Originally Posted by wolfpaw:
“It's how Shakespeare thought they talked.”
It's not so much that, as that he was writing in verse form and needed lines that both scanned well and conveyed the information clearly. Imitating genuine speech patterns wasn't particularly the point of any of it. There seems to be an odd tendency to ignore the implications of the fact that he was essentially writing poetry in dramatic form - he wasn't attempting the kind of realism that some people seem to be expecting from it.
Originally Posted by barbeler:
“Missed the first episode but recorded the second. Dipped in while it was still playing live and nearly didn't bother because I thought it sounded silly. Decided to give it a go and was strangely transfixed and watched it through to the end. Surely there wouldn't really have been a Sophie Okenodo at that time though, which was a bit odd.”
There wouldn't, but then, none of the people involved actually spoke in blank or rhyming verses either. The plays aren't realist history as such, in the sense of being a painstaking attempt at recreating the past accurately in every detail. They're more literature based on history. David Oyelowo played Henry VI for the RSC on stage in 2001 too, so it's not as though it's a new development. The parts have been played around the world by people of all kinds of races and origins, and indeed, when the plays were first staged, the female characters would all have been played by men. The actors are simply representing and interpreting the roles.
Anyway, the future Richard III was still only about 8 years old when most of this play was set. He was 8 when his father was killed, in 1460, and still only 8 when his brother became Edward IV early the following year, even though this play had him actually taking part in the battle where that happened and killing someone in the same process. There's no evidence either that he had any direct involvement in the deaths of Henry VI or his son - who was killed in battle, rather than afterwards, much as Richard of York (Adrian Dunbar's character) was. So you could also argue that it was just as ahistorical to have him be depicted as an adult any time before the last section of the play. I understand that Margaret of Anjou also appears in Richard III's own play, during his reign of 1483 - 1485, even though the real one actually died in 1482, and hadn't even been in England since 1475. It's pointless looking for strict historical accuracy in Shakespeare, that's never what they were about.