Originally Posted by thengp12:
“I was thinking the other day of how they could have made an international AT after the Greece debacle. I came to the conclusion that France or Finland would have been better countries as French music has Accordions that produce a sound like a bandoneon and isn't there something called a Finnish Tango”
They confiscate the razor blades as you enter a Finnish Tango hall.
Apparently there is a big difference between accordions and bandoneons as used in tango and few play both
http://www.albertcombrink.com/2010/0...the-accordion/
I have copied here because the above link has white script on a dark background so illegible to me.
Quote:
“ The difference in the sound of the Accordion and the Bandoneon is very difficult to distinguish if the Accordion player tries to match the sound of the Bandoneon. However the opposite is impossible.
The Bandoneon has two main categories of sound: Right hand notes are bright and powerful and the left hand notes are mellow and softer. The left hand therefore provides accompaniment to the melodies of the right hand. The Bandoneon also does not play chords with one button like the Accordion. Ech note that makes up a chord, must be pressed down individually. This allows much more freedom in the voicing of chords, but also makes the Bandoneon a terribly complicated instrument to learn to play. The left hand buttons are arranged according to the Circle of Fifths – the most basic mathematical principal in musical harmony.
Topless Accordion
The Accordion on the other hand, has a piano-style keyboard, played by one hand, and pre-set chord buttons on the other.The Bandoneon represents one of the early stages of the evolution of the Accordion, and therefore it is technically less complex and costly to build. And it is true that the level of complexity of the musical material that the Accordion handles, can be higher – given the keyboard layout. This makes some of the more virtuosic – pianistic, if you like – passages, a bit simpler on the Accordion.
The Accordeon therefore can play double notes as melodies, while providing ready made chordal accompaniments. In an Argentinian Orquestra Tipica, there is usually more than one Bandoneon playing, precisely to make the harmonies, and play passages in more than one voice. The virtuosity is visible and audible as these “worms” chase each other around the fast passages. The thrill is tremendous.
Ironically, the older design of the Bandoneon makes it a louder instrument than the Accordion – even if it is smaller in size. The reeds of the Bandoneon are made from a heavier mixture of metals. The inside of the Bandoneon also has more metal, creating a reflective soundbox to amplify the vibrations. Also, despite the size, the Bandoneon physically has more space inside the bellows, which allows the sound more “space” to travel. I refer you to this excellent page by Stanislav’s Bandoneon guru Prof. Ricardo Fiorio, giving a more technical description on the capabilities of the Bandoneon as well as MP3 audio files:”