Originally Posted by AlexiR:
“What I find particularly strange though is that SyCo (or ITV) have never really seemed all that bothered about finding a major talent outside of the singing and dancing genres. It seems to me that they're missing a major opportunity there. If they were able to find a brilliant mentalist or magician for example then you'd think SyCo would be able to develop a format or show of some kind for them that they could then sell to ITV. It just seems to me that Talent is the perfect place for them to find and develop a huge wealth of talent that they could then use to fill the ITV (and ITV2) schedule. ”
To be honest, you get the sense that Cowell doesn't really know how to exploit anything other than the singing acts. I don't know whether he's had very much at all to do with the continued career of any other type of act.
There was a one-off ITV special for the impressionist, Paul Burling, a few Christmasses ago - but it didn't go anywhere further.
Originally Posted by Score:
“
I thought both shows were great tonight. The battle rounds actually worked really well and I actually thought it were much better than the US shows, probably because it wasn't as dragged out. Putting them over one weekend was a very smart move. BGT meanwhile was great again. This year has probably been one of their best ever years in terms of pure entertainment, and it feels fresh again. No doubt the thought of competition from The Voice helped give it a kick up the arse and it's a better show for it.”
The two shows seem to benefit each other in the same way Strictly and XF do in the autumn.
The past few weeks show SyCo have nothing to fear for BGT at all. Fundamentally, I think its a great, simple format. And whats more, it's fairly easy to distinguish from The Voice - both in terms of the variety of talent it showcases, and the funny, light-hearted tone people like Walliams and Ant & Dec bring to it. Ironically, in some ways, it is to The Voice what Strictly is to XF...
For SyCo, it'll be much more interesting to see how they position TXF, because that job could be much more difficult. This apparent reaction against the 'cynicism', 'exploitation' or 'nastiness' of Cowell's shows is way, way more applicable to TXF than it is to BGT. They could respond by ramping all those things up yet further and trusting that the audience don't really care - or they could venture down a more cuddly, "authentic" path. That's a big choice, and the answer isn't obvious.