Originally Posted by Glawster2002:
“What is interesting are the reviews of the Wembley gig, they are all overwhelmingly positive. Even from the likes of NME!
One common theme, it seems to me, is the notion that anyone writing Babymetal off as a one-off "novelty" act are mistaken and that they are here to stay.”
I read a few reviews for the album, and almost all of them were positive, but there was a sneery undertone of 'best not sound too positive' to some of them, like they didn't want to admit it was good (despite giving it a good rating), or perhaps it was more of a 'I'm only covering this because it's become a thing and I've been told I have to... I still can't believe this is a thing" type of undertone. Seems some critics still don't quite know what to make of them
NME's review was the worst one I've read, just seems rushed, like they only spent 10 minutes listening to the album and possibly only heard half of it. Says the strongest song is Amore (bizarrely), I mean, nothing against that song, but the strongest on the album, really?! The reviewer then goes on to slag it off for being "boring", but still gives the album 3/5? And I'm sorry but how can you listen to Metal Resistance and not mention Tales of the Destinies, Sis. Anger or Awadama Fever?! It's like ignoring the big fat elephant in the room
Review also says Road of Resistance 'sets the tone for the entire album", yet the album is actually pretty diverse. There are other songs in the same vein as Road to Resistance, but I don't think it sets a tone at all, in fact I'd say most of the songs on the album sound nothing like Road of Resistance.
Also, calling a band 'boring', coming from the NME, who wet their knickers over every generic, middle of the road artist going is laughable. Perhaps if they had listened to more than 4 or 5 songs, and actually got to Tales of the Destinies and The One, they'd have something to say about it. other than it's one of the songs with English lyrics. Wow, thanks for that descriptive assessment of the music NME, because one thing Babymetal fans really wanted to know is which songs were sang in English (after an entire album of almost fully Japanese lyrics that bothered nobody).
I think the problem with a lot of the big critic reviewers (and why I usually avoid them), is they never have time to listen to an album properly. Some of the best albums need time to grow on you, I certainly think that is the case with some of the best songs here, one brief listen just isn't enough.