Widescreen - the biggest con ever . |
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#1 |
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Widescreen - the biggest con ever .
Back in the 50's when cinema was feeling threatened by tv they came up with the gimmick that is 'widescreen' .
there was little point to it , and 40 years later the gimmick was used again to re-sell a load of videos and new tvs . A double con . most widescreen films don't need to be widescreen , most of the time the director doesn't know what to do with the extra horizontal space anyway . Some films suit it but very few . what do you think ? |
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#2 |
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I feel DVD was a bit of a con, spent thousands of pounds on them and now Blu Ray has come along with better picture quality.
But then DVD were a lot better than VHS. |
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#3 |
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I do think that 4:3 is an ideal ratio. Most digital cameras are this ratio too and it prints very well.
As for film, it is fine too. I know we have the huge widecreen vista experiences but I look at them and think that a bit more sky and land would not go amiss. People when filmed widecreen end up just cropped off. So yes, widescreen is not needed in my opinion. |
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#4 |
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I think if they've paid attention to cinematography widescreen looks nicer and provides a better experience, but if they haven't 1.85:1 works better. 4:3 (forgotten what the theatrical equivalent is), should not be used ever, as even TV is shot at a better AR.
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#5 | |
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#6 |
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Why should we go backwards, just because we can do without "a bit of extra sky"? We can do without knowing who the fifty fourth gaffers assistant grip is, should we drop full credit sequences?
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#7 |
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1:85 is best 4:3 is terrible dont mind 2:35 but 1:85 is a fair compromise between the two
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#8 | |
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btw - I could do without knowing who the hairdresser's accountant's lawyer is ( )
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#9 |
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Most displays you see these days are 16:9 going to 4:3 (an idea floated by soundbox) is backwards, because it offers a smaller screen size than the majority of displays. Widescreen is (technically) larger than the majority of displays, so offers greater image size and larger resolution, so more detail. Going back to 4:3 would result in detail loss of some kind (and wouldn't ever be true HD)..
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#10 |
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The OP sounds like Leslie Halliwell
who complained that while widescreen has its uses most of cinema is about people talking in a room and academy ratio works just fine for that, which is true but I'd sooner watch Lawrence of Arabia in Super Panavision 70 myself
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#11 |
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Leslie Halliwell didn't approve of anything cinema-related which happened after 1930.
Widescreen is closer to the way the human eye sees but if a movie is absorbing enough the aspect ratio doesn't really matter because your field of view accommodates very rapidly. What is irritating is the habit some pretentious tv directors have of shooting in letterbox instead of 16:9 thus making a nonsense of widescreen TVs. Even if the material were intended for cinema release some day, there's still no excuse for black bars on widescreen tv. |
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#12 |
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Have to say I find the OP a little odd...with decent sized HD tv's, anamorphic dvd's and blu rays and the option to change screen ratio's on nearly all tv's, widescreen presentations of movies have improved dramatically.
I also think that the OP is somewhat naive in thinking that directors don't know what to do with that extra space...with a few exceptions probably, any seasoned director would know how to frame a shot. And surely some of you remember the old days of 'letterbox' VHS movie presentations...OAR it may have been, but half a picture on a 4:3 tv screen looked pretty ridiculous. As always, it's about OAR...Original Aspect Ratio...watching the film presented in the way the director intended. |
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#13 | |
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#14 |
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No, but take your widescreen TV and just make the panel a bit higher (but not wider) and you have not only a bigger screen but also 4:3 aspect ratio too. Black bars top and bottom are easier to ignore than side to side.
I agree that too much of the widescreen is wasted. Look at most shows, select 4:3 and only some extra set and wallpaper is cropped off. Perhaps it is just sloppy camerawork and not a format problem per se. |
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#15 |
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Well its the news! Some fella or woman at a desk has innate 4:3 bias. Also framing still is done to suit those who are still watching tv using a CRT.
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#16 |
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The director and DOP should select the most appropriate format for their vision.
Surprisingly few opt for 4:3 these days though. |
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#17 |
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Widescreen is a con?
That's 3d surely Anyhow, I'd miss my black bars
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#18 | |
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Quote:
same with resolution . |
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#19 | |
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Quote:
can't remember his name but one famous director said that widescreen was only good for landscapes and snakes . |
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#20 | |
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#21 |
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#22 | |
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Quote:
http://en.wikipedia.org/wiki/Aspect_ratio_%28image%29 |
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#23 | |
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Quote:
My field of vision is definitely more of a rectangle than a square |
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#24 |
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4:3 is not a natural aspect ratio as it doesn't match what our eyes see. Who's eyes see only a squareish field of vision?
Wider aspects are closer to what we see with our eyes and so more natural and better. Scientifically proved years ago. |
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#25 | |
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Off to specsavers, quick! |
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)
who complained that while widescreen has its uses most of cinema is about people talking in a room and academy ratio works just fine for that, which is true but I'd sooner watch Lawrence of Arabia in Super Panavision 70 myself 