Films that start well and end terribly |
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#76 |
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Near Dark - great film, but the ending is such a cheap, dirty cop-out. So dirty that I wanted to shower in bleach after seeing it.
Sunshine - the first two parts were great, but the third part? Why, Boyle and Garland? Were you so high on a long hiatus that you had to add that moronic sub-plot to Sunshine? You'll never be forgiven for that. Never. Get Carter - I do realise the ending is what makes the film so great, but I hate it. It's the location, really. I just couldn't see him as the sort that would take a leisurely stroll on the beach. LA Confidential - I love and adore this film, but I still don't like the ending. It's Edmund and Bud's story, so why does it have to be about Edmund and Lynn? It doesn't make sense. Edmund and Bud were enemies at the start and in the end, it became "whatever"? Actually, the last fifteen minutes do the film a disservice, but it's that last scene that makes me want to gouge someone's eyes out. |
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#77 |
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The Abyss. Fantastic film, but for the last 5 minutes.
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#78 |
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#79 |
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#80 |
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Con Air
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#81 |
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#82 |
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I'm going to be controversial and say Marvel's The Avengers/Avengers Assemble.
It had a good beginning, a fairly good middle (aside from the fact
Spoiler
I know that's what the Avengers do, but superheros and demigods vs. aliens from another dimension sounds like an Asylum parody... |
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#83 | |
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1) The aliens are in the very first scene and feature prominently throughout, they don't come out of nowhere. 2) Greg Coulson features very prominently right from the first few scenes and interacts with all the main characters, and gets by far the most screen time of any of his appearances in the films. So I don't really understand why it apparently goes pear-shaped midway through?
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#84 | |
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Quote:
2) I don't remember seeing him once during the first hour of the Avengers. It felt to me like they'd randomly brought a character on screen purely so they could kill him off, as an emotional catalyst for the rest of the film. (And it did strike me as bit weird, trying to make the audience upset about the death of character that had maybe 4 lines). [That's a side complaint, it wasn't really relevant to why I thought the ending was terrible] I just thought the last 20 mins or so where the huge horde of aliens appeared was too ridiculous, and the film became a bit stupid. The whole idea of superheros and demigods vs. aliens felt a bit lacking, and it certainly wasn't helped by the fact the aliens were presence-less and about as terrifying as a potato... |
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#85 | |
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Still, given that this is only film I can actually remember you commenting on in this forum, it clearly did make a very big impression on you.....
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#86 | |
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I strongly defended Looper, when all of its detractors crawled out of the woodwork. I'm also the only person in the world willing to publicly admit they preferred Funny People to Knocked Up... But yes, I do seem to spend quite of a bit of discussing it.
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#87 | |
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![]() I like Looper too, it was one of my five favourite films of last year.
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#88 |
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The Village. Great premise ruined by
Spoiler
Insidious. Genuinely creepy until
Spoiler
Piranha 3D. I know it was never meant to be taken seriously, but the final scene was just too ridiculous and OTT, and was an omen for what was to come in that godawful sequel. |
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#89 |
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#90 |
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#91 | |
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#92 |
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evolution
where they shove head and shoulders shampoo up a large brown blob's anus at the end. |
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#93 |
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How else could The Village have ended, may I ask? I thought it was a fairly good twist.
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#94 |
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#95 |
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#96 | |
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It didn't really bother me, tbh, but I know it was widely panned for that by the critics. |
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#97 |
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Minority Report & A.I. - Both went on for 30 minutes longer than necessary. Okay, so A.I was pretty meh anyway, but Minority Report was good until Tom Cruise's character was freed from stasis and we had the typical Spielberg happy ending.
Falling Down - Good film right up until the moment they turned Michael Douglas's character from an ambiguous anti-hero to a bad guy stalking his ex-wife. And I'm surprised nobody's mentioned Die Hard with a Vengeance yet... |
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#98 |
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Near Dark - great film, but the ending is such a cheap, dirty cop-out. So dirty that I wanted to shower in bleach after seeing it.
I agree with this, the beginning of the movie had that perfect sense of atmosphere helped by Tangerine Dreams superbly dark music, the lame blood transfusion scene ruined it for me. Caleb and Mae should've died together in flames, more romantic. |
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#99 |
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Planet of The Apes (2001) not particulary great to begin with but the ending drags it down more.
April Fool's Day 1986, the ending makes me think why did I bother. Haute Tension, verging on the nonsensical just to have a twist. |
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#100 |
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