g4. i mean, come on, a whole album of that manic operetta and you'd be climbing the walls, it's like listening to radio jingles, after two songs (repeated) in the television show i'm turning down the volume to prevent an overload of that sickly close-harmony noise.
there are boxes in sound studios that you can use to create harmonies for the voice and that's what g4 sound like to me. there's no real variety, no real danger in what they do, it's calculated and forced, no personality, the least natural use of human voices going.
g4 are a novelty act. something you'd give three minutes to, but it's not the x factor. i can't see them topping any charts more than once, and i can't see them surprising anybody with a new delicacy to their sound, because it's just four classically trained belters, a barbershop quartet with a repetoire slightly bigger than "way down upon the swannee river"
g4 they're not big and they're not clever.
there are boxes in sound studios that you can use to create harmonies for the voice and that's what g4 sound like to me. there's no real variety, no real danger in what they do, it's calculated and forced, no personality, the least natural use of human voices going.
g4 are a novelty act. something you'd give three minutes to, but it's not the x factor. i can't see them topping any charts more than once, and i can't see them surprising anybody with a new delicacy to their sound, because it's just four classically trained belters, a barbershop quartet with a repetoire slightly bigger than "way down upon the swannee river"
g4 they're not big and they're not clever.



