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Charleston, Past, Present, on SCD & elsewhere - resource thread |
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#1 |
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Charleston, Past, Present, on SCD & elsewhere - resource thread
Hello!
This thread has come about due to the conversation going on in the Sophie V Natalie Charleston thread. I'm going to post my personal opinions on Charleston here (I teach Jazz era Swing dances for a not for profit dance organisation, to adult beginners/improvers/intermediates). I am not a professional expert but I am an invested and committed enthusiast. This does not mean that non expert opinions are not welcome, they absolutely are! I'd love it if we can keep the discussion focused on the dancers though, and try to be a little impartial regarding our favourites, tough, I know! I'm going to start out by collecting a few links and copying and pasting some previous stuff over here. (It would be amazing if others can start similar threads on the other dances, I'd LOVE to learn more, doesn't have to be teachers/professionals, just those that love and care for the dance!) We can probably use this thread for discussions about 'Swingathons' too, as the appropriate air steps are the same. |
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#2 |
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You are a Diamond Betty - thank you
See what I did there?
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#3 |
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Link to a previous thread "Charleston in the real world".
http://forums.digitalspy.co.uk/showt...178&highlight= There are some video links on that thread, including this years ILHC solo Charleston final and on the next page, a fabulous video of Max and Mella featuring partnered Charleston and Lindy Hop. |
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#4 |
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And from today's Sophie V Charleston thread: Quote:
OK, I've now youtubed both dances three times in a row.
Sophie's Charleston contained 8 different steps that genuinely belong in the dances of the period. Natalie had performed 5 recognisable steps before she'd even left the podium and made it to 22 by the end of the number. Some of the steps Natalie did I have never seen on SCD before and those that come up all the time were much better than usual. However, Natalie's was overproduced, too much distraction! And there were timing issues, caused in part by the disjointed song, and the odd fluff up too. Sophie's had more airsteps, but some of them were very poor indeed, as hairy as Patrick and Anya's AS lifts in places. Brilliant "Pancake" though, more likeable atmosphere and song. Weight in the wrong places most of the time so poor technique over all... neither was a 10. I reckon Natalie is a point higher, so maybe Sophie a 7 and Natalie an 8. (and I'm not an EXPERT either, but I am the nearest DS has to one in the particular area, maybe!) Any nominations for a similar analysis of Charlestons past? DVO or Hollins perhaps? Quote:
I am nowhere near you in expertness of the Charleston, but I felt exactly the same.
Sophie was extremly lucky of the feel and look of the dance and that it was week 2. In purely aesthetic terms, Sophie's charleston was brilliant: she look strikingly beautiful (her hair, make up, dress spot on, imho pure perfection), the choreo and feel was very suited to Sophie's personality, and the music was spot on too. And it help that Sophie out-danced Brendan giving the impression that Sophie was actually better than she actually was. The other factor is that by being on the second week and second charleston of the series, it meant that it had more impact, there is only Tony's to compared it to and who isnt going to win that battle? But more importantly, the majority of viewers are still undecided about who is their favourite. Create a beautiful dance and voila, huge fan base created. Both things combined (aesthetics and week 2) make a recipe for blindness favouritism. Ie, we all become subjective and don't see all the flaws on Sophie's dance and think her dance is the best thing since sliced bread. The irony of this post is that I still like Sophie's charleston best as whole package, way more than Abbey's and a little better than Natalie's. However, my personal preference of the dance doesnt imply that I can't that see that in terms of dancing and considering the difficulty of the steps danced, the scores of the judges are right. Natalie top, Abbey and then Sophie. Quote:
Thank you for creating an island of knowledge and impartiality to this thread ... although your assertion that Natalie's Charlston was overproduced is opinion and something that Artem & the judges would likely disagree with.
I thought the production was excellent but that is just my opinion. I did notice Natalie becoming extremely nervous for the back flip at the end & it was performed a little clumsily - but reading these threads I remembered she has a weak back which she needs to be careful with. Personally I like Sophie's & Natalie's dancing. I feel that Sophie has more in there to give while Natalie already is accomplished but needs to make sure she doesn't break down (mechanically (her back) & physically (exhaustion)) Anyway I think we need to get back to the thread discussion: ... me but, you but, she but, pro-dancer, but he but, faking it, she but, bad back but, Brendan's butt, Artem's butt ... Quote:
Sorry, don't agree that Sophie's Charleston was better than Natalie's, and to suggest that Nat & Artem tried to copy Sophie is laughable.
Bruno was spot on when he said it was like watching a performance by Josephine Baker.She had loads of authentic Charleston moves in her dance and her body was fascinatingly 'rubbery', whereas Sophie was stiff as always. However I don't think their Charleston was as good as Suzanna & Kevin's Paso, so I don't think it deserved equal marks with them. I can't believe Craig didn't give that a 10. Quote:
Nice idea for its own thread. As they were in the same year, I would like to nominate the Bastian and Hollins Charlestons for comparison. I never took to Ali's dancing, which why be why I didn't rate it quite as much as many did on this forum at the time. I'm aware it is a bit of an unfair comparison as Chris didn't have the dancing ability of either Ricky or Ali, but that's why it/he made such an impact.
A fairer comparison might be between Ali and Kara's Charleston. The two girls had comparable ability and suffered from the same mishaps in the earlier weeks. Plus both had the 'romance with Pro story' going during their time on the show ![]() Quote:
I'm back
![]() I really enjoyed Ali's (Brian was such a lovely dancer, wish he'd done more series!), more than Kara's - I kind of feel like Artem doesn't like the clumsiness that a Charleston should have and tries to make them too cool. That's my obviously expert opinion ![]() ![]() Quote:
I agree with all of this - except, I don't know much about Paso, Kevin's amazing jumps looked balletic to me (Inspired by the Ballet music?) do they belong in a Paso? They matched the mood very well...
I will start a thread but need to go to the shops before they shut. Blimmin' Sunday hours! However i had a quick look at Ali's 14 recognisable steps, one performed so badly it made me genuinely LOL (The Windmill). Similar in mood to Sophie's, cute and cool not gurny, but again, like Sophie her weight was often in the wrong place. Nice lifts, but none were the right kind for the dance. Pleasant though. No idea what the judges gave it but I'll say it's equal to Sophie's so my score would be 7. Brian was much better than Brendan ![]() Quote:
Thank you for having a look. It was a week 11 dance, so scores were quite high - Blackpool high
![]() According to wiki, Ali's total was 37. (10 from Alesha and 9s from Craig, Len and Bruno). Quote:
But you have the right to decide what is more to your taste and Artem's dances are seldom to mine. I also think he pushes his partners too hard and that, combined with having a very driven partner like Natalie, contributed to her exhaustion. It was good to see Natalie dancing in a more relaxed way even though the dance itself was, for me, disappointing.
I was also underwhelmed by Abby's and her long legs were often splayed far apart. Quote:
Oh no, I completely agree (didn't make myself clear in my earlier post) - I like a goofy Charleston, Artem obviously likes a cool jazz-age one, each to our own
![]() (I probably shouldn't have said "should have" in my original post though, I meant "that I like it to have" )Quote:
I suspect that Artem choreographs his Charlestons specific to his celebrities personalities, as he should given that it's (as done on Strictly) primarily about acting and performance. Kara was a stylish, elegant dancer so that's how made her Charleston. Holly was very modern and sexy and hated cheesy gurning and retro stuff so he made hers set in a modern club. Natalie's a very gurny dancer and has the look of a Josephine Baker type, so that's where he drew inspiration from for hers. Fern Britton was mumsy and couldn't dance so he had her stomping around shoving an umbrella about.
I don't think it's got anything to do with his own attitude to the dance, regardless of how much fan wank there is about him being a capital-a Artist who's above it all. Quote:
But that isn't how the judges score it. A great chunk of the marks goes for performance because these are all amateurs and are only learning to dance for 1i/2 minutes. If they weren't giving marks for performance, there is no way they could have given Mark such a high score. Natalie has to have - and I hadn't read anything about previous training before I saw it here - a high level of competency before she even goes into the training room. It spoils the competition to have someone who is so far ahead of the field.
There is also the argument about authenticity. If we are going that way, Ashley's paso should have scored much lower. Most of the audience judges on what they see. I have some knowledge of ballroom and latin but not of authentic charlestan but I'm sure I've seen professionals put in lots of lifts. On the basis of what I saw, it was Sophie, Natalie, Abby. Quote:
You're absolutely right, dancing is an art though, so it's very hard to completely put aside opinion and gut feeling
![]() Anyway, to clarify, I think Natalie's Charleston was overproduced in comparison to Sophie's, which had cleaner lighting, simpler costumes and no extra dancers, which may have contributed to some folks preferences. In terms of just celebrity dancer, quality of dance and difficulty of steps, but not choreo. sets, pros, etc, Natalie was much better, however I can see why some would enjoy Sophie much more. Personally, I'm a big fan of Artem, he does push the boundaries and that's generally a good thing, in this instance though, Natalie's dancing absolutely could've stood up to scrutiny and I felt it was masked by a number of other factors, perhaps on purpose due to Natalie's situation from the previous week, perhaps due to Artem's injury, not sure. As a comparison I've now counted up the authentic steps in Kara and Artem's Charleston and again it reaches 22. Kara is not executing them with the level of detail and isolation that Natalie achieved, but overall, the routine is rather charming, so still Natalie comes out as the better dancer, but the Kara is more enjoyable. for me. Did someone mention Aljaz's bottom? ![]() |
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#5 |
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More threads from this year, discussing outside input on Charleston dances: http://forums.digitalspy.co.uk/showt...973&highlight=
Fiona's Charleston: http://forums.digitalspy.co.uk/showt...206&highlight= Abbey's: http://forums.digitalspy.co.uk/showt...127&highlight= Sophie's: http://forums.digitalspy.co.uk/showt...985&highlight= I'm off to youtube to count up the Cola Charleston... |
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#6 |
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Quote:
Link to a previous thread "Charleston in the real world".
http://forums.digitalspy.co.uk/showt...178&highlight= There are some video links on that thread, including this years ILHC solo Charleston final and on the next page, a fabulous video of Max and Mella featuring partnered Charleston and Lindy Hop. ![]() ![]() ![]() I remember thinking that Holly and Artem's Charleston from a couple of years ago reminded me of Lindy Hop, so it's very interesting to read your erudite posts about the connections. Now, is there any way you could educate the Strictly judges about what they should be looking for?
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#7 |
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Great thread, I love a good Charleston.
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#8 |
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Thanks for doing this Betty.
It's an absolute joy to read informed posts about dancing, particularly when they use numbers, something I can understand clearly
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#9 |
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Quote:
Thank you SO much! I love looking at old Charleston clips and really enjoyed the ILHC 'new' Charleston clip as well. I was proud of myself for being wowed by Pontus Persson and then googling to find out that he won it. Ha! A few years of watching Strictly has made me an expert.
![]() ![]() ![]() I remember thinking that Holly and Artem's Charleston from a couple of years ago reminded me of Lindy Hop, so it's very interesting to read your erudite posts about the connections. Now, is there any way you could educate the Strictly judges about what they should be looking for? ![]() ![]() Have you seen the Max and Mella video further on in that thread? It's pretty cool, very musical! (Pontus and his partner Isabella are coming to teach for us in the Spring, very excited!) In other news, Chris and Ola had 14 authentic moves, spanning about 10 years of vernacular Jazz dance, but then I wouldn't expect any less from the choreographer (video to follow). However, Chris is practically marking his way through some of them. so I'd give it an 8 for the choreo, but maybe only a 6 for the dancing - making an average of 7. Anyway, here's Ryan: http://www.youtube.com/watch?v=85nX0g2p4zU (Ryan is the leader when they start partner dancing) in a little performance inspired by the Nicholas Brothers and Al and Leon. Here's the kind of thing Ryan does with adult hobby dancers in three hours: http://www.youtube.com/watch?v=IbPpd2BtGdA (if SCD wanted a laid back Charleston, this kind of thing would be a great start point). |
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#10 |
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So embarrassed, but... Quote:
Ryan is the leader when they start partner dancing
Could you make it easier for a non-dancer? At the beginning of the video, is Ryan on the left or right as we look at the screen?I really enjoyed that by the way. Two completely different styles/approaches. At the beginning I thought the one on the left was the better of the two, then (and still before they swap sides), the one on the right really got into his thing and out danced the other...so confused at the end. Who is better, or are they equally good, just different? And last question for now. What is the scarecrow move? ETA: I get what you mean about Chris 'marking his way through it', but interestingly enough, he danced the same way I thought in both it's original showing and in the Final reprise. I assume he was trying to add a nonchalant feel to the dance that your men in the video you linked above demonstrate so well. (He wore a white shirt originally and a gold one in the final), (I'm not a Hollins Charleston nerd by the way, I just happened to notice earlier when I was looking for a video to link you to). |
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#11 |
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The charleston gets so many comments and comparisons, so what a great idea for a thread, thank you Betty
![]() Maybe we could have similar threads for other dances. |
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#12 |
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When they start with their backs to the camera Ryan is on the right, he's the shorter one!
Ryan is first in this version: http://www.youtube.com/watch?v=BiViJkz10nw I think right now, Remy is probably the better dancer, but he's younger, Ryan would've had to search out and learn this stuff from old movie clips and hearsay (or the original, but elderly dancers) and Remy would've started out learning from second generation dancers that had already figured out how to do it and how to teach it. So I think they are equally talented but possibly Remy learned faster and his star is still rising, and Ryan has maybe peaked, does that make sense? The scarecrow is here: http://www.youtube.com/watch?v=WOPkSaiPun4 18-19 secs (this is just a lesson recap, not a performance) It's kick, swoop, pose like a scarecrow, basically! |
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#13 |
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I thought Sophie's Charleston was mediocre. The transition into the bit where Brendan flipped her looked awkward. The sequence which culminated in her almost having her nose stuck up Brendan's arse was ugly. And the choreography allowed Sophie to get away with the bare minimum use of her arms and hands.
For a reality check on what was missing from Sophie's "flapper" Charleston, here's one choreographed by Pasha - http://www.youtube.com/watch?v=5UUhzSmfX4Y |
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#14 |
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Really liking this thread - great to hear from people who know what they're talking about. Thank you!
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#15 |
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Unfortunately I can't access all the youtube vids posted on this thread. I watched the 2013 class from Ryan Francois - how relaxed and simple does that look! Watching it reminds me of Craig saying 'remember you have feet at the end of your legs' and for that matter hands at the end of one's arms. They are as important and expressive as any other part of the torso.
I loved the Al & Leon clip posted by another poster on one of DiamondBetty's threads. A bit like Ryan Francois they made their moves look like such natural bodily flows. I think music is key to the charleston (and may be every dance). In terms of charlestons on scd the ones I've enjoyed have been: Laila and Anton's, Ali and Brian's, Holly and Artem's, and, Natalie and Artem's. The one Artem choreographed for Holly was my favourite and to my (untrained) eye the closest to Ryan F/Al & Leon. (Please note I make these utterances as a non-Artem fan )
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#16 |
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Chris Hollings and Ola Jordans Charleston in the final of the SCD 2009 is my all time favourite
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#17 |
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Last years Charleston of Denise van Outen & James Jordan I thought was brilliant when I first saw it during the show (the energy, the joy in the performance, the lightness of feet, the sharpness of move, the transitions, the overall choreography).
It can be seen here (the performance starts at 1:28): http://www.youtube.com/watch?v=_yi3_LONn8o I don't know anything about analysing for technique (I have never been taught the dance) - but I comment on what I see adding my opinion - but the judges seemed to have agreed with me
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#18 |
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From the current season of DWTS, Amber and Derek dancing Charleston to the same song as Natalie and Artem (and it's the recorded version of the song, not the live band)
http://www.youtube.com/watch?v=9NbELDGw8MM |
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#19 |
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Quote:
Beyond a few angry tweets? Ha!
![]() Have you seen the Max and Mella video further on in that thread? It's pretty cool, very musical! (Pontus and his partner Isabella are coming to teach for us in the Spring, very excited!) In other news, Chris and Ola had 14 authentic moves, spanning about 10 years of vernacular Jazz dance, but then I wouldn't expect any less from the choreographer (video to follow). However, Chris is practically marking his way through some of them. so I'd give it an 8 for the choreo, but maybe only a 6 for the dancing - making an average of 7. Anyway, here's Ryan: http://www.youtube.com/watch?v=85nX0g2p4zU (Ryan is the leader when they start partner dancing) in a little performance inspired by the Nicholas Brothers and Al and Leon. Here's the kind of thing Ryan does with adult hobby dancers in three hours: http://www.youtube.com/watch?v=IbPpd2BtGdA (if SCD wanted a laid back Charleston, this kind of thing would be a great start point). Pontus Persson teaching for you! Woo-hoo! Did Ryan choreograph the Team Cola Charleston, then? Strictly used to be quite relaxed about the fact that they brought in specialists to teach the pros as well as the celebs unfamiliar dances (Charleston, Salsa, Argentine Tango), but in recent years they have upheld the notion that the pro dancers choreograph these as well - I just don't believe it. I loved that Camp Savoy piece as well, particularly the young woman in the front row on the right - she had that effortless, floppy demeanour which I admire so much (while admitting I know next to nothing about dancing). Thanks again for the education and elucidation - much appreciated. |
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#20 |
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This is a brilliant idea. I hope we can keep it alive!
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#21 |
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Thanks for sharing these clips - will go off and have a watch!
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#22 |
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Loving the Ryan and Remi clip, I loved sophie & abbey doing the Charleston , Not so much Natalies as I didn't feel it jelled well , watched the clip from DWTS with the same music and enjoyed it a little more tbh. Im a huge fan of Flavia but in the same context I wasn't keen on her winning routine with lewis for the same reason as natalies.
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#23 |
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Updating with what's happened this series since the birth of this thread.
Ben and Kristina - Ben has great swivel so there are quite a lot of basic steps in this, this means less room for other Charleston content. Total of 8 Authentic Jazz/Charleston moves and out of 4 lifts, only one is authentic to the swing family. Terrible windmill - this step is getting a lot of outings this season so for reference, here it is at 1.15 (this video is a lesson recap, designed for those that did the lesson, looks like it was pretty good!) http://m.youtube.com/watch?v=VEhCKL3SdRY (This step was also in Patricks last night, he started off well, then faltered, still better than Ben's though) |
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#24 |
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Patrick last night:
This was pretty good 15 authentic steps and only one of the lifts wasn't appropriate (but as pointed out by another forum member, it was the one they fluffed in the AS, so it must have been a reference to that) and they styled it out to end as thought was an authentic air step, so that was actually kinda cool. Patrick has great Charleston legs, but a tendency to hunch his shoulders and over swing his arms, taking him out of sync with Anya. There were two areas in this routine that were film references (the polka and the box step followed by heel click) so I don't doubt there would've been more Charleston on a normal week. On the whole, this is the best of series 11, with Ashley still to dance it. I think Patrick and Anya could do extremely well in the Swingathon, if they have time to practise and a main dance that doesn't take too much rehearsal time. Patrick's Charleston is discussed here: http://forums.digitalspy.co.uk/showthread.php?t=1915507 Has anyone seen last night pro dance on YouTube? I can't find it and Iplayer looks crap on my computer... |
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#25 |
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Diamond Betty - here's a link: http://www.youtube.com/watch?v=ANuh-wqEMgU
Thank you for doing this by the way! Charleston is the dance on the show that I know least about and I'm always a bit dubious as to how much the judges and pros on Strictly actually know so this is brilliant.
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