Originally Posted by dcdmfan:
“I see DM as a man who is fully growing into adulthood since series 1, but especially since series 3. I won't go into chapter and verse of why I think that. But the progression of recognizing of his parents abuse, coming out of his denial about it, and finally shedding their influence were huge events in his life. A next step may be acceptance that his blood phobia is going to be with him and he may have to just accept himself. He calls it blood "sensitivity". He can't even say the word at this point.”
“I see DM as a man who is fully growing into adulthood since series 1, but especially since series 3. I won't go into chapter and verse of why I think that. But the progression of recognizing of his parents abuse, coming out of his denial about it, and finally shedding their influence were huge events in his life. A next step may be acceptance that his blood phobia is going to be with him and he may have to just accept himself. He calls it blood "sensitivity". He can't even say the word at this point.”
I agree about the growth, but I would include Louisa, too.
If we look at the ending of each season, I personally think we see a developent to more mature behaviour.
S1-2: He makes a stupid remark and she throws him out of the taxi or slaps him. I'd say it's the maturity grade of six year olds on a playground.
S3: They suddenly realise a few minutes before the wedding that this is for real. I'd say it's the maturity grade of teenagers who are in love for the first time.
S4-5: They try to stand their own ground, try not to give in too much. In the end, a critical situation let the adrenaline and hormones boil over and a desperate, emotional realisation of desire brings them back together.
Again, they are more like teenagers.
S6: They have both realised by now that relationships need work. They won't be able to stay who they are. They need to change and nudge forward, accommodating the other ones need.
They now rather stay apart an d work on themselves first than been thrown back together by sheer emotions. There is no shouting and emotional outburst in the season's finale. They talk quietly and civilised and are - surprise! - agreeing on the direction they have to take.
They have reached early adulthood.
They are on the right track.




”
. And the siren call of "real" fiction is out there, somewhere.