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Inside No. 9 New BBC 2 Comedy Starts 5th February at 10pm |
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#851 |
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Join Date: Jun 2003
Location: Kessingland, Suffolk
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The main plot before we got to the snuff movie piece reminded me of the first segment of a 1971 anthology horror film by Amicus
https://en.wikipedia.org/wiki/The_Ho..._Dripped_Blood |
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#852 |
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Join Date: May 2015
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Quote:
The main plot before we got to the snuff movie piece reminded me of the first segment of a 1971 anthology horror film by Amicus
https://en.wikipedia.org/wiki/The_Ho..._Dripped_Blood |
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#853 |
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Join Date: Jun 2003
Posts: 6,040
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Shearsmith and Pemberton never disappoint with their tales of the bizarre and the macabre. I love that they pay so much attention to detail. I've enjoyed all of their Inside Nr. 9 tales and this one was no exception.
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#854 |
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Join Date: Oct 2015
Location: Gloucestershire
Posts: 26
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I've often wondered when watching The League Of Gentleman/Psychoville/Inside No. 9 whether Gatiss, Pemberton and Shearsmith have considered doing a full-blown horror project.
Last night's episode made me wonder again. |
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#855 |
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Join Date: Jun 2008
Location: London
Posts: 8,882
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Ok. I loved seeing Rula Lenska, very underrated.
I thought this was great! brilliant twist |
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#856 |
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Join Date: May 2003
Location: Manchester UK
Posts: 515
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Twas excellent as usual.
The movement of the cameras was spot-on for a 70s tv show. Very very well done. |
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#857 |
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Join Date: Jun 2003
Location: Kessingland, Suffolk
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Quote:
I've often wondered when watching The League Of Gentleman/Psychoville/Inside No. 9 whether Gatiss, Pemberton and Shearsmith have considered doing a full-blown horror project.
Last night's episode made me wonder again. |
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#858 |
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Join Date: Jun 2014
Location: Honiton, Devon
Posts: 1,930
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Quote:
The LoG Christmas Special in 2000 "Yule Never Leave" was very much like an Amicus anthology as it had three segments and a framing story
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#859 |
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Join Date: May 2007
Location: Glasgow - Land of everypoo
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I really enjoyed this Xmas special.. Watched it with my daughter..She saw something would be happening off camera from the start.but..Eurrgh! They do well with 30mins..It has to be said.. I could easily have watched it stretched out for an hour! The 70's play with the commentary was done well..Even all the subtitles as we are hoh!
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#860 |
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Join Date: Oct 2010
Posts: 5,171
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Absolutely loved this. As soon as it started with the authentic graphics and camera work I was straight in with it. Can't wait to see the rest of the new series.
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#861 |
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Join Date: Jun 2002
Posts: 65,742
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I loved some of the little details, such as the Rula Lenska character not being on her correct mark and stood too close to the other character, and the narrator credits the genius of the performer by moving slightly to get into a better frame for the camera.
The reason I enjoyed details like this is because it probably happens a lot in 70s television and you sort of let it go unless like here there is someone to point these errors out to you. Which I know was fiction obviously, but it's going to make me more aware now when I watch any old 70s television to see if I can spot mistakes in the framing or the blocking. Not only do Pemberton and Shearsmith make good television, they also appeal by bringing out the geeky side of anyone who has one. It's a shame that 12 Days of Christine wasn't repeated this Christmas though, because for me that should be shown every Christmas. I also haven't seen the LOG Christmas Special for a long time too. I don't know why they don't show things like this more regularly over the festive period, but they will make substandard filler instead. Theoretically Christmas television should be amazing due to the amount of quality from previous years which could be shown. But for some reason they just don't do it. And I don't why. |
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#862 |
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Join Date: Dec 2004
Posts: 842
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This was fabulous, it really captured the genre well, the devil was definitely all in the detail.
Little things like cameras and boom mikes coming into shot; Pemberton going to slip his hand into his pocket and missing, eventually getting it in on the third attempt; lip-gloss on the female leads; rubbish acting from the child actor; the glare effect of naked flames on, presumably, videotape; then the stock external footage on film... Brilliant. |
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#863 |
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Join Date: Jun 2002
Posts: 65,742
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Quote:
This was fabulous, it really captured the genre well, the devil was definitely all in the detail.
Little things like cameras and boom mikes coming into shot; Pemberton going to slip his hand into his pocket and missing, eventually getting it in on the third attempt; lip-gloss on the female leads; rubbish acting from the child actor; the glare effect of naked flames on, presumably, videotape; then the stock external footage on film... Brilliant. |
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#864 |
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Join Date: Aug 2005
Posts: 18,064
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Mindblowing! Only Reece and Steve would be able to make this show. What a brilliant homage to '70s TV, particularly the old horror/anthology tales, as well as being...something else, which turns it back into TRUE horror, as opposed to just honouring it!
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#865 |
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Join Date: Feb 2005
Posts: 5,005
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Quote:
Not fake. They actually used cameras and equipment from the 1970s to create the right look.
And for those that thought it was crap, the beauty of Inside No. 9 is that it is a completely different set of characters and story each week, so there's always another episode you might like better. Brilliant show as ever. |
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#866 |
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Join Date: Jun 2014
Location: Honiton, Devon
Posts: 1,930
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Quote:
Theoretically Christmas television should be amazing due to the amount of quality from previous years which could be shown. But for some reason they just don't do it. And I don't why.
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#867 |
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Join Date: Mar 2007
Posts: 11,689
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I don't care whether or not they got the sheer crapness of 1970s budget films spot-on, I thought it was very poor and not at all entertaining. I watched it on iPlayer after seeing some good reviews and was hugely disappointed – probably the worst one of an otherwise mainly-good series.
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#868 |
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Location: Kessingland, Suffolk
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Gatiss already has. Crooked House (2008). He also wrote the the 2013 adaptation of The Tractate Middoth.
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#869 |
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Join Date: May 2006
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I really enjoyed this. Certainly had the look and feel of an old episode of Tales of the Unexpected.
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#870 |
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Join Date: Feb 2013
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I don't care whether or not they got the sheer crapness of 1970s budget films spot-on, I thought it was very poor and not at all entertaining. I watched it on iPlayer after seeing some good reviews and was hugely disappointed – probably the worst one of an otherwise mainly-good series.
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#871 |
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Join Date: May 2015
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Funny you should mention that, as right now I'm watching a really old black and white repeat of The Good Old Days (which is just finishing this very second). Not that I normally watch this show but I'm just curious about watching something this old. And on it they had naked flames, and I notice that as well as a bit of flare, video surrounding a naked flame goes black.
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#872 |
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Join Date: May 2015
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Quote:
I don't care whether or not they got the sheer crapness of 1970s budget films spot-on, I thought it was very poor and not at all entertaining. I watched it on iPlayer after seeing some good reviews and was hugely disappointed – probably the worst one of an otherwise mainly-good series.
This was a marvel masterclass on how to do (or not to do) multi-camera studio production and all involved got it bang on. It's funny how we've all experienced the slow transition of multi-camera recordings from the 1970s and 80s to single-camera recordings from the 90s onwards without much notice in production at all... but as soon as we're presented something in the old style, it's immediately noticeable. We're in another phase today with the advent of standard to HD and the acorn of 4K happening as we speak but many still do not notice the slow transition. I think you're looking at this production from the wrong angle and not in the mindset of the piece. It's in two Acts (the first should be viewed with nostalgia for those old BBC anthology productions, eg. Dead of Night (1972), Supernatural (1977) or ITV's Thriller (1973), Beasts (1976) etc.). It lured us into a false sense of affection. Just as an enclosed set to protect many actor's modesy, Act II was the changeover of the final and rushed ending. It had to be short, it had to be quick, intensifying the real shock. The horror sunk in as the credits rolled. |
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#873 |
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Join Date: May 2003
Location: Manchester UK
Posts: 515
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Loved how he turned up an oil lamp and the entire set lit into brilliant light haha.
Seen that so many times in old shows and movies. |
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#874 |
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Join Date: Jun 2002
Posts: 65,742
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Quote:
The trail flares from lights and flames is due to the length of the old Marconi cameras, some were just above 2ft in length from lens to signal feed at the rear. It's the video signal bouncing back and forth several times. As cameras got shorter in length with technology, the trail flares became shorter.
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#875 |
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Join Date: Jun 2002
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Quote:
Thought it was smug and slight and up its own arse. Gareth Marenghi did it better. I am a huge fan of crusty old 70's film and TV as well.
For them to be so into these old horror things suggests to me a genuine love for the TV of old. I don't think smugness comes into it at all because that usually sends the message to me that the creators have no respect for the material they're referencing. These guys will really love Tales of the Unexpected and Hammer House of Horror and other similar television series. |
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