Looper - Bruce Willis, Joseph Gordon-Levitt |
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#102 |
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#103 |
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#104 |
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Ah, yeah that was what I feared. Thanks, guys!
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#105 |
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The director has recorded a commentary track, which is available for legal download.
The idea is, that you rip it to a Mp3 player & listen to it while watching the film again at the cinema. Of course if you have watched the film recently - and it is still fresh in your memory -you can listen to it at home. http://loopermovie.tumblr.com/post/3...-up-i-recorded (Direct link to download below) http://soundcloud.com/rcjohnso/loope...cal-commentary |
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#106 |
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It uses a model of time travel in which changes ripple through. I think this is less coherent than saying the past can't be changed, or that changing it creates new independant timelines. In my view it actually leads to holes, but some would say they are not holes so much as me having wrong expectations about how time travel works.
A few things are said about that.
Spoiler
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#107 |
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Saw this yesterday; liked it overall. Interesting concept, some of it left me scratching my head though
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#108 | |||
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I've highlighted 'the past can't be changed' as this to me is the first thing that should be questioned to first get your head round TT. The present may already have been altered by future events. There are mutliple realities that can be bridged by changing the past. For me both of these statements must for true for TT to be possible. I hope I am making sense and not waffling! In terms of the film, do either one of these statements apply? I'll be quiet now.
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#109 | |||
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#110 | |
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I would hope that by choosing TT as the focus of the film, a writer/director would be true to the 'laws' in which they adopt. Flitting between laws to suit the story/charactors/plot is simply lazy and turns me off a film. Just because I don't agree with a films' choosen rules doesn't mean I cannot enjoy the film. For example, The Butterfly Effect and TimeCops. Two very different films but both use the principle of TT causing a ripple through time and changing things when you return. Only the traveller would remember and recognise the change. Despite not subscribing to this myself, I still enjoy both films. |
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#111 | |
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Time travel is only there to illustrate it's point, it's not a time travel movie, very little time travel is done, it would work equally as well without time travel, he just needs some way to get Old Joe and Young Joe together |
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#112 | |
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About the highlighted part, I don't go looking for holes in films but when things are done sloppily it frustrates me and I quickly get disinterested. Kill joy? Never. I spend the joy where ever I go, here you can have some. *sprinkles some joy*
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#113 | |
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#114 | |
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The second model says that there are multiple timelines, and when you travel back in time, you effectively travel to, or start, a new timeline with a new version of the future. In this version, if old-you kills young-you that's fine; you don't wink out of existence because it's a different you. We get events whose cause is in a different timeline, and again it's consistent. Arguably striving is still futile, because although you can change the future of the timeline you travel to, the events in the timeline you left still happened and you can't change that. Looper uses a third model. There is a single timeline and it's mutable. You can travel to the past and change it, and those events somehow ripple through to the future you left. The time traveller's memory of events that happen between his current time, and the future time he left, are more or less fuzzy depending on how certain those now-future events are. His memories of events that happened before his current time are concrete; so his memories get more concrete as time passes. There's no "butterfly effect"; small changes tend to heal themselves rather than magnify. There is potential for paradox. It's not clear what will happen if old-you kills young you. The bottom line in Looper is, what happened in the (current) past, happened, regardless of whether it makes sense. I don't think there need to be, but movies made using the first two models I describe above can be dramatically tricky because they tend to make striving futile. That said, in the first model it can be satisfying to have fate work itself out and to have things pan out like you always knew they would, albeit in an unexpected way. The Lost TV show, and arguably the first Terminator movie, worked like that. (I'm not claiming those don't have plot holes.) |
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#115 |
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Best Sc-Fi film Ive seen for a while and Bruce Willis never disappoints Ive subtitled the film Die Hard 5 :its The Future
![]() Some quite eerie scenes where the older version of the Looper ,who escapes ,dismembers bit by bit.Emily Blunt and the kid well acted too. |
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#116 |
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#117 | |
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Have you seen Primer? What did you think? |
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#118 |
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I really enjoyed the film, but I did spot a couple of plot points that had me wondering.
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#119 |
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It does several things very well, including a good portrayal of a high-tech start-up, and good portrayal of how scientific discoveries are sometimes made, and a good take on time-travel. Essential viewing for the latter. It's also an interesting example of a very low budget film, and that sometimes shows. It doesn't go out of its way to make things easy for its audience.
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#120 |
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#121 |
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How easy is it to follow?
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#122 |
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Saw this tonight really enjoyed it well written & well acted
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#123 |
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#124 |
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#125 |
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Enjoyed the film, but I didn't think it was as good as Inception or Source Code as far as modern "mainstream" sci-fi films go. The time travel paradoxes didn't bother me and I don't have a problem with the process being left suitably vague, but I had the same question as brangdon:
Seems like a pretty big oversight, unless it was answered in the film and I just missed it. |
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