Pyramids of Mars |
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Pyramids of Mars
My favourite of the Tom Baker era, Gabriel Woolf was excellent as Sutekh and the whole story was full of menace and terror. It also has the classic line, Your Evil is my good.
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#2 |
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#3 |
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It's one of my faves as well, very atmospheric and well acted by all.
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#4 | |
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Credit to the era that you don't immediately notice. |
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#6 |
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Sutekh was just a cliched, barnstorming, deep-voiced, caped/masked villain, interchangeable with Weng Chi'ang, and Omega from the Pertwee era, and without the cape and mask, interchangeable with many more. Marcus Scarman, on the other hand, was a truly stand-out performance, a chilling portrayal of a man who looked physically normally, except for the pallor of his face, but was icily devoid of all emotion and response, even to those who had been closest to him, and thus no longer seemed truly human.
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#7 |
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Sutekh's voice was rather sexy.
The most disturbing thing though is the hand that is clearly visible on Sutekh's chair after he stands up. I even came up with an explanation that it's the hand of Horus that was holding Sutekh in his chair. Even though it's probably just one of the crew thinking 'oh crap' when they realize they're on camera.
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#8 |
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Pryamids is a great story but there's something about it that I can never put my finger on that I dont like about it. Much prefer Planet of Evil
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#9 |
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Like how Scarman made things as sophisticated as the robots and the missile, under purely verbal guidance from Sutekh, who was not there to help him-and why the missile appeared to be largely plastic, in 1911, when plastic was scarcely even known.
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#10 |
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#11 | |
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As for the visual effects, you always had that problem in nearly all of the Classic Whos due to budgetry constraints. |
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#12 |
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One of the greatest stories ever made by one of the greatest writers.
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#13 |
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#14 |
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#16 | |
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Brilliant story though, one of the best from Tom Baker's Era and very atmospheric.
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#17 |
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The reason that it was totally rewritten is because it wasn't very good originally. It's 95% Robert Holmes' story onscreen.
![]() Greifer doesn't really take any credit beyond the idea to do an Egypt story, and frankly that's a no brainer. It's one of the finest Doctor Who stories by my reckoning. I recall a comment by Steven moffat, something along the lines of 'It's a brilliant story but nothing happens' (that's typical Moffat; he cannot praise a classic Who story without a 'but' or some qualifiers) to which I reply 'at last!'. To be honest, I get sick of Doctor Who stories with 'things happening' constantly - ie bells, whistles, explosions and running. What's wrong with a story that's about the ideas and the plot and the characters, without all of the pyhrric stuff? I get bored of seeing all that stuff tacked on. I mean, none of the principle characters are going to die; we all know that. It's during all of the 'peril' that my mind wanders. Of course, the opposite is supposed to happen, in theory ![]() A good story keeps me engaged; action doesn't. And Pyramids of Mars has a great central idea and masses of great character stuff, both for Tom (I would go as far as to say it is his defnitive story, at least for his early persona (alongside 'City of Death' for his later, lighter interpretation)) and Sarah Jane and for the support characters. And what a wonderful villain, conceptually and visually. Also, one of the finest cliffhangers at the end of episode 1 - and again, not involving 'peril' for any of the main cast. |
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#18 |
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I love this story! My favourite of the whole classic era!
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#19 |
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But am I the only one who never recognises Michael Sheard? And that's as someone with strong childhood memories of poor Danny Kendal.
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#20 |
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Most of Toms work is fantastic. Ive yet to find a story that let him down.
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#21 |
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#22 | |
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Quote:
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#23 |
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This is one of my favourites. The scene with the mummies killing the poacher terrified me as a child. Also a brilliant bit of slapstick when the dr and sjs walk into a room, see a mummy, then turn on their heels and walk out again.
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#24 |
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I always feel that episode 4 doesn't seem to fit in with the rest of it. Slightly cobbled together for me. Don't get me wrong, it's good stuff but the first 3 episodes seem to work best
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#25 |
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I always felt that a trick was missed in The Satan Pit two-parter by not implying that the Satan creature in the pit was Sutekh.
It could have been scripted so easily. Satan creature: "We have met before." Like that. It wouldn't have affected the story one bit and would have been a nice bit of continuity to speculate about endlessly. Like those crab creatures whatever they're called. Nice bit of incidental continuity. God knows, the show could do with some. |
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Even though it's probably just one of the crew thinking 'oh crap' when they realize they're on camera.
