Originally Posted by GeorgeS:
“Yes using BBC patented spin techniques, I can say that ITV have announced no second series of Titantic. Its for the best, Julian can concentrate now 100% on Downton.”
Only that would be a ridiculous comment because Titanic was never envisioned as a returnable drama. Plus no one at the BBC is suggesting that Upstairs was cancelled because the writers schedule. Indeed not even she's said that it was cancelled because of her schedule. She made the observation that removing commitments to Upstairs has been something of a relief because it gives her more time to do other things. That's hardly a bombshell or astonishing piece of spin.
Originally Posted by GeorgeS:
“why should the reverse be an issue - again you seem unable to grasp that the rules shouldnt be the same for a state tax funded broadcaster versus a 100% commercial broadcaster - not sure how to explain it any simpler for you.”
Explain to me why the rules should be different. Why should a publicly funded broadcaster be forced to ignore what a an audience (mass or minority) wants to watch? The audience dictates that specific genres and formats are popular at any given time so why shouldn't the BBC deliver those types of shows as well?
Originally Posted by
GeorgeS:
“It didnt. Please remove the BBC1 viewing on time shift if you want to produce a figure for those watching live "only". Otherwise shut up!
”
Of course if we did that then we'd also have to strip all timeshift viewing out of Britain's Got Talent as well and not just the +1 audience and I wouldn't be at all surprised to discover that more people watched The Voice live than Talent. In fact I'd be pretty surprised if more people watched Talent live than The Voice.
Originally Posted by garyessex:
“I'd say the more shocking news was Smash only launching with a tiny 75k!”
I don't think that's particularly shocking at all.
Originally Posted by grimshaw:
“The real story of the night is the launch of The Bridge on BBC Four. Great figures.”
Indeed. Spectacular launch figures for The Bridge which will unfortunately be lost in the shuffle of the Saturday night talent show line-up and potentially another disastrous overnight for Sky Atlantic. Although in fairness there's not really much room for discussion with The Bridge beyond saying it did brilliantly.
Originally Posted by Cent:
“Obviously commercial impacts do not apply to the BBC. However, if we are going to compare the overnight figures for the BBC and ITV, we need to do it on a fair level. ITV's audience has been strategically split and it would be wrong to just ignore that.”
Here's my question – if ITV have 'strategically split their audience' then why are we reuniting them?
Personally my view on all this is that we should treat the +1 viewers as the +1 viewers, we should treat the repeat screening viewers as the repeat screening viewers and people who watch online via iPlayer etc. as people who watch online. I'm not even overly enamoured with combining the overnight and timeshift viewers in the officials. I'd much prefer to see them as two separate audiences and numbers because ultimately they are but that's not the world we live in.
Moreover I'm not entirely sure why it matters who or what show 'won' on any given night. ITV don't command a higher ad rate for Britain's Got Talent just because it has more viewers than the BBC competition. Coronation Street doesn't command a higher ad rate if its watched by more people that EastEnders on a Monday night. And I can't even begin to imagine what the BBC would get out of 'winning'. The whole thing (just like arguments about +1 etc.) is really rather meaningless and just disguises the fact that in this instance two shows are getting fantastic ratings.
Originally Posted by rzt:
“(obviously advertisers themselves are more interested in the ad breaks bit of the breakdown though).”
Which by extension means that's really all ITV care about as well.
Originally Posted by Cent:
“Sorry, but what is the issue with this?
Both do the same thing, both are available to the same audience and we include neither in overnight ratings.
How are they not comparable mediums?
You can't say its just because BBC iPlayer is more popular. That is like saying we should ignore Channel 5 because it doesn't get the same ratings as ITV1.”
I don't know if people are suggesting the two aren't comparable mediums. I think the suggestion (and certainly my argument) would be that the fact that the BBC don't have a +1 channel drives a lot more viewers to the iPlayer and so when you exclude iPlayer viewers you're excluding a number of viewers that would potentially watch on a hypothetical BBC1+1.
In addition to that the relatively huge popularity of the iPlayer in comparison to its commercial rival means you're excluding a sizeable additional audience for BBC shows that don't necessarily watch commercial broadcasters in the same way. Didn't the opening episode of this years Apprentice for example get more than 1 million additional viewers during its first three or four days on iPlayer? That's a huge number of viewers that I suspect ITVPlayer has never even come close to.
Of course the obvious problem with the iPlayer argument is that we simply don't see enough iPlayer stats nor do we see them consistently.
Originally Posted by fodg09:
“Not sure Smash was ever going to be a 'mainstream hit' but the 10pm timeslot on a Saturday night was bizarre. I know when they launched the idea was to premiere shows on Saturday so that people who didn't like The X Factor et al would have an alternative - but for the most part is hasn't worked.”
If they went with Saturday launches to offer an alternative to the big reality shows you have to wonder why they decided to push Smash back to 10PM when the big reality shows had finished. More pressingly why they felt launching a new musical drama against The Voice and Britain's Got Talent was a good idea I'm not sure because presumably part of the audience for that show is watching The Voice and Britain's Got Talent. I could see the argument for airing Mad Men against that kind of competition though because its a clear alternative and you can make the argument that the natural audience for the show is very different to the big reality hitters.
Quote:
“Obviously most will watch in on time shift and on demand but nonetheless I think Sky should be trying to maximize the overnight audience and that was never going to happen in the timeslot they chose.”
I do wonder if Atlantic might be better served by Sky just adopting HBO's strategy of repeating their prime time block throughout the night. So on Saturday night have three airings of Smash across the night and try and pull people away from time shifting it that way. Then you get to play the trick of combing the over nights from multiple airings into one slightly increased number. Plus if you get the right show there's potential that word of mouth from an early airing drives viewers to one of the later screenings.
And then on Monday nights have Game of Thrones at 9PM, Morgan Spurlock at 10PM and then Thrones again at 11PM and Spurlock again at 12AM (or maybe repeat the Seinfeld double bill from earlier) and then Thrones one last time at 1AM.