Co- writers have ruined music |
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#1 |
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Join Date: Apr 2012
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Co- writers have ruined music
http://www.musicweek.com//news/read/...rformer/053416
Radio play is now dictated by how many co- writers you have as there's no money to be made in record sales. Writing the songs is the only profitable part of the business. I can only think of one artist who writes all her own stuff - Amy Macdonald |
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#2 |
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Join Date: May 2011
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agreed why is there so many writing credit on songs take mariah & madonna both usually just wrote with one other person in madonna's case stephen bray & patrick leonard.
Now there's like lots of credits even boy george said in an interview he's done writing sessions where people did nothing. |
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#3 |
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One song which I remember having tons of writers is Sugababes 'Round Round'. In their Greatest Hits booklet it's got about 13 writers. It did sample a track though, so they weren't all there in one go.
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#4 |
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There always has been and always will be co-writers some of the best music in the world was co-written i see and take no issue.
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#5 |
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To an extent, it's possible, but I don't think co-writing is by itself a problem. The problem is more that the co-writers are writing, in my opinion, rubbish songs and the people who matter to the charts want this rubbish music. It's rubbish in, rubbish out; it doesn't matter whose rubbish it is.
The idea of songs being written by co-writers or other people being the sole problem with music is just too easy. Roy Orbison had co-writers, it didn't make his music any less great. Groups like The Ronettes, Crystals, etc. didn't write their own music, but it was still fantastic work. Co-writers can make great work - but they have to be good co-writers working for good singers. Personally, in my out of touch opinion, we don't have either these days. |
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#6 | |
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#7 |
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Agreed I don't think it’s an issue with co-writers. Some truly great music has been written that way, so it’s not in itself a bad thing. I think there are good and bad examples of co-writing. Sure there are pop acts that maybe all they do is write one word just so they get a credit, but to take that as an example of all co-writing is wrong. It’s usually at its best when you get a pairing of someone who is very talented at actually writing the music, and someone who is very talented at writing the lyrics coming together. I see that as no different to what happens in bands anyway. There is nothing wrong with two great artists collaborating to make something great.
I do agree it’s more an issue that what gets in the charts now is more a styled product. We could blame the record companies for this, but people seem to keep wanting their pop as a styled product rather than an "organically" put together enterprise by artists. Such is the way of the world these days. |
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#8 |
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its not co writers that are the problem, not real co writers anyway...indeed many of the greatest tracks ever composed had co writers.
the problem is that anyone who adds a note or tweek here and there now get credited as co writers. to me, a co writer is someone who has a sizeable input into the creation of a track... like bernie taupin/elton john... |
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#9 | ||
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#10 |
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#11 |
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#12 |
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^^^ Even if she had help, she still wrote the songs herself.
![]() God bless you and Taylor and her co-writers always!!! ![]() Holly |
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#13 | |
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#14 | |
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#15 |
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I think that's a bold statement to make.
I actually think co-writers are a good thing. Artists who write their material seem to bounce off co-writers and this is how a lot of the time, concepts are born and great albums as a result. |
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#16 |
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I Had a look at the credits for Chris Brown's 'don't wake me up' once and it had TWELVE writers listed! How does it take so many people to write 'don't wake me up' 200 hundred times in a row?
Admittedly it was Wikipedia but as far as I'm aware it's true? |
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#17 |
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Radio stations don't pay attention to how many songwriters are involved when playlisting songs.
Producers nowadays tend to get a songwriting credit regardless of whether they had any involvement with the lyrics so you can't really compare how things work now to how they did before. |
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#18 | |
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Also, when a song samples another song, you have to credit the song-writers of the original sample. And when you sample multiple songs, it can build up to quite a lot. Also, producers get credited as writers even if they don't write any lyrics, since if you make part of the melody you get writing credits too. I don't really care though. I can think of lots of brilliant songs with lots of co-writers and lots of awful songs written solely by the vocalist. I think saying co-writers have "ruined" music is a bit extreme. I don't think it affects radio airplay though. Most mainstream radio stations don't care. I think the exceptions are when a song is co-written by someone famous it can help the airplay (like at the moment is Sia co-writes a song, a radio station might be more likely to play it since she writes a lot of hits at the moment, and it was the same situation with Keri Hilson 5 years ago and Ashanti 10 years ago, and for example Just Dance by Lady Gaga, part of how they made that song successful was by publicizing that Akon co-wrote it). |
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#19 |
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The only thing that has 'ruined' music is money. Or rather greed.
Sometimes you need someone to bounce ideas off and if they have a good line (verse)/ suggestion it could sound better then they deserve credit. |
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#20 |
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Co-writers are often used to give an artist the hit single they need, even if they're a good songwriter in their own right and write most of their own stuff.
KT Tunstall's 'Other Side of the World' springs to mind. Even though she has a credit on that there's no way she wrote anything other than maybe some lyrics. It's completely different to her usual writing style. It was written by Swedish writer/producer Martin Terefe. |
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#21 |
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As a writer myself, let me let you into a little secret as to how it all works.
Most famous artists won't touch a song that's been written for them, or passed on to them unless they get a co writing credit. This is so that they have a claim on royalties etc. They can do this by adding or changing one word, and they have the power to do this, because if they don't get their way, they wont touch the song. At least by agreeing to have their song seen as being co written, the songwriter gets some royalties from it and gets their name known. |
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#22 |
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It's not that co-writing is such a bad thing as such - it's the corporate structure that these relationships are set in is the problem.It's a closed shop (commercially) for the majority of talented song-writers / artists unless they have relationships with the corporate oligopolies.
To a certain extent you cannot blame the general public at large when these corporates try to shut out as much competition as possible on who gets the 'hits' & the returns they get from them (even though the outgoings may be more than the returns in some cases). THE COMMERCIAL END OF MUSIC ISN'T AN OPEN MARKET |
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#23 | |
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#24 |
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#25 | |
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![]() ![]() ![]() ![]() That is funny and sad at the same time. But, if a certain song was a comma (,) instead of a full stop (.), it might change the whole song ![]()
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