Doc Martin (Part 14 — Spoilers) |
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#301 |
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Doc Martin with dubbed voices
Someone uploaded a bunch of DM eps with dubbed voices - Hungarian? They probably won't last too long before they're taken down.
http://www.youtube.com/watch?v=iHbSUdDAnbU |
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#302 | |
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I still don't get why she really said yes to London (i've read everyones views before but i'd personally need something concrete from DM) other than keeping the family together - no overt overtures of desire/need by DM. I loved that scene with JH but felt let down that it sort of led nowhere - no understanding between DM and LG. DM missed the opportunity to say something nice when LG went out dressed up. Whole ep left me sad overall and then ep 4, 5 etc. Liked AR in that ep. Would have called it "shiny things"! |
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#303 | |
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![]() And then of course, things go downhill -- fast. And yes, Aunt Ruth is delightful. In fact, she too, in those early episodes, seem less dire in her predictions about Martin and Louisa. Maybe she hasn't seen them together much? I loved her line "Not ideal, but we can work with that." She's much more practical and droll than her nephew. I have a question -- if we are to see parallels in the storylines -- how does the mother/son duo of arsenic wallpaper story parallel Martin and Louisa (if it does?)? |
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#304 | |
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Is that too risque on the list? ![]()
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#305 |
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#306 |
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#307 | |
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#308 |
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"Boho with a shotgun" is certainly one of the weirder episode titles. During the Spring of 2011 when S5 was being filmed, there was a limited release Canadian film called "Hobo with a Shotgun" starring Rutger Hauer. I haven't seen it (doesn't sound like my cup of tea at all), but it got some quite good critical reviews, and is described online as having attaining "cult status" since its release on netflix. One review called it a "down and dirty, hyper-violent, fully demented, all severed heads and limbs salute to 1970s Grindhouse" which describes its flavour. "Boho" is short for Bohemian. It's a style in clothing -- all peasant blouses and ratty crinkle cotton skirts, maybe even crocheted bits and pieces with feathers hanging -- which sort of fits with the aesthetic of Michael's hub-cap-and-chicken-feather art. The darkness brought to the episode by the shotgun and the suspicion of a son poisioning his mother with weed-killer, also by the allusions to a somewhat oedipal relationship between Michael and Shirley, might be a reference to a more violent sort of film genre, for which "Hobo with a Shotgun" was the current poster-boy at the time of filming. The fact that "Hobo" is dyslexically spelled "Boho" might also fit with the kind of off-beat humour of this episode and the way Cornwall is portrayed in it as a kind of off-beat place generally. If all of that is involved in the title, it's really quite clever, though a bit recherche -- too much of an in-joke for cult-film followers for the casual viewer to be expected to decode.
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#309 | |
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I think there's a lot "recherche" and in-joke stuff buried in DM, sometimes in plain sight, sometimes not. My favorite example is when Holly asks DM if he knows "Johnny Bamford." The fabled onions are probably another example -- Roger Onions, Clapper-Loader. |
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#310 |
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#311 |
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Yeah, I would agree that the answer to this week's poll is "none of the above." I think what's running through his head is something like: "Intrusive, ill-bred woman! Are there no boundaries in this place? Is it to be borne?"
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#312 | |
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That said, they weren't exactly creative in the renaming of the episode, were they? I agree that there are lots of little in-jokes and references scattered through the episodes. Some we can latch onto, such as the ones you mentioned, but I bet there are many we know nothing about. I did notice that one of the recurring characters, Mrs. Poustie, is named after associate producer Sandy Poustie. And doesn't Dominic Minghella have a daughter named Louisa? |
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#313 | |
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#314 | |
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#315 | |
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That is odd that JL used that nasty, violent film as a reference when our episode is not nasty or violent at all. I've never heard of "Hobo with a Shotgun" either being no Rutger Hauer fan at all. What's the point of connecting the two? It is funny how folks "on the moor" are frequently seen as a bunch of nutcakes, and/or "white trashy"--the Flints, the spinster sisters, this mother/son in S5. No wonder the Larges wondered if Joan was losing it when she locked Theo Wenn in the chicken coop; apparently, "going Bodmin" is a bit of a reality out there in Cornwall.
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#316 | |||
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#317 |
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Does anyone know who John Coleman and Carrie Hilton are? SS2 and 3 respectively were dedicated to their memory.
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#318 | |
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Isn't Bamford also the last name of Doc Martin in the earlier films? |
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#319 |
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#320 |
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Can anyone explain what parallel storylines are in Born with a Shotgun aka Boho with a Shotgun? Thanks.
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#321 |
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#322 | |
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#323 | |
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I wondered if they chose the name for the hotel owner "Carrie Wilson" as a tribute to Carre Hilton since "Hilton" is a famous hotel chain? I looked up Johnny Bamford and found this interesting article from when they were filming the Doc Martin movies (prequels to Saving Grace): http://www.telegraph.co.uk/news/ukne...lm-makers.html |
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#324 |
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#325 | |
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You know, the popular thinking for some time - in education - has been that there are no bad kids, just kids that sometimes do bad things. Or, even more politically correct, kids that do things you would prefer they didn't do (because "bad" is so subjective.) I'm not about demonizing people, but I'm wondering if this value neutral approach essentially abrogates people of their responsibility for their actions. But, going to the other end of the continuum (of course I'm not a religious scholar and I don't mean to offend folks here) is the concept of original sin and that people are essentially born bad. |
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