Digital Spy asking Shayne Ward to give James Arthur career advice ... |
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#2 |
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lol
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#3 |
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#4 |
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Suppose Shayne might be able to tell him what NOT to do ....
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#5 |
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I think Shayne is the best male winner we've ever had.
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#7 |
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Shayne is the best male winner.
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#8 |
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#9 |
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hes not here to say hes sorry hes not here to lie to you hes here to say hes ready, to follow through =D what a tune... not :P
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#10 | |
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Quote:
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#11 | |
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Quote:
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#12 |
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Nothing to do with being the best it was just the comedy of him wearing a leotard giving out career advice to James Arthur. Obviously advice is something Shayne could have done with.
Like I say - pure Ricky Gervais. Whilst going on another singing show played dividends for Joe McElderry I don't really see someone on a skating show being a credible career move for a singer. "The fans want to see me on TV" Shayne, the gift that keeps on giving.
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#13 |
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I wouldn't call Shayne or Joe flops, they've just slipped off the radar a little through no fault of theirs. They don't have bad record sales really. Think they're better suited to what they do now tbh. Shayne seemed to do well in ROA and Joe suits the opera music. Fair play to them, if it makes them happy then they're not flop acts at all.
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#14 | |
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Syco, perhaps to fulfill a contract obgliation or to save face, offered another covers album to be pushed out at the time of the second series of X Factor. Steve wanted them to release the music he had written. Syco didn't like it and wouldn't entertain anything other than covers. They agreed to part and he was offered a small sum (£12,500 IIRC) to go away and have it all over nice and cleanly. He argued that he should get £50,000. And then they never spoke again. |
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#15 |
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#16 | |
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#17 | |
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#18 |
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#20 |
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Shayne had it all, the looks, the voice and the personality. His biggest problem as far as I'm concerned was being managed by Louis Walsh. People were expecting Shayne to be the UK's answer to Justin Timberlake, instead Louis stuck him in a suit and gave him ballads to sing.
He is still a lovely guy and I hope something good happens for him this year. |
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#21 | |
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Shayne didn't write his own material. He was dependant on song writers and so therefore dependant on his musical direction. Westlife were big at the time and Louis probably had a lot of Westlife-type songs to hand. It had worked before - Will Young's first single was a Westlife cover/reject. I think the other thing was Steve Brookstein-related. Brookstein had started kicking off about the show and Simon and Shayne had to prove he wasn't going to be anohter 'Steve' so he towed the line and did as he was told. He bigged up the XF at every opportunity. |
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#22 | |
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Again, the supposed relevance escapes me. It's certainly true that Shayne always came across as a bit of a yes man. And indeed he'd seen first hand what awaits those who foolishly bite the hand that feeds. But just because he remained agreeable in the media, it doesn't necessarily follow that he was a doormat behind closed doors. Although what difference it makes regardless, I fail to see. Brookstein's delusions of grandeur cost him the best stab at a career he'll ever have, and more recently Matt found himself castigated for every last trace of self-assertiveness he ever showed. It may get you the album you'd always wanted to make, but sales, respect, credibility and a sustained career aren't available on demand. |
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#23 | |
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Anyway, Shayne is doing fine in ROA and raising his profile on DOI will probably get him more West End parts - I suspect he is less looking to re-ignite his pop career and more looking to find ways to consolidate his career in show business generally. |
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#24 |
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