Originally Posted by earlgrey152:
“My perception of soap operas is that you only get bits of pieces of a number of storylines that span multiple episodes, with lots of overlap and long-term story arcs, and without a clear protagonist. I really don't see that with DM. In fact, besides the main storyline of M&L's will they/won't they, there is very little overlap of storylines from one episode to the other. For such a small village, there sure are a lot of people we only see once, and who disappear after their medical malady is resolved!
What I do see in DM (in the later seasons) is melodrama - the huge emotional rises and falls, the last-minute declarations of regret and of love, the increasingly ridiculous and harrowing situations requiring ever greater emotional responses (ie kidnapping, car-crashes, etc.) All we need now is an evil twin brother, or someone in a coma with amnesia, or even better, someone who was presumed dead to show up in Portwenn! *cough* *cough* *Christopher*
I can take a bit of melodrama. Some of my favourite scenes are those with the great emotional declarations of love (or as close to it as DM can get...). But I'm not sure how much more BP can get away with, despite my optimistic hopes for S7.”
Earlgrey your definition IS the way things have gone on DM in many ways. The DM/LG/E relationship has been totally "soap opera". We have long storylines of both Al and Bert not finding their place in life, or a love in life, moving forward, moving backwards. We have long storylines of Mrs. T, her dissolving into insanity (pretty much), of DM's secretaries and their lives.
Pretty soap opera-ish, I think.