Originally Posted by cylon6:
“Duty Free was the Benidorm of its day. 16/17/18m some weeks and was absolutely massive.
Man About The House and spin offs George & Mildred and Robin's Nest, Please Sir, LETs Doctor.... series of sitcoms (which used multiple writers to make 20+ episodes a series), Me & My Girl, Shelley, Agony, The Upper Hand, Shelley, Only When I Laugh.
ITV had a ridiculous number of popular sitcoms back then.”
Don't forget though how rubbish BBC1's schedules were for most of the week and most of the year, and how the 9pm News killed off BBC1's chances of competing across the piece.
Most ITV sitcoms were bilge, churned out from a cliched sitcom sausage machine, and kept getting recommissioned because 14m+ were watching. They weren't watching because these were good, classic, revered sitcoms, but simply because they were on ITV, the one of the 3 channels available that you could rely on to leave on all night without having to get up off the sofa and walk across the room to press the BBC1 button on the set.
I always felt there was an inverse quality<>ratings ratio with ITV comedy. Tripe like Fresh Fields or The Upper Hand used to get long runs and 14m viewers simply because they were on after Corrie and BBC1 was airing something dismal. Yet really good, funny, critically acclaimed ITV comedy like Watching or Outside Edge or The New Statesman used to get 8-9m (considered disappointing then).
Although I personally loved Duty Free, which could get 14-17m at its peak, I was only about 7 and that was a very divisive comedy - folked either loved it or hated it with an absolute passion. Mum would leave the room when dad put it on.
I don't think ITV ever produced anything that consistently hit the 20m big league like BBC1 regularly managed for OFAH, One Foot, Bread, Some Mothers etc. Or which was anything like as revered. When the nation voted on the best sitcom ever, nothing from ITV (as I recall) made the top 20. (correct me if i'm wrong)
Everyone harps on about Rising Damp, but I don't know why. It was miserable and grim and not particularly funny. Had Leonard Rossiter not been in it, or had folk not needed to make entertainment through doing "Miss Jonessssss, Misss Jonessss" impressions, then I doubt it would be so fondly remembered. I don't think it actually rated that spectacularly anyway.