt obliged to comment upon it. But Len inexplicably ignored the fact that Harry had not responded to his earlier criticism, and adjudged the dance worthy of a Perfect Score.
2. Portrayal of emotion: Harry had two dances after Week 10 where the performance aspect was an essential element -
a) the Argentine Tango - where the essential element is the delivery of fire and passion.
Jason delivered that in spades in his AT - to such an extent that the judges felt justified in overlooking the paucity of technical content. But for me, a comparison of the performances of Kristina and Aliona in that dance really tells the tale. Kristina turned the heat up to Maximum knowing that Jason could match her. I'm certain that Aliona could also have delivered an erotic performance, but simply could not afford to as it would have exposed Harry by comparison. The result was a lukewarm Tango which could have been danced by brother and sister without raising any eyebrows.
But once again Len adjudged Harry's performance worthy of a Perfect Score, as did Craig. They did have a cover story this time, in that they could claim to have 'felt' the fire and passion which Len had argued was absent the first time that Harry performed the dance. No such leeway however in this next example.
b) the Charleston - where the essential element was described by Craig himself when he savaged Alex's "mediocre" performance, despite the standing ovation which had followed it -
"... Not understanding the dance, and the extreme nature that one has to go to in this dance. If you're raising your shoulders it needs to be extreme". Craig and Len awarded 6 and 7 respectively. One has only to look at Jason's version to appreciate the level of characterisation the judges must have been looking for from Harry.
I've viewed Harry's Charleston a number of times now, and "mechanical" would sum it up - almost the opposite of the dynamic performance the judges were hoping to see in that particular dance. There was nothing "extreme" about it. He reproduced the moves Aliona had taught him, but for me even Alex's performance exuded more character. But what of the judges? Were they impressed by Harry's technique and characterisation?
We may never know.
Len was the only judge to comment, with a rather ambiguous "Two things were revealed - Aliona's midriff and your talent. If you can come out and do a Vienesse Waltz to that standard ....."
At the time I'm sure it puzzled most of us that an extra minute couldn't be found so that we could hear even briefly from the other three judges. After all, how much time was available throughout that program for the comparatively-meaningless interviews with Tess? They couldn't find an extra minute for such a key element as the judges' verdicts?
I'm now convinced that Craig was not prepared to lie about what he saw, and that there was a real danger at that point of the wheels coming off the Harry bandwagon.
Harry's limitations were beginning to show. He had ended the previous week in fourth place below Chelsee, Holly and Jason. Had Craig proceeded to point out that Harry's Charleston was as fundamentally flawed as Alex's it would not only have made it difficult for the other judges to award 10s, it could have produced an anxiety-riddled second dance which left Harry once more adrift of the other three - and in real danger of being one of the two celebrities eliminated, despite his McFly support.
The solution was the quick step we saw from the dancing to the scoring, skipping the assessment part.
In the semi-final last year Kara performed her highest-scoring dance. It was unsurprisingly the automatic choice of the judges for her first dance in the final. Chelsee's spectacular Perfect Paso should have been first on the list of the dances for an occasion like the Blackpool final, yet she rather conveniently ended up with a dance which was unlikely to attract any voters who would not have been attracted in any event by her show dance.
All of these anomalies seem strongly suggestive of a rather cynical and arrogant exercise in deception.
I'm now convinced that the apparent over-scoring of Harry's performances after Week 10 by the two judges who in normal circumstances can be relied upon to be relatively objective was symptomatic of an elaborate charade to disguise Harry's deficiencies as a dancer - in order to create the impression that Harry was more deserving of the crown than were any of the other celebrities.
From the specific observations of the judges it seems to me that Chelsee was in their eyes the most complete dancer by the end of the series, capable by then of delivering a high-quality performance of every one of the 14(?) dances involved. The judges at one time or another singled out for special praise every one of the following aspects of her dancing -
Lines
Posture
Footwork
Armography
Fluidity
Musical phrasing
Characterisation
Artistry
Craig - "You are the most incredible dancer - honestly! It's gobsmackingly good".
Alesha - "You are performing like a true dancer".
I've seen no evidence that Chelsee under-performed in the final due to nerves. I fail to see how anybody suffering from nerves could have nailed a dance as slow as her Rumba. And it's worth bearing in mind that people like Jason and Chelsee couldn't possibly have succeeded as actors if they were prone to succumbing to nerves. One quality which sets gifted performers apart is that the nerves are forgotten as soon as the performance starts. The only evidence of tension I saw from Chelsee throughout the series was a loss of fluidity in the transitions in her American Smooth, presumably due to the thought of being eliminated having come so far and being within touching distance of the final. But she absolutely nailed the Paso which followed.
How does Harry measure up to Chelsee?
The combined Len/Craig scores for the first ten weeks would seem to indicate that he's almost as good as Chelsee - Harry 159 / Chelsee 162. But those stats are quite misleading for three reasons -
1. Chelsee's limitations on training time in the early weeks.
2. The wardrobe malfunction which ruined Chelsee's Tango in Week 5.
3. The fact that the judges tend to show leniency in the early weeks with regard to failure to convey the emotion of the dance.
In the early weeks the celebrities are hard-pressed just to master the steps. But the whole point of Dance is the physical expression of an emotion. Mastering the steps is meaningless if the individual lacks the flair to use them to express himself/herself.
It's worth noting that Chelsee earned an 18 from Len/Craig in Week 4 - something Harry was unable to match until Week 9. And if the scoring after Week 10 did indeed reflect something other than the quality of the performances .....
By the end of the series Harry was able to deliver a fast ballroom dance worthy of a Perfect Score. But he lagged behind Chelsee in practically everything else. Here are three obvious examples -
1. Slow ballroom dances: Harry was complimented in Week 4 on the musical phrasing he displayed in his Waltz - but pulled up by Len over how he used his hands. In the final, Harry delivered his unique Hands of the Ripper American Smooth. The flaw in his technique had still not been rectified, and was so evident that Craig felt obliged to comment upon it. But Len inexplicably ignored the fact that Harry had not responded to his earlier criticism, and adjudged the dance worthy of a Perfect Score.
2. Portrayal of emotion: Harry had two dances after Week 10 where the performance aspect was an essential element -
a) the Argentine Tango - where the essential element is the delivery of fire and passion.
Jason delivered that in spades in his AT - to such an extent that the judges felt justified in overlooking the paucity of technical content. But for me, a comparison of the performances of Kristina and Aliona in that dance really tells the tale. Kristina turned the heat up to Maximum knowing that Jason could match her. I'm certain that Aliona could also have delivered an erotic performance, but simply could not afford to as it would have exposed Harry by comparison. The result was a lukewarm Tango which could have been danced by brother and sister without raising any eyebrows.
But once again Len adjudged Harry's performance worthy of a Perfect Score, as did Craig. They did have a cover story this time, in that they could claim to have 'felt' the fire and passion which Len had argued was absent the first time that Harry performed the dance. No such leeway however in this next example.
b) the Charleston - where the essential element was described by Craig himself when he savaged Alex's "mediocre" performance, despite the standing ovation which had followed it -
"... Not understanding the dance, and the extreme nature that one has to go to in this dance. If you're raising your shoulders it needs to be extreme". Craig and Len awarded 6 and 7 respectively. One has only to look at Jason's version to appreciate the level of characterisation the judges must have been looking for from Harry.
I've viewed Harry's Charleston a number of times now, and "mechanical" would sum it up - almost the opposite of the dynamic performance the judges were hoping to see in that particular dance. There was nothing "extreme" about it. He reproduced the moves Aliona had taught him, but for me even Alex's performance exuded more character. But what of the judges? Were they impressed by Harry's technique and characterisation?
We may never know.
Len was the only judge to comment, with a rather ambiguous "Two things were revealed - Aliona's midriff and your talent. If you can come out and do a Vienesse Waltz to that standard ....."
At the time I'm sure it puzzled most of us that an extra minute couldn't be found so that we could hear even briefly from the other three judges. After all, how much time was available throughout that program for the comparatively-meaningless interviews with Tess? They couldn't find an extra minute for such a key element as the judges' verdicts?
I'm now convinced that Craig was not prepared to lie about what he saw, and that there was a real danger at that point of the wheels coming off the Harry bandwagon.
Harry's limitations were beginning to show. He had ended the previous week in fourth place below Chelsee, Holly and Jason. Had Craig proceeded to point out that Harry's Charleston was as fundamentally flawed as Alex's it would not only have made it difficult for the other judges to award 10s, it could have produced an anxiety-riddled second dance which left Harry once more adrift of the other three - and in real danger of being one of the two celebrities eliminated, despite his McFly support.
The solution was the quick step we saw from the dancing to the scoring, skipping the assessment part.
In the semi-final last year Kara performed her highest-scoring dance. It was unsurprisingly the automatic choice of the judges for her first dance in the final. Chelsee's spectacular Perfect Paso should have been first on the list of the dances for an occasion like the Blackpool final, yet she rather conveniently ended up with a dance which was unlikely to attract any voters who would not have been attracted in any event by her show dance.
All of these anomalies seem strongly suggestive of a rather cynical and arrogant exercise in deception.






Chris first danced his Charleston the week before the quarter-final!
I must admit to not paying much attention that year - shows, doesn't it!? Of course, that was the only time they tried the rock and roll which saw off Natalie Cassidy, I should have remembered.