Season 7 1983/84. Its completely unlike the other versions with that synth sting and electronic bass and iirc was the one that won Jerold Immel an Emmy.
This is my personal fav, it is the one that really stands out as being different. I love the middle riff that plays over the credit shots for Susan Howard and Steve Kanally and the fact that it has then alternative few notes at the end of the theme that really build it up, a great arrangement,