I really share his regret that the days of 'Arthur steals £50' have gone, in favour of big, headline-grabbing stories.
The BIG stories rarely have as much emotional impact. It's why I much prefer Neighbours these days - it's more character-driven, slow build, small stories that build and build and become intricate webs of secrets and fears and determination and love where every character's action has implication for all the others and where the viewer can't predict what will happen.
That's why the initial Chryed story was so good - each of the characters (Syed, Christian, Zainab, Masood, Tamwar, Amira, Ian, Jane, Lucy, Qadim) all had a viewpoint and motivation and everything that each one of them did had implications for all the others. That's why it was gripping - because there was no right or wrong, no easy solution.
The BIG stories rarely have as much emotional impact. It's why I much prefer Neighbours these days - it's more character-driven, slow build, small stories that build and build and become intricate webs of secrets and fears and determination and love where every character's action has implication for all the others and where the viewer can't predict what will happen.
That's why the initial Chryed story was so good - each of the characters (Syed, Christian, Zainab, Masood, Tamwar, Amira, Ian, Jane, Lucy, Qadim) all had a viewpoint and motivation and everything that each one of them did had implications for all the others. That's why it was gripping - because there was no right or wrong, no easy solution.





And yes I'm good at that too. :sleep: He really did mean his vows, even more so, he probably blanked out what he'd done, had to make it so that it didn't exist in his mind.
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The trouble is I think as well is that they've lost the middle ground - either EVERYTHING is happening and it's completely OTT, or nothing is happening at all and it feels boring because of how big the big stuff is now.