Originally Posted by Abomination:
“I think the reality was that Series 9 was by far the hardest series so far to promote. It involved so many genuine shock moments and twists that they couldn't chuck into promotion that it made things difficult. Series 6 would have struggled in the same way but was able to depend upon the ominous mystery of River Song at the time, as well as the full-time inclusion of Arthur Darvill. All other series have at the very least had a new lead actor to promote somewhere along the line, be it a new Doctor or a new companion.
Series 9 had none of that. Same Doctor, same companion. Davros came back in the opening story, and it was a massive part of it that played out in its very first scene... but for the sake of drama and tension they successfully managed to conceal it from the masses. Maisie Williams was cast as a mysterious new character but the nature of it all meant they couldn't say anything more, or even quite how many episodes she was in - even more dedicated fans were unsure of how much she'd show up as the series went on which was an impressive move from the BBC, but again in terms of promotion you can only run the same "Maisie Williams is in our show now!" headline so many times. Gallifrey was the crux of the finale, again kept secret. Capaldi's one-hander was a huge source of interest but again concealed in secrecy. Clara's fate generated some interest before it was known but again doesn't sell itself to strong promotional material. Then there's Whithouse' two episodes of which the titles alone were only revealed a couple of weeks before broadcast!
It seems that whilst the "same old, same old" line was an untactful error of judgement, the series as a whole was indeed very difficult to promote - not because of quality or anything. In fact, on the contrary, Series 9 managed to deliver something quite surprising/twisty/unspoiled which these days is quite unprecedented. Series 10 has already lent itself well to promotional material allowing for a fresher start and a new companion joining the ranks... with it also being Moffat's final series too, the whole thing should sell itself quite easily I think
”
“I think the reality was that Series 9 was by far the hardest series so far to promote. It involved so many genuine shock moments and twists that they couldn't chuck into promotion that it made things difficult. Series 6 would have struggled in the same way but was able to depend upon the ominous mystery of River Song at the time, as well as the full-time inclusion of Arthur Darvill. All other series have at the very least had a new lead actor to promote somewhere along the line, be it a new Doctor or a new companion.
Series 9 had none of that. Same Doctor, same companion. Davros came back in the opening story, and it was a massive part of it that played out in its very first scene... but for the sake of drama and tension they successfully managed to conceal it from the masses. Maisie Williams was cast as a mysterious new character but the nature of it all meant they couldn't say anything more, or even quite how many episodes she was in - even more dedicated fans were unsure of how much she'd show up as the series went on which was an impressive move from the BBC, but again in terms of promotion you can only run the same "Maisie Williams is in our show now!" headline so many times. Gallifrey was the crux of the finale, again kept secret. Capaldi's one-hander was a huge source of interest but again concealed in secrecy. Clara's fate generated some interest before it was known but again doesn't sell itself to strong promotional material. Then there's Whithouse' two episodes of which the titles alone were only revealed a couple of weeks before broadcast!
It seems that whilst the "same old, same old" line was an untactful error of judgement, the series as a whole was indeed very difficult to promote - not because of quality or anything. In fact, on the contrary, Series 9 managed to deliver something quite surprising/twisty/unspoiled which these days is quite unprecedented. Series 10 has already lent itself well to promotional material allowing for a fresher start and a new companion joining the ranks... with it also being Moffat's final series too, the whole thing should sell itself quite easily I think
”
All good points I hadn't considered before. I wonder how that would have panned out differently if Jenna had actually left after Last Christmas?
As far as promotion and advertising were concerned they'd have been able to generate some excitement over the arrival of a new companion.
It also occurs to me that UNIT might have had an enlarged role in the opening episode and a new companion could more believably be fooled by Missy into a) being pushed into a pit and b) getting into a Dalek casing.



