Doc Martin (Part 14 — Spoilers) |
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#2551 | |
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Also, there is that segment on YouTube with Martin and Phillipa where they discuss the farm where the interiors are shot - they mention that they use the farm in the series and I thought it looked like Phil Pratts farm. Your locations show Phils farm and Rosscarrock farm quite a distance away noting that the interiors of the surgery are shot there. Have they changed locations? Your dedication to this task is amazing and greatly appreciated |
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#2552 |
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BTW I watched the s1 ep 2 of the french DM and I won't be bothering with it again. The acting is awful and they just don't convey the message the way the UK version does. Not sure if it is the actors or the writing but it just doesn't have "it". It comes across as a bit of a farce.
I will stick with "The Young Montalbano" for my foreign tv shows instead. ![]() ![]()
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#2553 | |
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#2554 | |
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![]() ![]() Please ignore as it is totally irrelevant. I have had no sleep or have been watching too much grumpy DM!! |
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#2555 | |
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![]() ![]() ![]() Another case of a policeman can't have a steady relationship scenario but it means there are a lot of women in and out of his life. ![]() Snappy dialogue, quite funny, beautiful scenery and most of the acting is pretty good. I can forgive them a lot though because they're Italian and beautiful even when they are chubby, not so attractive or old because they seem real. (Like the people of Portwenn. ) |
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#2556 | |
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#2557 | |
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Sad to know that these exploitations of our collective grief are the world's view of us. We are better than this. |
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#2558 | |
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Nina's name is in your drawing
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Last edited by marchrand : 15-01-2013 at 00:36. Reason: Adding a sentence |
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#2559 | |
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We Australians have to put up with being considered "bogans" by the rest of the world even though they make up < 1% of the population. I must have been hormonal when I posted it!
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#2560 | |
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We are having reruns of ST: Next generation on TV at the moment. 3 a night 3 nights a week. It is great as I've been taping them as there is nothing else on TV. Thank goodness US shows have 22 eps a year. I am also watching Bones. We are severely limited in TV offerings as every channel has been taken over by cricket and tennis and even the golf was on the other night. Well goodness gracious there might be a link - it is summer, here.
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#2561 | |
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#2562 | |
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BTW, Madmother, I have a suggestion for your DM site . . . how about a place for FF story ideas/requests? AKA "plot bunnies." This would be ideas only for FF . . . not suggestions for what the real writers should do. Those of us who write FF sometimes need/want a bit of inspiration. Seeing what folks would like to have written might generate some ideas. And suggestions should of course be PG-rated.
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#2563 |
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#2564 |
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#2565 | ||
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And I do also muchly appreciate it being mentioned on this forum as I hadn't run into it yet on ff. You are all a lovely bunch! |
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#2566 | |
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I am constantly amazed at the prices of homes in the UK and in Europe. I enjoy watching House Hunters and I cannot believe what people pay for houses that are falling down over here. I remember watching once when a couple was looking for a place in rural Italy. They bought an architecturally interesting place that was practically gutted and needed a ton of work, but I think they still paid several hundred thousand dollars just of the shell of the house. |
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#2567 | |
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#2568 | |
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![]() The only reason I know where they shoot the interiors is because I have read several articles where they mention it is at Roscarrock Farm, - and Google Maps identifies the farm. For Phil Pratt's farm I noticed that the coastline had some unusual characteristics and kind of zeroed in on that area on the coast. I wandered around street view and the google car had driven right into the yard of the farm (the spot where he was injured). It was so obviously the farmhouse because it had the two story addition with the different siding. That one was really a stroke of luck ![]() Thanks for the clue about the Flynt house though. I will pull out the movie and take a look. If they used it for both shows it has to be fairly close. And there are several buildings in the cluster. I wonder if it really has all the fridges? I can't imagine what it would have cost to procure all of them just to shoot those scenes? |
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#2569 |
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Wow! A lot of GREAT analysis of this episode! I love the idea of the funeral procession as the funeral of their relationship and then picking up the pieces in her kitchen. Good stuff! I have always thought that MC may have choreographed that procession using the knowledge he obtained from playing the undertaker on W&M. Did you notice how Louisa had her hands clasped like she was praying as she led the procession?
A couple of additional thoughts 1. Was this the only time we have ever seen them using an appointment book in the surgery rather than the computer? Martin picks it up to ask if Dawn is "Mum". And then Pauline uses it to make the 6 month appointment for her mum. 2. When Martin picks up Louisa for the concert, it looks like he wants to comment on the pretty dress she is wearing but just can't seem to say the words. I think he is incredibly nervous at that moment. 3. Did you notice that Martin did not say one word to Holly when she came up to them at intermission? (with the exception of one syllable - "Ah") He IS lacking social skills, but I think that was more a reaction to Holly's overbearing personality than anything else. 4. The scene when he takes Louisa's hand is one of my favorite all time DM scenes. He fumbles it badly a couple of times until he manages it and then looks so satisfied. I like to compare it to the way they took each others hand at the close of S5. It was just so natural for both of them and showed that they have come a long way in being comfortable with each other. 5. Even though they went under the trees for the kiss, he was certainly not afraid of a very PDA with all of those people walking right by them. 6. The scene in the car was just heartbreaking. But don't all good love stories have a good heartbreaking moment? I also found it heartbreaking when he was leaving Louisa's room after getting Holly settled. His clipped, "Louisa" before he turned to leave just breaks my heart every time I watch. 7. I always laugh at the fishermen having this very serious discussion about back problems as they are carrying Holly into the bedroom and then while they continue to hang around. It's just something going on in the background, but it is SO not what you expect the fishermen to be talking about as they are struggling up the stairs. 8. The hug at the end. While I love this scene, I have always wondered about the choice (directing or editing?) of having Martin open his eyes before the shot fades. I love that he closed his eyes when she jumped into his arms because it showed the depth of his feelings, but I have always puzzled why he opened them again so quickly? |
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#2570 | |
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![]() ![]() I'm hoping not to squee in front of Marina Sirtis though I'll probably gush in an embarrassing manner.
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#2571 | |
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![]() I'll chat to DR and see what we can do. Wordpress isn't very user friendly for that sort of thing but we might be able to set it up. |
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#2572 | |
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#2573 | ||
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She's thinking not only is he never going to change but he doesn't even know what he did to upset her during the kiss and now he's still going on about hormones. ![]() I think I'd give up too. ![]() ![]()
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#2574 | |
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But then I read this...about Downton Abbey (which I don't watch so don't know what they're talking about except as it relates to this hug..) V\http://www.rollingstone.com/movies/n...-list-20130106 "Matthew, clean and crisp and sparkle-eyed in his jacket and tie, repressing a smile because the emotional truth of his love for her is so undeniable. "I would never be happy with anyone else as long as you walked the earth," he tells her, expressing the essence of love as clearly as I've ever heard it done (although Daniel Clowes came very close). Symbiotic to the last, Matthew's confident reserve breaks down right at the same time Mary's builds back up: "Can I kiss you?" he asks, tilting his head and eyes upward in lovestruck desperation. "'Cuz I need to. Very much." Mary objects, citing the bad luck of seeing the bride before the wedding; Matthew finds a loophole, suggesting they both keep their eyes closed the whole time; Mary, back in charge, relents with a tilt of her head and the funniest reluctant-romance sigh of "all right" since GoodFellas' R-rated variation on the theme. With the atmosphere of intimacy – the lighting, the characters' posture, their vulnerable and desperate and sugar-sweet dialogue, Michelle Dockery's pillow-soft voice – already so tangible you feel like you could reach out and stroke its hair, the run-up to the kiss itself enriches it even further. We watch from behind Mary's turned back, waiting for Matthew to emerge from around the door, a big open space on the right side of the frame calling attention to where we know he'll pop out any second, like a romantic remix of a slasher-movie attack. With their eyes closed their approach is even slower than normal, slowing time to a standstill and heightening all the remaining senses. Finally, the strings swell, Mary tentatively finds Matthew's smiling face with her fingers, and they kiss. *Swoooooooon.* I melted, I'm telling you, melted. I felt like society tells us that girls feel about these things. I understood why Lady Mary disobeyed her own command not to cheat and opened her eyes, so that she could record and preserve the moment in her mind – so that she could verify that it was actually happening. It was the most romantic kiss I've ever seen on screen. I never wanted it to end." Do you think this could be true for DM? To preserve the moment? Very interested in your insightful opinions. |
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#2575 | |
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My best friend who drew the Penguin for me and made it into cloth is very active in the Stargate fandom. She makes dollies of the characters that are highly collectible (the woman KNOWS how to sew!). She started making them for friends and the actors saw them and wanted ones for themselves. So she made them ones and a spare that could be auctioned off to benefit their favorite charites. The last time a set of her dollies were auctioned they went for $1,300-$1,500 per doll. |
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All times are GMT +1. The time now is 17:59.



I was pretty sure you could see the Headlands Hotel and today I was able to verify that. So I had a pretty good idea where the house must be in Port Isaac, but a lot of the streets there don't have street view (when Martin is running up the driveway there is a good view of the house across the street). I finally decided that there was a good chance it was on Lundy Rd, so I googled the street name and clicked on Images. There was a house for sale that looked promising and there it was. There is even a pic of the bedroom window from the inside and it pretty well matches. Even the backyard has the decorative blocks we see in the episode. Yippee!




