Originally Posted by Muttley76:
“The thing is though, were the problems that some people had with those episodes actually to do with the script or other factors?
For example, the two biggest issues people raise with Victory were a) the rushed nature of the plot in the the second half of the episode (he can't control how much time is allocated to his story or how its edited) and b) the redesign of the Daleks, neither of which actually had anything to do with Gatiss (he is actually on record as saying that he raised some reservations about said redesign). On the other hand, one thing that people often say is that the concept behind the episode was a good one - and that is something that Gatiss can take credit for.”
Well, I don't think any of that is as unequivocal as you imply.
As the script writer, of course he has to take a share of responsibility if the pacing is off. The director too, yes, but you can't just pick and choose who was to 'blame' and say it had 'nothing to do with Gatiss', unless you have read his scripts.
You are also erroneous to say that Gatiss was responsible for the idea for the episode: he has talked a number of times, most notably on Confidential, about his reactions when
Steven Moffat pitched the idea to him of a story with Winston Churchill and the Daleks.
Additionally, the main plot thrust of the Daleks pretending to serve humanity is actually a direct lift from classic doctor Who story 'The Power of the Daleks' by David Whitaker back in the 60s. Gatiss even mimicked the dialogue in that story, changing the Dalek motto from 'I am your servant' in 'Power' to 'I am your soldier' in his own story. So that wasn't his idea either.
On top of this, I must say that I had far more than just these two problems with that particular episode.
Come on, you want to give Gatiss the benefit of the doubt, and that's nice of you, but can we really argue that Gatiss may have just have been unlucky with the production
of all 5 of his scripts to date? Can they really all have been mangled? Especially given it's always the same weaknesses in all of them: hackneyed dialogue, one-dimensional characters, unimaginitive plotting. And surely none of those aspects can be blamed on the director?