Originally Posted by dancingbearbear:
“Although one thing I'm curious about ~ where does choreography end and concept begin? If a routine had been fully choreographed by person A (which presumably includes stylistic elements as to how the routine would be danced, the emotion and character to be conveyed, etc), what is the 'concept' that person B would come in to layer on top? Genuine query ~ I've never choreographed a routine before, but surely the concept (i.e. character, storyline, emotion, etc.) comes from the choreography itself, rather than being something that a third party could add on afterwards once the choreography was set?
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“Although one thing I'm curious about ~ where does choreography end and concept begin? If a routine had been fully choreographed by person A (which presumably includes stylistic elements as to how the routine would be danced, the emotion and character to be conveyed, etc), what is the 'concept' that person B would come in to layer on top? Genuine query ~ I've never choreographed a routine before, but surely the concept (i.e. character, storyline, emotion, etc.) comes from the choreography itself, rather than being something that a third party could add on afterwards once the choreography was set?
”
I'd do it the other way round actually. Start with the music, find a narrative within the song, use that to inspire a character, then think of steps and movements that build the character and help the character narrate the story.
Finally, stick a costume on the top that fits the character but works with the movements (to try and minimise wardrobe malfunctions).




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